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"Ask audience to cut the part of the image on the screen that they don't like. Supply scissors."—Yoko Ono, Tokyo, June 1964
A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental "language art." It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume.
This is a readable—often quite funny—literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves's recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in So Is This; Peter Rose turns language loose on theory in Pressures of the Text.
Some of the most influential feminist filmscripts of recent decades—Laura Mulvey and Peter Wollen's Riddles of the Sphinx, Su Friedrich's Gently Down the Stream, Trinh T. Minh-ha's Reassemblage, Yvonne Rainer's Privilege—confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general.
A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental "language art." It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume.
This is a readable—often quite funny—literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves's recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in So Is This; Peter Rose turns language loose on theory in Pressures of the Text.
Some of the most influential feminist filmscripts of recent decades—Laura Mulvey and Peter Wollen's Riddles of the Sphinx, Su Friedrich's Gently Down the Stream, Trinh T. Minh-ha's Reassemblage, Yvonne Rainer's Privilege—confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull?autore
Scott MacDonald is Professor of Film Studies and American Literature at Utica College. He is editor of A Critical Cinema and A Critical Cinema 2 (California, 1988, 1992).
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Screen Writings: Texts and Scripts from Independent Films
Editore:
University of California Press, 1995
ISBN 10: 0520080254
ISBN 13: 9780520080256
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Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.3. Codice articolo G0520080254I3N00
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Screen Writings: Texts and Scripts from Independent Films
Editore:
University of California Press, 1995
ISBN 10: 0520080254
ISBN 13: 9780520080256
Antico o usato
Paperback
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.3. Codice articolo G0520080254I5N00
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Screen Writings: Texts and Scripts from Independent Films
Editore:
University of California Press, 1995
ISBN 10: 0520080254
ISBN 13: 9780520080256
Antico o usato
Paperback
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.3. Codice articolo G0520080254I5N10
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Screen Writings : Texts and Scripts from Independent Films
Editore:
University of California Press, 1995
ISBN 10: 0520080254
ISBN 13: 9780520080256
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Screen Writings : Texts and Scripts from Independent Films
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University of California Press, 1995
ISBN 10: 0520080254
ISBN 13: 9780520080256
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Screen Writings : Texts and Scripts from Independent Films
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ISBN 13: 9780520080256
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Screen Writings
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ISBN 10: 0520080254
ISBN 13: 9780520080256
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Paperback. Condizione: New. 'Ask audience to cut the part of the image on the screen that they don't like. Supply scissors' - Yoko Ono, Tokyo, June 1964. A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental 'language art'. It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable - often quite funny - literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves' recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in "So Is This"; Peter Rose turns language loose on theory in "Pressures of the Text".Some of the most influential feminist filmscripts of recent decades - Laura Mulvey and Peter Wollen's "Riddles of the Sphinx", Su Friedrich's "Gently Down the Stream", Trinh T. Minh-ha's "Reassemblage", Yvonne Rainer's "Privilege" - confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general. Codice articolo LU-9780520080256
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Screen Writings: Scripts and Texts from Independent Filmmakers
Editore:
University of California Press, Berkeley, 1995
ISBN 10: 0520080254
ISBN 13: 9780520080256
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Prima edizione
Da: David Kaye Books & Memorabilia, Woodland Hills, CA, U.S.A.
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Screen Writings
Editore:
University of California Press, US, 1995
ISBN 10: 0520080254
ISBN 13: 9780520080256
Nuovo
Paperback
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: New. 'Ask audience to cut the part of the image on the screen that they don't like. Supply scissors' - Yoko Ono, Tokyo, June 1964. A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental 'language art'. It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable - often quite funny - literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves' recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in "So Is This"; Peter Rose turns language loose on theory in "Pressures of the Text".Some of the most influential feminist filmscripts of recent decades - Laura Mulvey and Peter Wollen's "Riddles of the Sphinx", Su Friedrich's "Gently Down the Stream", Trinh T. Minh-ha's "Reassemblage", Yvonne Rainer's "Privilege" - confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general. Codice articolo LU-9780520080256
Quantità: Più di 20 disponibili