How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stéphane Mallarmé.
At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this “linguistic turn,” centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaists—including Pablo Picasso, Marcel Duchamp, and Tristan Tzara—appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stéphane Mallarmé, who promised a “total expansion of the letter.”
In his poems, Mallarmé claimed, “the act of writing was scrutinized down to its origins.” This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalities—a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' “hope of an anonymous art,” expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of “simultaneous poems” by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarmé's poetics: that language—the very medium of human communication and community—is perpetually in flux and haunted by emptiness.
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Trevor Stark is Assistant Professor of Art History in the Department of Art at the University of Calgary.
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Da: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condizione: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. Codice articolo mon0000052397
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condizione: Very Good. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme. At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this "linguistic turn," centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaists-including Pablo Picasso, Marcel Duchamp, and Tristan Tzara-appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stephane Mallarme, who promised a "total expansion of the letter." In his poems, Mallarme claimed, "the act of writing was scrutinized down to its origins." This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalities-a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' "hope of an anonymous art," expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of "simultaneous poems" by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarme's poetics: that language-the very medium of human communication and community-is perpetually in flux and haunted by emptiness. Codice articolo 00107160809
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Da: Better World Books, Mishawaka, IN, U.S.A.
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Da: World of Books Inc, Montgomery, IL, U.S.A.
Hardback. Condizione: Very Good. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme. At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this "linguistic turn," centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaists-including Pablo Picasso, Marcel Duchamp, and Tristan Tzara-appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stephane Mallarme, who promised a "total expansion of the letter." In his poems, Mallarme claimed, "the act of writing was scrutinized down to its origins." This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalities-a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' "hope of an anonymous art," expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of "simultaneous poems" by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarme's poetics: that language-the very medium of human communication and community-is perpetually in flux and haunted by emptiness. Codice articolo CIN0262043718VG
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized. Codice articolo mon0000335717
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Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
hardcover. Condizione: VG. Codice articolo 2034590
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Da: Bill & Ben Books, Faringdon, Regno Unito
Hardback. Condizione: New. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stà phane Mallarmà . At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this âlinguistic turn,â centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaistsâ"including Pablo Picasso, Marcel Duchamp, and Tristan Tzaraâ"appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stà phane Mallarmà , who promised a âtotal expansion of the letter.â In his poems, Mallarmà claimed, âthe act of writing was scrutinized down to its origins.â This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalitiesâ"a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' âhope of an anonymous art,â expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of âsimultaneous poemsâ by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarmà 's poetics: that languageâ"the very medium of human communication and communityâ"is perpetually in flux and haunted by emptiness. Codice articolo 0098293
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme.At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this "linguistic turn," centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaists-including Pablo Picasso, Marcel Duchamp, and Tristan Tzara-appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stephane Mallarme, who promised a "total expansion of the letter."In his poems, Mallarme claimed, "the act of writing was scrutinized down to its origins." This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalities-a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' "hope of an anonymous art," expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of "simultaneous poems" by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarme's poetics: that language-the very medium of human communication and community-is perpetually in flux and haunted by emptiness. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780262043717
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Da: Hodmandod Books, Biggleswade, BED, Regno Unito
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Black boards with silver lettering to spine. Octavo. [xiv prelims] 420 pages. 8 pages of colour plates; several b&w photographs and illustrations within the text. An OCTOBER book. Very Good in Good jacket. Page edges slightly tanned. Jacket also tanned at the edges, with an obvious sticker ghost on its back. Codice articolo 2494
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Da: Rarewaves USA, HEBRON, KY, U.S.A.
Hardback. Condizione: New. Codice articolo LU-9780262043717
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