Isbn: 9780141185705 - imagist poetry (35 risultati)

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Paperback. Condizione: Very Good. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as a doughy mess of third-hand Keats, Wordsworth half-melted, lumpy. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should use no superfluous word, no adjective, which does not reveal something it does not use images as ornaments. The image itself is the speech. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, imagistic ideas still lie at the centre of our poetic practice. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Imagist Poetry (Penguin Modern Classics)
Richard Aldington; Skipwith Cannell; John Cournos; H.D.; John Gould Fletcher; F.S. Flint; Ford Madox Ford; T.E. Hulme; James Joyce; D.H. Lawrence; Amy Lowell; Marianne Moore; Ezra Pound; Edward Storer
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Paperback. Condizione: New. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'.…

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Paperback. Condizione: New. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'.…

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Paperback. Condizione: new. Paperback. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth .half-melted, lumpy'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Imagist Poetry
Richard Aldington; Skipwith Cannell; John Cournos; H.D.; John Gould Fletcher; F.S. Flint; Ford Madox Ford; T.E. Hulme; James Joyce; D.H. Lawrence; Amy Lowell; Marianne Moore; Ezra Pound; Edward Storer
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Condizione: New. pp. 187.

Imagist Poetry
Richard Aldington; Skipwith Cannell; John Cournos; H.D.; John Gould Fletcher; F.S. Flint; Ford Madox Ford; T.E. Hulme; James Joyce; D.H. Lawrence; Amy Lowell; Marianne Moore; Ezra Pound; Edward Storer
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Condizione: New. 2001. paperback. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth .half-melted, lumpy'. Editor(s): Jones, Peter. Series: Penguin Modern Classics. Num Pages: 192 pages. BIC Classification: DCQ. Category: (G) General (US: Trade). Dimension: 195 x 129 x 11. Weight in Grams: 148. . . . . . …

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Imagist Poetry (Penguin Modern Classics)
Richard Aldington; Skipwith Cannell; John Cournos; H.D.; John Gould Fletcher; F.S. Flint; Ford Madox Ford; T.E. Hulme; James Joyce; D.H. Lawrence; Amy Lowell; Marianne Moore; Ezra Pound; Edward Storer
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Condizione: New. 2001. paperback. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth .half-melted, lumpy'. Editor(s): Jones, Peter. Series: Penguin Modern Classics. Num Pages: 192 pages. BIC Classification: DCQ. Category: (G) General (US: Trade). Dimension: 195 x 129 x 11. Weight in Grams: 148. . . . . . Books ship from the US and Ireland. …

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Condizione: New. pp. 187 Acknowledgements.

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Paperback. Condizione: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

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Taschenbuch. Condizione: Neu. Neuware - Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'. …

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Paperback. Condizione: new. Paperback. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth .half-melted, lumpy'. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

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Paperback. Condizione: new. Paperback. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth .half-melted, lumpy'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

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Paperback. Condizione: New. Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as 'a doughy mess of third-hand Keats, Wordsworth . half-melted, lumpy'. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should 'use no superfluous word, no adjective, which does not reveal something . it does not use images as ornaments. The image itself is the speech'. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, 'imagistic ideas still lie at the centre of our poetic practice'.…