This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice.
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This book of fourteen essays demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice.
List of figures; List of contributors; Preface Steven Paul Scher; Acknowledgments; Part I. Institutional Dimensions and the Contexts of Listening: 1. Music and literature: the institutional dimensions John Neubauer; 2. Privileging the moment of reception: music and radio in South Africa Charles Hamm; 3. Chord and discourse: listening through the written word Peter J. Rabinowitz; Part II. Literary Models for Musical Understanding: Music, Lyric, Narrative and Metaphor: 4. Lyrical modes Paul Alpers; 5. Origins of modernism: musical structures and narrative forms Marshall Brown; 6. Metaphorical modes in nineteenth-century music criticism: image, narrative, and idea Thomas Grey; 7. Narrative archetypes and Mahler's Ninth Symphony Anthony Newcomb; Part III. Representation, Analysis and Semiotics: 8. Music and representation: the instance of Haydn's Creation Lawrence Kramer; 9. Musical analysis as stage direction David Lewin; 10. Poet's love or composer's love? Edward T. Cone; 11. The semiotic elements of a multiplanar discourse: John Harbison's setting of Michael Fried's 'Depths' Claudia Stanger; Part VI. Gender and Convention: 12. Whose life? The gendered self in Schumann's Frauenliebe songs Ruth A. Solie; 13. Operatic madness: a challenge to convention Ellen Rosand; 14. Commentary: form, reference, and ideology in musical discourse Hayden White; Index.
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Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Not Indicated. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Codice articolo 619083-6
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Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Not Indicated. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo GRP93747333
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Da: Brancamp Books, Batesville, IN, U.S.A.
Hardcover. Condizione: Very Good. Has a name stamped on front free endpaper else book is LIKE NEW. Very Clean. No writing or tears. Codice articolo 251017026
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Da: The Maryland Book Bank, Baltimore, MD, U.S.A.
hardcover. Condizione: Very Good. Not Indicated. Used - Very Good. Codice articolo 4-O-4-0560
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Da: City Lights Bookstore, Sylva, NC, U.S.A.
HARDCOVER. Condizione: Acceptable. First. Cambridge University Press. HARDCOVER. 1992. 0521401585 :Dust jacket is soiled and scuffed and has a long cut across the front, repaired with tape. Pages are sunned/soiled. From the personal collection of poet/publisher/photographer, Jonathan Williams (1929-2008) at Skywinding Farm, Scaly Mountain North Carolina. 327pp. . Acceptable. First. Codice articolo 0521401585-01
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Da: Book Booth, Berea, OH, U.S.A.
Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Highlighting & underlining to text; binding tight; minor wear to dustjacket. 327 pages. Illustrated. Size: 6" x 9". Codice articolo S215-051765
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Da: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover in dust jacket. Endpaper clipped. Penciling. Otherwise clean and tight. Illustrated. A sound and handsome copy, very neat. Size: 8vo - over 7¾ - 9¾" tall. Book. Codice articolo 81582n106
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Da: michael diesman, Fresh Meadows, NY, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Not Indicated. First edition. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history. Codice articolo 045651
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Da: Aardvark Rare Books, Bucknell, SHROP, Regno Unito
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Da: GoldBooks, Denver, CO, U.S.A.
Condizione: new. Codice articolo 12S92_86_0521401585
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