understanding brecht di benjamin walter (38 risultati)

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9781859844182.

paperback. Condizione: Good.

Couverture souple. Condizione: Tres bon. Verso Books collection , 2024. 1 volume broché(s) format In-8 très bon 144 pages - Langue : Anglais.

Soft cover. Condizione: Very Good+. 1st Edition Thus. Translated by anna Bostock with introduction by Stanley Mitchell. 124pp.

Condizione: New.

Condizione: New. 2024. Trade Paperback. . . . . .

Paperback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Condizione: NEW.

Condizione: New. 2024. Trade Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days. 232.

Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condizione: New. In.

Paperback. Condizione: Brand New. 144 pages. 7.75x5.00x0.50 inches. In Stock.

1st edn. 8vo. Original black lettered yellow cloth (VG), dustwrapper (VG in protective cover, not price clipped). Pp. xix + 124 (no inscriptions).

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware - The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the 'midnight of the century', with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it.In Understanding Brecht we find collected together Benjamin's most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brecht's oeuvre and theorising his particular dramatic techniquessuch as the famous 'estrangement effect'Benjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamin's introductions to Brecht's theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamin's insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire.Here we also find Benjamin's masterful essay 'The Author as Producer' as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brecht's place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war.

Condizione: New.

Condizione: Very good.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: New.

Paperback. Condizione: Brand New. 142 pages. 7.17x5.12x0.47 inches. In Stock.

Paperback. Condizione: Very Good. Paperback 1977. 21x14cm. xx+124 pages. Flat spine. Clean & tight book. Front end paper has a neatly written name. No other inscriptions. BROWNED PAGES. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref Hvtgry1.

Paperback. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Paperback. Condizione: new. Paperback. The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the midnight of the century, with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it.In Understanding Brecht we find collected together Benjamins most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brechts oeuvre and theorising his particular dramatic techniquessuch as the famous estrangement effectBenjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamins introductions to Brechts theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamins insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire.Here we also find Benjamins masterful essay The Author as Producer as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brechts place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war. In this volume we find collected together Benjamin's most sensitive and probing writing on the dramatic and poetic work of his friend and tutor Bertolt Brecht. Benjamin's work still exerts an influence over philosophical and cultural thinking today. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the midnight of the century, with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it.In Understanding Brecht we find collected together Benjamins most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brechts oeuvre and theorising his particular dramatic techniquessuch as the famous estrangement effectBenjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamins introductions to Brechts theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamins insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire.Here we also find Benjamins masterful essay The Author as Producer as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brechts place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war. In this volume we find collected together Benjamin's most sensitive and probing writing on the dramatic and poetic work of his friend and tutor Bertolt Brecht. Benjamin's work still exerts an influence over philosophical and cultural thinking today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the midnight of the century, with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it.In Understanding Brecht we find collected together Benjamins most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brechts oeuvre and theorising his particular dramatic techniquessuch as the famous estrangement effectBenjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamins introductions to Brechts theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamins insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire.Here we also find Benjamins masterful essay The Author as Producer as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brechts place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war. In this volume we find collected together Benjamin's most sensitive and probing writing on the dramatic and poetic work of his friend and tutor Bertolt Brecht. Benjamin's work still exerts an influence over philosophical and cultural thinking today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. PRINT ON DEMAND.

Condizione: New. Print on Demand.