L'imagismo fu un breve, complesso ma influente movimento poetico dei primi anni del 1900, un periodo di reazione alla poesia di fine Ottocento che Ezra Pound, uno dei principali poeti imagisti, descrisse come ''un pasticcio pastoso di Keats di terza mano, Wordsworth . Semisciolto, grumoso''. Al contrario, la poesia imagista, sebbene crivellata di definizioni contrastanti, era ampiamente caratterizzata da brevità, precisione, purezza di consistenza e concentrazione di significato: come affermava Pound, non avrebbe dovuto ''usare nessuna parola superflua, nessun aggettivo, che non riveli qualcosa . Non usa immagini come ornamenti. L'immagine stessa è il discorso''. Fu questa freschezza e schiettezza di approccio a significare che, come dice Peter Jones nella sua preziosa Introduzione, ''le idee imagiste sono ancora al centro della nostra pratica poetica''.
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Paperback. Condizione: New. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'. Codice articolo LU-9780141185705
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Paperback. Condizione: New. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'. Codice articolo LU-9780141185705
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Paperback. Condizione: new. Paperback. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy.' In contract, imagist poetry, although riddled with conflicting definitions, was broadly characterised by brevity, precision, purity of texture and concentration of meaning. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth .half-melted, lumpy'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780141185705
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