9780521401586 - Music and Text: Critical Inquiries (24 risultati)

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Not Indicated. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Not Indicated. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

HARDCOVER. Condizione: Acceptable. First. Cambridge University Press. HARDCOVER. 1992. 0521401585 :Dust jacket is soiled and scuffed and has a long cut across the front, repaired with tape. Pages are sunned/soiled. From the personal collection of poet/publisher/photographer, Jonathan Williams (1929-2008) at Skywinding Farm, Scaly Mountain North Carolina. 327pp. . Acceptable. First.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Highlighting & underlining to text; binding tight; minor wear to dustjacket. 327 pages. Illustrated. Size: 6" x 9".

Hardcover. Condizione: Very Good. Has a name stamped on front free endpaper else book is LIKE NEW. Very Clean. No writing or tears.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardcover in dust jacket. Endpaper clipped. Penciling. Otherwise clean and tight. Illustrated. A sound and handsome copy, very neat. Size: 8vo - over 7¾ - 9¾" tall. Book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Not Indicated. First edition. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history.

hardcover. Condizione: Sehr gut. 348 Seiten; 9780521401586.2 Gewicht in Gramm: 1.

Hardcover. Condizione: New. shrinkwrapped copy without a dust jacket.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: Sehr gut. 327 Seiten Leichte Lese- und Gebrauchsspuren, gelegentlich Randanstreichungen mit Bleistift. Exemplar aus dem Vorbesitz des Philosophen Albrecht Wellmer. Ab 1974 bis 1990 war Albrecht Wellmer Ordentlicher Professor für Philosophie an der Universität Konstanz, von 1985 bis 1987 Professor an der New School for Social Research in New York und seit 1990 Ordentlicher Professor für Philosophie (Lehrstuhl für Ästhetik, Hermeneutik und Human Sciences) an der Freien Universität Berlin; Professor emeritus seit September 2001. Gastprofessuren: Haverford (USA), Stony Brook (USA), Collège international de philosophie (Paris, 1988), New School for Social Research (New York, 1995), Universiteit van Amsterdam (1996). / List of figures -- List of contributors -- page -- Preface -- STEVEN PAUL SCHER -- Acknowledgments -- Part I Institutional dimensions and the contexts of listening -- 1 Music and literature: the institutional dimensions JOHN NEUBAUER (University of Amsterdam) -- 2 Privileging the moment of reception: music and radio in South Africa -- CHARLES HAMM (Dartmouth College) -- 3 Chord and discourse: listening through the written word PETER J. RABINOWITZ (Hamilton College) -- Part II Literary models for musical understanding: music, lyric, narrative, and metaphor -- 4 Lyrical modes -- PAUL ALPERS (University of California, Berkeley) -- 5 Origins of modernism: musical structures and narrative forms -- MARSHALL BROWN (University of Washington) -- 6 Metaphorical modes in nineteenth-century music criticism: image, narrative, and idea -- THOMAS GREY (Stanford University) -- 7 Narrative archetypes and Mahler's Ninth Symphony ANTHONY NEWCOMB (University of California, Berkeley) -- Part III Representation, analysis, and semiotics -- 8 Music and representation: the instance of Haydn's Creation -- LAWRENCE KRAMER (Fordham University) -- 9 Musical analysis as stage direction -- DAVID LEWIN (Harvard University) -- 10 Poet's love or composer's love? -- EDWARD T. CONE (Princeton University) -- 11 The semiotic elements of a multiplanar discourse: John Harbison's setting of Michael Fried's "Depths" -- CLAUDIA STANGER (Berklee School of Music) -- Part IV Gender and convention -- 12 Whose life? The gendered self in Schumann's Frauenlieb songs -- RUTH A. SOLIE (Smith College) -- 13 Operatic madness: a challenge to convention -- ELLEN ROSAND (Rutgers University) -- 14 Commentary: form, reference, and ideology in musical discourse -- HAYDEN WHITE (University of California, Santa Cruz) -- Index. ISBN 9780521401586 Sprache: Englisch Gewicht in Gramm: 630 Orig.-Pp.; Orig.-Schutzumschlag.

Condizione: New. In.

Condizione: New. This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice. Editor(s): Scher, Steven Paul. Num Pages: 348 pages, 8 illustrations, 32 music examples. BIC Classification: AVA; AVGC. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 24. Weight in Grams: 680. . 1992. Illustrated. hardcover. . . . .

Condizione: New. This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice. Editor(s): Scher, Steven Paul. Num Pages: 348 pages, 8 illustrations, 32 music examples. BIC Classification: AVA; AVGC. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 24. Weight in Grams: 680. . 1992. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice.

Hardcover. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: Brand New. 345 pages. 9.50x6.50x1.00 inches. In Stock. This item is printed on demand.

Condizione: New. Print on Demand pp. 348 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.

Condizione: New. Print on Demand pp. 348.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. PRINT ON DEMAND pp. 348.

Hardcover. Condizione: new. Hardcover. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music, and the role of aesthetic, historical, and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book of fourteen essays demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice.InhaltsverzeichnisList of figures List of c.