Monteverdi’s Last Operas: A Venetian Trilogy

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9780520249349: Monteverdi’s Last Operas: A Venetian Trilogy

Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

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From the Inside Flap:

That Ellen Rosand's understanding of seventeenth-century Venetian opera is encyclopedic has long been recognized. By focusing her attention now on all three of the last operas of Claudio Monteverdi, however, she has met a formidable challenge: this book demonstrates how to put philology at the service of interpretation and interpretation at the service of philology. All those who care about these operas, fundamental to the development of the genre itself, and about scholarship in the Humanities, will profit from her masterful achievement.” Philip Gossett, the Robert W. Reneker Distinguished Service Professor at The University of Chicago and author of Divas and Scholars: Performing Italian Opera

Ellen Rosand's monumental study is so much more than a meticulous exploration and explanation of all the surviving material and its many literary and musical sources. She presents ingenious, utterly convincing solutions to the problems posed by this material, offering therefore countless new insights into Monteverdi's last two surviving operas, the great Poppea and Ulisse, while also reeling in to this forensic examination the tantalisingly lost score of Le nozze de Enea. Her feel for the music is inspiring, and her theatrical instinct exemplary. This is a book of phenomenal clarity and great passion, and an indispensable addition to our understanding of this great composer.” Jane Glover, Conductor and Music Director for Chicago's Music of the Baroque.

About the Author:

Ellen Rosand is George A. Saden Professor of Music at Yale and author of Opera in Seventeenth Century Venice: The Creation of a Genre (UC Press, 1991, 2007).

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Editore: University of California Press 2007-12-07 (2007)
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Descrizione libro University of California Press 2007-12-07, 2007. Hardback. Condizione libro: New. Codice libro della libreria NU-BER-00088363

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Descrizione libro University of California Press, 2007. Condizione libro: New. Claudio Monteverdi was the first important composer of opera. This work examines the composer's celebrated final works - "Il ritorno d'Ulisse" and "L'incoronazione di Poppea". It casts light on the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Num Pages: 474 pages, 30 b/w photographs, 4 line illustrations, 21 tables, 40 music examples. BIC Classification: 1DST; AVGC3; AVGC9. Category: (P) Professional & Vocational. Dimension: 263 x 184 x 38. Weight in Grams: 1050. . 2007. 1st Edition. Hardcover. . . . . . Codice libro della libreria V9780520249349

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Descrizione libro University of California Press. Condizione libro: New. Claudio Monteverdi was the first important composer of opera. This work examines the composer's celebrated final works - "Il ritorno d'Ulisse" and "L'incoronazione di Poppea". It casts light on the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Num Pages: 474 pages, 30 b/w photographs, 4 line illustrations, 21 tables, 40 music examples. BIC Classification: 1DST; AVGC3; AVGC9. Category: (P) Professional & Vocational. Dimension: 263 x 184 x 38. Weight in Grams: 1050. . 2007. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780520249349

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Descrizione libro University of California Press, United States, 2007. Hardback. Condizione libro: New. Language: English . Brand New Book. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer s celebrated final works - Il ritorno d Ulisse (1640) and L incoronazione di Poppea (1642) - from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi s last operas since their discovery in the late nineteenth century. Le nozze d Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Codice libro della libreria AAU9780520249349

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Descrizione libro University of California Press, United States, 2007. Hardback. Condizione libro: New. Language: English . Brand New Book. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer s celebrated final works - Il ritorno d Ulisse (1640) and L incoronazione di Poppea (1642) - from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi s last operas since their discovery in the late nineteenth century. Le nozze d Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Codice libro della libreria AAU9780520249349

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Descrizione libro University of California Press 2007-12-07, Berkeley, Calif. |London, 2007. hardback. Condizione libro: New. Codice libro della libreria 9780520249349

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Descrizione libro University of California Press. Hardback. Condizione libro: new. BRAND NEW, Monteverdi's Last Operas: A Venetian Trilogy, Ellen Rosand, Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. "Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Codice libro della libreria B9780520249349

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