Violín (Oltre 69.000 risultati)

Condizione: Fair. Book 2 in the Melanie Smith violin theory series introduces students to new music and theory concepts which are fundamental in developing a deeper understanding of the violin. Book 2 will begin by covering the theory involving the ranges of notes for the violin and then moves into specific theory concepts such as note and rest values and time signatures. The final section of Book 2 focuses on musical terms and includes a comprehensive review of all instructional concepts covered in the book.…

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. (Music Sales America). An excellent set of bowing exercises that will all violinists to develop their bowing styles, speed, control and rhythms.

Hardback. Condizione: Good. Smart and savvy Melissa Jensen's life takes a wrong turn when her father accepts a teaching assignment in a small town in the remote Midwest, far from her home in New York City.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Good.

Paperback. Condizione: Good.

Condizione: Very Good. Leopold Auer (1845-1930) belonged to that select company of violin virtuosos who not only established the level of artistic excellence for the nineteenth century, but also trained many of the violinists who surpassed that level in the twentieth. Mischa Elman, Jascha Heifetz, and Efrem Zimbalist (Sr.) were among Auer's students. Himself a pupil of the great Joseph Joachim, Auer will always be regarded as one of the most important violin pedagogues in history.This exemplary collection of principles and guidelines was set down by the master after a lifetime of playing and teaching. Auer taught by example, and he directs violin teachers to inculcate the intricacies of execution by means of the violin itself, not simply by verbal instruction. He then devotes the rest of his advice to the violin pupil: how to hold the violin and bow, how to practice, and how to approach such matters of technique as tone production, vibrato, bowing methods including the legato, left-handed technique, double stops, trills, pizzicato, harmonics, and phrasing. In the concluding chapters Auer takes up the more general topics of style, stage fright, changes in the violin repertory, and, of great historical interest, his practical repertory hints ― what he gave his own students to play. Many of the book's chapters are illuminated by biographical details and anecdotes about famous musicians whom Auer knew: Davidov, Wieniawski, Seidel, Wilhemj, Sarasate, and von Bulow. Receiving poor direction at an early age is disastrous for a violinist. As Auer says, There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin. With this book every beginning violin student will have the benefit of the finest guidance. …

Condizione: Fair. Leopold Auer (1845-1930) belonged to that select company of violin virtuosos who not only established the level of artistic excellence for the nineteenth century, but also trained many of the violinists who surpassed that level in the twentieth. Mischa Elman, Jascha Heifetz, and Efrem Zimbalist (Sr.) were among Auer's students. Himself a pupil of the great Joseph Joachim, Auer will always be regarded as one of the most important violin pedagogues in history.This exemplary collection of principles and guidelines was set down by the master after a lifetime of playing and teaching. Auer taught by example, and he directs violin teachers to inculcate the intricacies of execution by means of the violin itself, not simply by verbal instruction. He then devotes the rest of his advice to the violin pupil: how to hold the violin and bow, how to practice, and how to approach such matters of technique as tone production, vibrato, bowing methods including the legato, left-handed technique, double stops, trills, pizzicato, harmonics, and phrasing. In the concluding chapters Auer takes up the more general topics of style, stage fright, changes in the violin repertory, and, of great historical interest, his practical repertory hints ― what he gave his own students to play. Many of the book's chapters are illuminated by biographical details and anecdotes about famous musicians whom Auer knew: Davidov, Wieniawski, Seidel, Wilhemj, Sarasate, and von Bulow. Receiving poor direction at an early age is disastrous for a violinist. As Auer says, There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin. With this book every beginning violin student will have the benefit of the finest guidance.…

