stark trevor (29 risultati)

hardcover. Condizione: Good. Bruise/tear to cover.

hardcover. Condizione: Very Good. Publisher overstock. May have remainder mark / minor shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: VG.

Hardback. Condizione: New. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stà phane Mallarmà . At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this âlinguistic turn,â centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaistsâ"including Pablo Picasso, Marcel Duchamp, and Tristan Tzaraâ"appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stà phane Mallarmà , who promised a âtotal expansion of the letter.â In his poems, Mallarmà claimed, âthe act of writing was scrutinized down to its origins.â This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalitiesâ"a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' âhope of an anonymous art,â expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of âsimultaneous poemsâ by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarmà 's poetics: that languageâ"the very medium of human communication and communityâ"is perpetually in flux and haunted by emptiness.

Hardcover. Condizione: new. Hardcover. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme.At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this "linguistic turn," centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaists-including Pablo Picasso, Marcel Duchamp, and Tristan Tzara-appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stephane Mallarme, who promised a "total expansion of the letter."In his poems, Mallarme claimed, "the act of writing was scrutinized down to its origins." This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalities-a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' "hope of an anonymous art," expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of "simultaneous poems" by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarme's poetics- that language-the very medium of human communication and community-is perpetually in flux and haunted by emptiness. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Black boards with silver lettering to spine. Octavo. [xiv prelims] 420 pages. 8 pages of colour plates; several b&w photographs and illustrations within the text. An OCTOBER book. Very Good in Good jacket. Page edges slightly tanned. Jacket also tanned at the edges, with an obvious sticker ghost on its back.

Hardback. Condizione: New.

Condizione: New. Illustrated edition NO-PA16APR2015-KAP.

Hardcover. Condizione: New.

Condizione: Near Fine. First edition (hardback). 8vo (23cm by 18cm), xiv, 420pp. Text illustrations. Original black boards, dustwrapper. The book is in excellent condition; the dustwrapper is in very good condition (some rubbing of the front panel). ISBN 9780262043717.

Hardback. Trevor Stark, MIT Press Ltd. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme.At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this "linguistic turn," centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaists-including Pablo Picasso, Marcel Duchamp, and Tristan Tzara-appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stephane Mallarme, who promised a "total expansion of the letter." In his poems, Mallarme claimed, "the act of writing was scrutinized down to its origins." This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalities-a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' "hope of an anonymous art," expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of "simultaneous poems" by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarme's poetics- that language-the very medium of human communication and community-is perpetually in flux and haunted by emptiness.Trevor Stark is Assistant Professor of Art History in the Department of Art at the University of Calgary. Hardback.

Condizione: New. 2020. Illustrated. Hardcover. . . . . .

Condizione: Near Fine. First edition (hardback). 8vo (23cm by 18cm), xiv, 420pp. Text illustrations. Original black boards, dustwrapper. The book is in excellent condition; the dustwrapper is in very good condition (some light rubbing). ISBN 9780262043717.

Condizione: New.

Condizione: Nuevo. 276 pages.

Condizione: New. 2020. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Encuadernación de tapa blanda. Condizione: Nuevo. CALL IT SOMETHING ELSE. I think of an animal totem for this man and it is difficult, was it the great white polar bear? the African lion, the elephant. I think I have it the zebra, yes language and power in black and white.

Hardback. Condizione: New.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 1st edition, 1st printing with complete number line. Hardcover with very good dust-jacket. Clean and solid. No tears, stains, or odors. NOT a book club edition. NOT ex-library. Hand-wrapped and packaged in cardboard.

Encuadernación de tapa dura. Condizione: Como Nuevo. 276 pp. Retractilado.

Hardcover. Condizione: Brand New. 464 pages. 9.25x7.25x1.00 inches. In Stock.

Condizione: New. Trevor Stark is Assistant Professor of Art History in the Department of Art at the University of Calgary.How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of St&#233phane Mallarm&#233.

Hardcover. Condizione: new. Hardcover. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme.At the outset of the twentieth century, language became a visual medium and a philosophical problem for European avant-garde artists. In Total Expansion of the Letter, art historian Trevor Stark offers a provocative history of this "linguistic turn," centered on the radical doubt about the social function of language that defined the avant-garde movements. Major cubists and Dadaists-including Pablo Picasso, Marcel Duchamp, and Tristan Tzara-appropriated bureaucratic paperwork, newspapers, popular songs, and advertisements, only to render them dysfunctional and incommunicative. In doing so, Stark argues, these figures contended with the utopian vision of the late nineteenth-century poet Stephane Mallarme, who promised a "total expansion of the letter."In his poems, Mallarme claimed, "the act of writing was scrutinized down to its origins." This scrutiny, however, delivered his work into an indeterminate zone between mediums, social practices, and temporalities-a paradox that reverberates through Stark's wide-ranging case studies in the history of the avant-garde. Stark examines Picasso's nearly abstract works of 1910, which promised to unite painting and writing at the brink of illegibility; the cubists' "hope of an anonymous art," expressed in newspaper collages and industrial colors; the collaborative, cacophonous invention of "simultaneous poems" by the Dadaists in Zurich during World War I; and Duchamp's artistic exploration of chance in gambling and finance. Each of these cases reflected the avant-garde's transformative encounter with the premise of Mallarme's poetics- that language-the very medium of human communication and community-is perpetually in flux and haunted by emptiness. How cubism and Dada radically reimagined the social nature of language, following the utopian poetic vision of Stephane Mallarme. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New.

Hardcover. Condizione: Very Good. 8vo. Hardcover. Pp. 455. In very good condition; white cloth binding with pictorial onlay. Light shelf-wear to the cover with some faint marks and scuffs. Light wear along the edges but corners remain sharp. Pages themselves are clean, fresh and crisp. Includes essays and writings by F. Calvo Serraller, Cécile Godefroy, José Lebrero Stals, Bernard Ruiz- Picasso, Trevor Stark, Eduard Vallès, Christine Ruiz-Picasso, and Paul Ruiz-Picasso. Some of these essays are presented as small booklets, bound within the book. This copy previously belonged to Gabriele Finaldi, British art historian and curator. Since August 2015 he has been director of the National Gallery in London, England. The book in inscribed to him on the title page in pen, signed off by graphic designer Wladimir Marnich. The latter worked for several design studios, primarily for Brian Sadgrove & Associates until 2004 when he decided to start his own design practice, Marnich Associates.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.