9780520249349 - monteverdi's last operas: a venetian trilogy di rosand, ellen (15 risultati)
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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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- Prima edizione
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 71,80
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Condizione: New. Claudio Monteverdi was the first important composer of opera. This work examines the composer's celebrated final works - "Il ritorno d'Ulisse" and "L'incoronazione di Poppea". It casts light on the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Num Pages: 474 pages,…30 b/w photographs, 4 line illustrations, 21 tables, 40 music examples. BIC Classification: 1DST; AVGC3; AVGC9. Category: (P) Professional & Vocational. Dimension: 263 x 184 x 38. Weight in Grams: 1050. . 2007. 1st Edition. Hardcover. . . . .
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new pe…rspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century."Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In English.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. Claudio Monteverdi was the first important composer of opera. This work examines the composer's celebrated final works - "Il ritorno d'Ulisse" and "L'incoronazione di Poppea". It casts light on the conflict between a world of emotional propriety and restraint and one of hedonistic abandon. Num Pages: 474 pages,…30 b/w photographs, 4 line illustrations, 21 tables, 40 music examples. BIC Classification: 1DST; AVGC3; AVGC9. Category: (P) Professional & Vocational. Dimension: 263 x 184 x 38. Weight in Grams: 1050. . 2007. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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Hardback. Condizione: New. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new pe…rspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century."Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Hardback. Condizione: New. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new pe…rspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century."Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 139,77
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Hardcover. Condizione: Brand New. 1st edition. 447 pages. 10.00x7.00x1.50 inches. In Stock.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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EUR 83,80
EUR 75,65 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardback. Condizione: New. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works - "Il ritorno d'Ulisse" (1640) and "L'incoronazione di Poppea" (1642) - from a new pe…rspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea" (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century."Le nozze d'Enea" also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 94,75
EUR 17,46 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Brand New. 1st edition. 447 pages. 10.00x7.00x1.50 inches. In Stock. This item is printed on demand.
