9780816638017 - there's no place like home video di moran, james m. (17 risultati)
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.
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Da: INDOO, Avenel, NJ, U.S.A.INDOO
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Condizione: New. Brand New.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 27,97
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Paperback. Condizione: New. Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of popular cultur…e. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Moran's discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn't be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication.
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 27,78
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Condizione: new.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 34,41
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Paperback. Condizione: new. Paperback. Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of pop…ular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Moran's discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn't be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 25,76
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Paperback. Condizione: Brand New. 1st edition. 256 pages. 9.75x7.00x0.50 inches. In Stock.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. pp. 256.
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- Prima edizione
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 30,02
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Condizione: New. Series: Visible Evidence. Num Pages: 264 pages. BIC Classification: AJRH; JFC; UGV. Category: (G) General (US: Trade). Dimension: 253 x 178 x 14. Weight in Grams: 456. . 2002. First Edition. paperback. . . . .
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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EUR 40,89
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Condizione: New. pp. 256.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 36,21
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Condizione: New. Series: Visible Evidence. Num Pages: 264 pages. BIC Classification: AJRH; JFC; UGV. Category: (G) General (US: Trade). Dimension: 253 x 178 x 14. Weight in Grams: 456. . 2002. First Edition. paperback. . . . . Books ship from the US and Ireland.
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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EUR 27,28
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 40,06
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Paperback. Condizione: new. Paperback. Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In Theres No Place Like Home Video, James Moran takes on this neglected aspect of popu…lar culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Morans discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldnt be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 80,69
EUR 5,96 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
paperback. Condizione: New. In shrink wrap. Looks like an interesting title.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 27,28
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Paperback. Condizione: New. Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of popular cultur…e. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Moran's discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn't be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication.
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- Print on Demand
Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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EUR 24,61
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like H…ome Video, James Moran takes on this neglected aspect of popular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Moran's discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn't be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. 256 pp. Englisch.
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- Print on Demand
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 30,29
EUR 62,28 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Defines, examines, and elevates home video to its rightful placeFrom its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home V…ideo, James Moran takes on this neglected aspect of popular culture. He offers a cultural history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. In Moran's discussion of video, he argues that previous scholars have not sufficiently dealt with its nature as hybrid, varied, and mutable. He argues that such a medium shouldn't be conceived as pure in and of itself; it is neither autonomous from other media nor entirely dependent on any other, but instead has a chameleonlike interface with films, television, computers, telephones, and even architecture. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication.
