Sinossi
Inspired by the Sheldon Museum of Art&;s holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style&;s aesthetic, intellectual, and social implications.
Sharon L. Kennedy&;s essay draws on the Sheldon&;s collection to trace the style&;s beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art.
Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull?autore
Jorge Daniel Veneciano is the director of the Sheldon Museum of Art. He is the coeditor of Fabulous Harlequin: ORLAN and the Patchwork Self (Nebraska, 2010) and the editor of Neo-Constructivism: Art, Architecture, and Activism and Play&;s the Thing: Reading the Art of Jun Kaneko.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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The Geometric Unconscious: A Century of Abstraction (American Transnationalism: Perspectives from the Sheldon Museum of Art)
Editore:
University of Nebraska Press, 2012
ISBN 10: 0803240929
ISBN 13: 9780803240926
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The Geometric Unconscious: A Century of Abstraction (American Transnationalism: Perspectives from the Sheldon Museum of Art)
Editore:
University of Nebraska Press, 2012
ISBN 10: 0803240929
ISBN 13: 9780803240926
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The Geometric Unconscious: A Century of Abstraction (American Transnationalism: Perspectives from the Sheldon Museum of Art)
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University of Nebraska Press, 2012
ISBN 10: 0803240929
ISBN 13: 9780803240926
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Geometric Unconscious : A Century of Abstraction
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Paperback. Condizione: new. Paperback. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780803240926
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The Geometric Unconscious: A Century of Abstraction
Editore:
University of Nebraska Press, 2012
ISBN 10: 0803240929
ISBN 13: 9780803240926
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Condizione: New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . . Codice articolo V9780803240926
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Foto dell'editore
The Geometric Unconscious: A Century of Abstraction
Editore:
University of Nebraska Press, 2012
ISBN 10: 0803240929
ISBN 13: 9780803240926
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Condizione: New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . . Books ship from the US and Ireland. Codice articolo V9780803240926
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