Condizione: Good. Leopold Auer (1845-1930) belonged to that select company of violin virtuosos who not only established the level of artistic excellence for the nineteenth century, but also trained many of the violinists who surpassed that level in the twentieth. Mischa Elman, Jascha Heifetz, and Efrem Zimbalist (Sr.) were among Auer's students. Himself a pupil of the great Joseph Joachim, Auer will always be regarded as one of the most important violin pedagogues in history.This exemplary collection of principles and guidelines was set down by the master after a lifetime of playing and teaching. Auer taught by example, and he directs violin teachers to inculcate the intricacies of execution by means of the violin itself, not simply by verbal instruction. He then devotes the rest of his advice to the violin pupil: how to hold the violin and bow, how to practice, and how to approach such matters of technique as tone production, vibrato, bowing methods including the legato, left-handed technique, double stops, trills, pizzicato, harmonics, and phrasing. In the concluding chapters Auer takes up the more general topics of style, stage fright, changes in the violin repertory, and, of great historical interest, his practical repertory hints ― what he gave his own students to play. Many of the book's chapters are illuminated by biographical details and anecdotes about famous musicians whom Auer knew: Davidov, Wieniawski, Seidel, Wilhemj, Sarasate, and von Bulow. Receiving poor direction at an early age is disastrous for a violinist. As Auer says, There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin. With this book every beginning violin student will have the benefit of the finest guidance.…

Paperback. Condizione: Fair.

paperback. Condizione: Fair.

Hardback. Condizione: Good. In the grand manner of Interview with the Vampire, this thrilling novel moves across time and the continents, from nineteenth-century Vienna to a St. Charles Greek Revival mansion in present-day New Orleans to the dazzling capitals of the modern-day world, telling a story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation. At the novel's center: a uniquely fascinating woman, Triana--who once dreamed of becoming a great musician--and the demonic fiddler Stefan, tormented ghost of a Russian aristocrat, who begins to prey upon her, using his magic violin first to enchant, then to dominate and draw her into a state of madness through the music she loves. But Triana understands the power of the music perhaps even more than does Stefan--and she sets out to resist Stefan and to fight not only for her sanity but for her life. The struggle draws them both into a terrifying supernatural realm where they find themselves surrounded by memories, by horrors, and by overwhelming truths. Battling desperately, they are at last propelled towards the novel's astonishing and unforgettable climax. Violin is crowded with the history, the drama, the invention, and the romantic intensity that have become synonymous with Anne Rice at her incomparable best.…

Hardback. Condizione: Fair. In the grand manner of Interview with the Vampire, this thrilling novel moves across time and the continents, from nineteenth-century Vienna to a St. Charles Greek Revival mansion in present-day New Orleans to the dazzling capitals of the modern-day world, telling a story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation. At the novel's center: a uniquely fascinating woman, Triana--who once dreamed of becoming a great musician--and the demonic fiddler Stefan, tormented ghost of a Russian aristocrat, who begins to prey upon her, using his magic violin first to enchant, then to dominate and draw her into a state of madness through the music she loves. But Triana understands the power of the music perhaps even more than does Stefan--and she sets out to resist Stefan and to fight not only for her sanity but for her life. The struggle draws them both into a terrifying supernatural realm where they find themselves surrounded by memories, by horrors, and by overwhelming truths. Battling desperately, they are at last propelled towards the novel's astonishing and unforgettable climax. Violin is crowded with the history, the drama, the invention, and the romantic intensity that have become synonymous with Anne Rice at her incomparable best.…

Paperback. Condizione: Very Good.

Paperback. Condizione: Very Good.

paperback. Condizione: Fair.

Condizione: Very Good. Former library copy. Shows minimal signs of wear and previous use. Can include minimal notes/highlighting. A portion of your purchase benefits nonprofits! - Note: Edition & format may differ from what is shown in stock photo & item details. May not include supplementary material (toys, access code, dvds, etc).…

paperback. Condizione: Very Good. Lewis, E.B. (illustratore).

paperback. Condizione: Very Good. Lewis, E.B. (illustratore).

hardcover. Condizione: Fair.

Hardcover. Condizione: Fair.

paperback. Condizione: Good. Lewis, E.B. (illustratore).

