Isbn: 9780803240926 - the geometric unconscious: a century of abstraction (25 risultati)

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  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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  • Lingua: Inglese

    Editore: University of Nebraska Press and Sheldon Museum of Art, 2012

    0803240929 / 9780803240926

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    Softcover, 188 pages; in English; good condition; bump at top of spine; 1/2-inch crease to most pages at upper right corner; otherwise clean and crisp; no internal marks. Foreign shipping may be extra.

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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  • Lingua: Inglese

    Editore: University of Nebraska Press 2012-08-13, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

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  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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  • Lingua: Inglese

    Editore: University of Nebraska Press, Lincoln, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: new. Paperback. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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  • Lingua: Inglese

    Editore: University of Nebraska Press, US, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: New. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.…

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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    Condizione: New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . .…

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: Univ of Nebraska Pr, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: Brand New. 208 pages. 11.90x8.80x0.70 inches. In Stock.

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

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    Condizione: New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . . Books ship from the US and Ireland.…

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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  • Lingua: Inglese

    Editore: University Of Nebraska Press Jul 2012, 2012

    0803240929 / 9780803240926

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    Taschenbuch. Condizione: Neu. Neuware - Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry innew directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.…

  • Lingua: Inglese

    Editore: Univ of Nebraska Pr, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: Brand New. 208 pages. 11.90x8.80x0.70 inches. In Stock.

  • Lingua: Inglese

    Editore: UNIV OF NEBRASKA PR, 2012

    0803240929 / 9780803240926

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    Condizione: New. Inspired by the Sheldon Museum of Art s holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the.

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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    Condizione: New. pp. 208 Illustrated edition.

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

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    Condizione: New. pp. 208.

  • Lingua: Inglese

    Editore: University of Nebraska Press, US, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: New. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.…

  • Lingua: Inglese

    Editore: University of Nebraska Press, 2012

    0803240929 / 9780803240926

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    Paperback. Condizione: New. Inspired by the Sheldon Museum of Artâs holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the styleâs aesthetic, intellectual, and social implications.Sharon L. Kennedyâs essay draws on the Sheldonâs collection to trace the styleâs beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art.Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.…