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Defines, examines, and elevates home video to its rightful place
From its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There’s No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice.
In Moran’s discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn’t be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication.Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
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There's No Place Like Home Video
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Univ Of Minnesota Press, 2002
ISBN 10: 0816638012
ISBN 13: 9780816638017
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There's No Place Like Home Video
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Univ Of Minnesota Press, 2002
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There's No Place like Home Video
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Univ of Minnesota Press, 2002
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Paperback. Condizione: New. Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Moran's discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn't be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. Codice articolo LU-9780816638017
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There's No Place Like Home Video
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There's No Place Like Home Video (Paperback)
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University of Minnesota Press, Minnesota, 2002
ISBN 10: 0816638012
ISBN 13: 9780816638017
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Paperback. Condizione: new. Paperback. Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Moran's discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn't be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780816638017
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