Which came first, words or things? Are your words yours, or someone else’s? And what do the Crusades have to do with it? And what do ants have to do with it?
Jean Ricardou has been given something of a bad rap: he’s widely seen as a difficult writer, or worse yet, as an intensely serious one. However, he easily sheds this weighty reputation in his hilariously playful new novel about the notoriously complex world of literary theory. Supplying his readers with everything they need to know to navigate this world, Ricardou uses his own irreverent interpretation of deconstructive theory to ask questions about language and history, theory and life, and all the intriguing connections between them.
"With remarkable mastery, Jean Ricardou creates a fiction, like those of Borges, causes the conventional foundations of reality to tremble, and that brings with it, through its infinitely reflected simulacra, the collapse of reason beneath the vestiges of a question with no answer."-Alain Clerval
"Ingenious, facetious, . . . and skillfully constructed, it offers its readers the discovery, at once surprising and captivating, of a love affair, conceived in the arcane of language, between narration and fiction, and--why not?--between dreams and realities."-André Dalmas
"[Because] of its extreme eccentricity, Ricardou’s work sets its own traditions far from the more familiar forms of postmodern fiction." -Tobin Jones
"[Place Names] must be read and experienced rather than talked about."-Leon S. Roudiez
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Born in 1932, Jean Ricardou began his literary career in the context of the New Novel, with L’Observatoire de Cannes (1963), but soon began to push the New Novel into the realm of postmodernism, with such experimental works as La Prise de Constantinople(1965), Le Théâtre des métamorphoses (1982), and La Cathédrale de Sens (1988). He has also written extensively on the theory of the New Novel, and for many years has directed an annual colloquium at Cérisy-la-Salle, France, devoted to the problems of textual theory.
Jean Ricardou is a French writer and theorist of the nouveau roman literary movement. Between 1962 and 1971, Ricardou was on the editorial board of French avant-garde journal Tel Quel
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Da: Open Books West Loop, Chicago, IL, U.S.A.
Trade Paperback. Condizione: Used. Codice articolo 717047
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Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G1564784789I4N10
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Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo 14568567-6
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Da: Lakeside Books, Benton Harbor, MI, U.S.A.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Codice articolo OTF-S-9781564784780
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Da: Lakeside Books, Benton Harbor, MI, U.S.A.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Codice articolo OTF-Y-9781564784780
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Da: INDOO, Avenel, NJ, U.S.A.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. This novel in the guise of a travel guide might intrigue literary theorists but will likely exasperate readers looking for plot, character, motivation and meaning.There was a period during the late '60s and '70s when college students who fancied themselves intellectuals devoured the nouveau roman ("new novel") of Robbe-Grillet as avidly as they did the existentialism of Sartre and Camus. Even then, Ricardou remained little-known outside his native France, though this new translation of his 1969 novel shows even more of an absurdist's sense of humor than most literary experimentalists. The prose at the outset is as descriptively flat as a travel guidebook, with the author working his way through towns that are not only organized alphabetically but geographically, and perhaps thematically as well. Along the way, the reader notices the recurrence of a prominent painter of the region, Albert Crucis, whose name (or pseudonym) translates as "white cross." All of the place-name translations may (or may not) have significance as well, or so the reader might learn from Atta and Olivier, two Crucis scholars whose novel this becomes as it progresses. Or does it? It turns out that one or both of the scholars have already read this book, at least the preceding pages, as part of their research, and thus ponder whether they have any existence outside these pages. Later, the novel introduces a first-person "I" who not only purports to be the author, but who provides insight into the narrative (or non-narrative) strategy and predicts how the novel will be received: "The publication of this work will allow some to advance further down the path toward coherence, but from a predictable majority, I have no doubt, it will garner nothing but sarcasm and occasional threats." The reader wondering what it all means will find himself in the position of the character with a magnifying glass monitoring the movement of ants.Fiction about the essence of fiction challenges the reader to distinguish between what's allegory and what's arbitrary. (Kirkus Reviews) Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781564784780
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