Paperback. Condizione: Fair. A young aspiring violinist learns the value of family ties and team spirit in this picture book lushly illustrated by Caldecott Medal winner E.B. Lewis about a down-on-their-luck baseball team and the music that turns their season around. Reginald loves to create beautiful music on his violin. But Papa, manager of the Dukes, the worst team in the Negro National League, needs a bat boy, not a "fiddler," and traveling with the Dukes doesn't leave Reginald much time for practicing. Soon the Dukes' dugout is filled with Beethoven, Mozart, and Bach--and the bleachers are filled with the sound of the Dukes' bats. Has Reginald's violin changed the Dukes' luck--and can his music pull off a miracle victory against the powerful Monarchs. Lewis, E.B. (illustratore).…

Paperback. Condizione: Good. A young aspiring violinist learns the value of family ties and team spirit in this picture book lushly illustrated by Caldecott Medal winner E.B. Lewis about a down-on-their-luck baseball team and the music that turns their season around. Reginald loves to create beautiful music on his violin. But Papa, manager of the Dukes, the worst team in the Negro National League, needs a bat boy, not a "fiddler," and traveling with the Dukes doesn't leave Reginald much time for practicing. Soon the Dukes' dugout is filled with Beethoven, Mozart, and Bach--and the bleachers are filled with the sound of the Dukes' bats. Has Reginald's violin changed the Dukes' luck--and can his music pull off a miracle victory against the powerful Monarchs. Lewis, E.B. (illustratore).…

Paperback. Condizione: Good. GOOD MORNING AMERICA BOOK CLUB PICK! * Ray McMillian is a Black classical musician on the rise--undeterred by the pressure and prejudice of the classical music world--when a shocking theft sends him on a desperate quest to recover his great-great-grandfather's heirloom violin on the eve of the most prestigious musical competition in the world. "I loved The Violin Conspiracy for exactly the same reasons I loved The Queen's Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about--in this case, classical music." --Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian's life is already mapped out. But Ray has a gift and a dream--he's determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can't afford a violin suitable to his talents; not even the racism inherent in the world of classical music.    When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition--the Olympics of classical music--the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself--and the world--that no matter the outcome, there has always been a truly great musician within him.…

Paperback. Condizione: Very Good. GOOD MORNING AMERICA BOOK CLUB PICK! * Ray McMillian is a Black classical musician on the rise--undeterred by the pressure and prejudice of the classical music world--when a shocking theft sends him on a desperate quest to recover his great-great-grandfather's heirloom violin on the eve of the most prestigious musical competition in the world. "I loved The Violin Conspiracy for exactly the same reasons I loved The Queen's Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about--in this case, classical music." --Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian's life is already mapped out. But Ray has a gift and a dream--he's determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can't afford a violin suitable to his talents; not even the racism inherent in the world of classical music.    When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition--the Olympics of classical music--the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself--and the world--that no matter the outcome, there has always been a truly great musician within him.…

Paperback. Condizione: Fair. GOOD MORNING AMERICA BOOK CLUB PICK! * Ray McMillian is a Black classical musician on the rise--undeterred by the pressure and prejudice of the classical music world--when a shocking theft sends him on a desperate quest to recover his great-great-grandfather's heirloom violin on the eve of the most prestigious musical competition in the world. "I loved The Violin Conspiracy for exactly the same reasons I loved The Queen's Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about--in this case, classical music." --Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian's life is already mapped out. But Ray has a gift and a dream--he's determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can't afford a violin suitable to his talents; not even the racism inherent in the world of classical music.    When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition--the Olympics of classical music--the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself--and the world--that no matter the outcome, there has always been a truly great musician within him.…

Condizione: As New. Shows minimal signs of wear and previous use. Can include minimal notes/highlighting. A portion of your purchase benefits nonprofits! - Note: Edition & format may differ from what is shown in stock photo & item details. May not include supplementary material (toys, access code, dvds, etc). …