9780520080256 - screen writings: texts and scripts from independent films di macdonald, scott (29 risultati)

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. Softbound book in like new condition.

paperback. Condizione: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft Cover. Condizione: Very Good. 2021 june/basement script center/surface wear.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condizione: New.

Softcover. Condizione: Near Fine. First Edition; First Printing. A tight square unmarked copy in uncreased covers; first printing with complete number line.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. 'Ask audience to cut the part of the image on the screen that they don't like. Supply scissors' - Yoko Ono, Tokyo, June 1964. A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental 'language art'. It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable - often quite funny - literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves' recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in "So Is This"; Peter Rose turns language loose on theory in "Pressures of the Text".Some of the most influential feminist filmscripts of recent decades - Laura Mulvey and Peter Wollen's "Riddles of the Sphinx", Su Friedrich's "Gently Down the Stream", Trinh T. Minh-ha's "Reassemblage", Yvonne Rainer's "Privilege" - confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general. …

Paperback. Condizione: New. 'Ask audience to cut the part of the image on the screen that they don't like. Supply scissors' - Yoko Ono, Tokyo, June 1964. A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental 'language art'. It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable - often quite funny - literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves' recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in "So Is This"; Peter Rose turns language loose on theory in "Pressures of the Text".Some of the most influential feminist filmscripts of recent decades - Laura Mulvey and Peter Wollen's "Riddles of the Sphinx", Su Friedrich's "Gently Down the Stream", Trinh T. Minh-ha's "Reassemblage", Yvonne Rainer's "Privilege" - confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general. …

Condizione: New. Illustrated with nearly 100 film stills, this book offers a reference work of film history and a sampling of experimental 'language art'. It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Editor(s): MacDonald, Scott. Num Pages: 352 pages, 100 photographs, bibliography. BIC Classification: APFA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 150 x 24. Weight in Grams: 467. . 1995. Paperback. . . . . …

Condizione: As New. Unread book in perfect condition.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condizione: New. Illustrated with nearly 100 film stills, this book offers a reference work of film history and a sampling of experimental 'language art'. It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Editor(s): MacDonald, Scott. Num Pages: 352 pages, 100 photographs, bibliography. BIC Classification: APFA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 150 x 24. Weight in Grams: 467. . 1995. Paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. In English.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Paperback. Condizione: Brand New. 352 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Condizione: New. 'Ask audience to cut the part of the image on the screen that they don't like. Supply scissors' - Yoko Ono, Tokyo, June 1964. A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental 'language art'. It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable - often quite funny - literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves' recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in "So Is This"; Peter Rose turns language loose on theory in "Pressures of the Text".Some of the most influential feminist filmscripts of recent decades - Laura Mulvey and Peter Wollen's "Riddles of the Sphinx", Su Friedrich's "Gently Down the Stream", Trinh T. Minh-ha's "Reassemblage", Yvonne Rainer's "Privilege" - confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general. …

Condizione: As New. Unread book in perfect condition.

Condizione: New. Illustrated with nearly 100 film stills, this book offers a reference work of film history and a sampling of experimental language art . It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in.

Paperback. Condizione: New. 'Ask audience to cut the part of the image on the screen that they don't like. Supply scissors' - Yoko Ono, Tokyo, June 1964. A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental 'language art'. It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable - often quite funny - literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves' recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in "So Is This"; Peter Rose turns language loose on theory in "Pressures of the Text".Some of the most influential feminist filmscripts of recent decades - Laura Mulvey and Peter Wollen's "Riddles of the Sphinx", Su Friedrich's "Gently Down the Stream", Trinh T. Minh-ha's "Reassemblage", Yvonne Rainer's "Privilege" - confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general. …

Taschenbuch. Condizione: Neu. Neuware - A dazzling array of decidedly unconventional scripts and texts, many published here for the first time. The collection includes avant-garde film classics such as Hollis Frampton's Poetic Justice and Zorns Lemma, and Morgan Fisher's Standard Gauge.

Paperback. Condizione: Brand New. 352 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand.