vision textuality (42 risultati)

Paperback. Condizione: Fair. Illustrated. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condizione: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. Vision and Textuality This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condizione: Near Fine. 1st. xvii, 391 pages, illustrations; 24 cm. Near fine. Tight, clean copy. Remainder mark/tail edge. *** "This volume brings together the work of distinguished critics and art historians in order to reflect and assess the impact of current critical theory on the discipline and practice of art history. Centring on the intersection of questions of vision with the problematic of textuality, the book addresses how issues of politics, semiotics, psychoanalysis and historiography have contributed to the emergent terms and practices of the new art histories." - Publisher. *** CONTENTS: List of Illustrations; Acknowledgements; Notes on the Contributors; PART 1: General Introduction: Textuality and Vision; S. Melville & B. Readings; PART 2: Introduction: Basic Concepts of Art History; S. Melville; Beholding Art History: Vision, Place, and Power; G. Pollock; Past Looking; M. Holly; A Discourse with the Shape of Reason Missing; J. Tagg; Post-Aesthetics: A German Perspective; I. Rogoff; PART 3: Introduction: How Obvious is Art?; Kitsch and the Semiotician; B. Readings; Reading the Gaze; M. Bal; Philostratus and the Imaginary Museum; N. Bryson; 'It is Myself that I Paint': Topics and Figures of Enunciation; L. Marin Armor Fou; H. Foster; PART 4: Introduction: Histoire Politique de l'Oeil; F. Lubert; Impersonal Violence; J. Bender; Vision and Visuality; P.de Bolla B/G; T. Crow. PART 5: Introduction: Vision Procured; B. Schaber; In the Master's Bedroom; R. Krauss; Photo Unrealism; M. Jay Chance; Encounters; V. Burgin; Index. Size: 8vo.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Condizione: Very Good. 'Melville and Readings have done a superb job, not only in their choice of essays, but in their elaborate and highly ambitious introduction. It is the best assessment that I know of the current state of contemporary art history and criticism, the most subtle analysis of the theoretical alternatives open to contemporary and future work in these disciplines.' - Keith Moxey, Barnard College and Columbia University;This volume brings together the work of distinguished critics and art historians in order to reflect and assess the impact of current critical theory on the discipline and practice of art history. Centring on the intersection of questions of vision with the problematic of textuality, the book addresses how issues of politics, semiotics, psychoanalysis and historiography have contributed to the emergent terms and practices of the new art histories. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. Unmarked text. Embossed by previous owner on end page and title page. Contributors include Mieke Bal, John Bender, Norman Bryson, Victor Burgin, Thomas Crow, Peter de Bolla, Hal Foster, Michael Ann Holly, Martin Jay, Rosalind Krauss, Francoise Lucbert, Louis Marin, Griselda Pollock, Irit Rogoff, Bennet Schaber and John Tagg.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780333609705.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780333609705.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condizione: Very Good. 1st Edition. Softcover volume, measuring approximately 6.25" x 9.5", shows light shelfwear. Binding is sound. Interior is clean and bright. Textual illustrations. xvii/391 pages. "The influence of contemporary literary theory on art history is increasingly evident, but there is little or no agreement about the nature and consequence of this new intersection of the visual and the textual. "Vision and Textuality" brings together essays by many of the most influential scholars in the fieldboth young and more established writers from the United States, England, and Franceto address the emergent terms and practices of contemporary art history. With essays by Rosalind Krauss, Hal Foster, Norman Bryson, Victor Burgin, Martin Jay, Louis Marin, Thomas Crow, Griselda Pollock, and others, the volume is organized into sections devoted to the discipline of art history, the implications of semiotics, the new cultural history of art, and the impact of psychoanalysis. The works discussed in these essays range from Rembrandt's "Danae" to Jorge Immendorf's "Café Deutschland," from Vauxhall Gardens to Max Ernst, and from the Imagines of Philostratus to William Godwin's novel "Caleb Williams." Each section is preceded by a short introduction that offers further contexts for considering the essays that follow, while the editors' general introduction presents an overall exploration of the relation between vision and textuality in a variety of both institutional and theoretical contexts. Among other issues, it examines the relevance of aesthetics, the current concern with modernism and postmodernism, and the possible development of new disciplinary formations in the humanities. Contributors. Mieke Bal, John Bender, Norman Bryson, Victor Burgin, Thomas Crow, Peter de Bolla, Hal Foster, Michael Holly, Martin Jay, Rosalind Krauss, Françoise Lucbert, Louis Martin, Stephen Melville, Griselda Pollock, Bill Readings, Irit Rogoff, Bennet Schaber, John Tagg".

Soft cover. Condizione: Very Good. Tight, Unmarked And Unworn.Onlt Blemish Is Slight Curling To Outer Edge Of Front Wrappers. Otherwise Fine.

Soft cover. Condizione: Fine. Fine copy.

paperback. Condizione: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Paperback. Condizione: Very Good. 391 pages.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Paperback. Condizione: New. 'Melville and Readings have done a superb job, not only in their choice of essays, but in their elaborate and highly ambitious introduction. It is the best assessment that I know of the current state of contemporary art history and criticism, the most subtle analysis of the theoretical alternatives open to contemporary and future work in these disciplines.' - Keith Moxey, Barnard College and Columbia University;This volume brings together the work of distinguished critics and art historians in order to reflect and assess the impact of current critical theory on the discipline and practice of art history. Centring on the intersection of questions of vision with the problematic of textuality, the book addresses how issues of politics, semiotics, psychoanalysis and historiography have contributed to the emergent terms and practices of the new art histories.

Paper Back. Condizione: Very Good. The cover has creased corners. 391 pages with a few b&w photographs. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size F: 9"-10" Tall (228-254mm).

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 408 pages. 9.25x6.25x1.25 inches. In Stock.

Condizione: New. 1995. Illustrated. Paperback. . . . . .

Condizione: New. Brings together the work of critics and art historians to reflect and assess the impact of contemporary critical theory on the practice of art history. The text addresses how issues of politics, semiotics, psychoanalysis and historiography have contributed to the discipline. Editor(s): Melville, Stephen W.; Readings, Bill. Num Pages: 416 pages, 85 b&w illustrations, list of illustrations, index. BIC Classification: ABA; AC; JFC. Category: (G) General (US: Trade); (P) Professional & Vocational; (UU) Undergraduate. Dimension: 234 x 156 x 27. Weight in Grams: 721. . 1995. Paperback. . . . .

Condizione: New. pp. 416.