writing character centered screenplay updated di horton andrew (35 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.82.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.82.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.82.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.82.

Condizione: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780520221659.

Couverture souple. Condizione: Tres bon. University of California Press collection , 2000. 1 volume broché(s) format In-8 très bon.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Covering American, international, mainstream, and 'off-Hollywood' films, as well as television, this book offers creative strategies and useful practical information. It places screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. Num Pages: 249 pages, black & white illustrations. BIC Classification: APF; CBW; CFG. Category: (G) General (US: Trade). Dimension: 226 x 154 x 16. Weight in Grams: 366. . 2000. Exp Upd Su. Paperback. . . . .

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. 'We need good screenwriters who understand character'. Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and 'off-Hollywood' films, as well as television - the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays.Centering his discussion around four film examples - including "Thelma and Louise" and "The Silence of the Lambs" - and the television series, "Northern Exposure", he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.

Condizione: New. Covering American, international, mainstream, and 'off-Hollywood' films, as well as television, this book offers creative strategies and useful practical information. It places screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. Num Pages: 249 pages, black & white illustrations. BIC Classification: APF; CBW; CFG. Category: (G) General (US: Trade). Dimension: 226 x 154 x 16. Weight in Grams: 366. . 2000. Exp Upd Su. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condizione: New. 'We need good screenwriters who understand character'. Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and 'off-Hollywood' films, as well as television - the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays.Centering his discussion around four film examples - including "Thelma and Louise" and "The Silence of the Lambs" - and the television series, "Northern Exposure", he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days. 377.

Condizione: New. In.

Soft cover. Condizione: Near Fine. No Jacket. 2nd Edition. Inscribed & signed by the author on the half-title page. Octavo in stiff paper covers. Condition: corners very slightly bumped; else near fine. Pages: xii, 237.

Paperback. Condizione: New. 'We need good screenwriters who understand character'. Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and 'off-Hollywood' films, as well as television - the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays.Centering his discussion around four film examples - including "Thelma and Louise" and "The Silence of the Lambs" - and the television series, "Northern Exposure", he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.

Condizione: New. Covering American, international, mainstream, and off-Hollywood films, as well as television, this book offers creative strategies and useful practical information. It places screenwriting in the context of the storytelling tradition, arguing through lite.

Paperback. Condizione: New. 'We need good screenwriters who understand character'. Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and 'off-Hollywood' films, as well as television - the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays.Centering his discussion around four film examples - including "Thelma and Louise" and "The Silence of the Lambs" - and the television series, "Northern Exposure", he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.

Paperback or Softback. Condizione: New. Writing the Character-Centered Screenplay, Updated and Expanded Edition 0.84. Book.

Condizione: New. SUPER FAST SHIPPING.

Taschenbuch. Condizione: Neu. Neuware - 'I have been searching for a book such as Horton's for years--and finally it has arrived. Horton's penetrating analysis and graceful writing style open up the key topic of characterization as no other book has. . . . I recommend it highly.'--Paul Lucey, University of Southern California.

Paperback. Condizione: Very Good. This book is in very good condition; no remainder marks. Appears to have been gently used. Inside pages are clean. ; 0.79 x 8.82 x 5.91 Inches; 249 pages.

Paperback. Condizione: Brand New. exp upd su edition. 249 pages. 9.00x6.25x0.75 inches. In Stock.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condizione: New.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!