Christopher Nevinson is known for his depictions of the first world war, but his achievements as a painter and printmaker were more influential than the works of this period alone would suggest. In this book on Nevinson's work and his contribution to twentieth-century art, his achievements received a reassessment.
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EUR 3,99 per la spedizione da Repubblica Ceca a Italia
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Destinazione, tempi e costiDa: Bookbot, Prague, Repubblica Ceca
Hardcover. Condizione: Fair. Beschriftungen / Markierungen; Leichte Abnutzungen. Christopher Nevinson is known for his depictions of the first world war, but his achievements as a painter and printmaker were more influential than the works of this period alone would suggest. In this book on Nevinson's work and his contribution to twentieth-century art, his achievements received a reassessment. Codice articolo 5086d4a8-c671-49ea-a29a-0a37a603fcdc
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Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno Unito
Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Codice articolo Z1-K-007-02452
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Da: Books From California, Simi Valley, CA, U.S.A.
Hardcover. Condizione: Good. Codice articolo mon0003639971
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Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR005240627
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Da: WeBuyBooks, Rossendale, LANCS, Regno Unito
Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. Codice articolo wbs7641435606
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Da: MW Books, New York, NY, U.S.A.
First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 224 pages; Physical desc. : 224 p. : col. ill. ; 27 cm. Published on the occasion of an exhibition held at The Courtauld Gallery, Courtauld Institute of Art, 15 Oct. 1999-23 Jan. 2000. Includes bibliographical references and index. Includes also works by Seurat, Cezanne, Duncan Grant, Omega Workshop, and others. Subject: Fry, Roger Eliot (1866-1934) --Exhibitions --Criticism and interpretation --Art, Modern --20th century --Great Britain. Summary: The leading critic of contemporary art writing in English in the first half of the twentieth century, Roger Fry defined what made art modern in Britain and America. It was Fry who coined the term "Post-Impressionism" and created a sensation in London with two shows of the new art from France in 1910 and 1912. Fry was an extraordinarily versatile figure - a popularizer and scholar, art historian and art scribe, exhibiting painter and museum curator, restorer and impresario, member of the establishment and rebel, thinker and doer. He worked on both sides of the Atlantic, in London and at the Metropolitan Museum of Art in New York. This book brings together and reveals the interplay of all the elements of Fry's personality and influence, examining the formation of his views, his relationship with other critics, his art historical and museum activity, the ideals of the Omega design workshop he founded, his own paintings and collaborative murals and his views of the 'primitive': children's art, non-Western art, paleolithic art. This book concludes with Fry's own words - the text of a hitherto unpublished 'Lecture on Design', which reveals some key tenets of his mature thought. The book accompanies a major exhibition at the Courtauld Gallery in London, and contains essays by a number of distinguished scholars and writers, led by Christopher Green, with specialist knowledge of Fry's different fields of activity. 2 Kg. Codice articolo 155432
Quantità: 5 disponibili
Da: Better World Books: West, Reno, NV, U.S.A.
Condizione: Good. Used book that is in clean, average condition without any missing pages. Codice articolo 52503083-75
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Da: JuddSt.Pancras, London, Regno Unito
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. In original shrinkwrap. Codice articolo h47635
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Da: JuddSt.Pancras, London, Regno Unito
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Codice articolo i47635
Quantità: 1 disponibili
Da: MW Books Ltd., Galway, Irlanda
First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 224 pages; Physical desc. : 224 p. : col. ill. ; 27 cm. Published on the occasion of an exhibition held at The Courtauld Gallery, Courtauld Institute of Art, 15 Oct. 1999-23 Jan. 2000. Includes bibliographical references and index. Includes also works by Seurat, Cezanne, Duncan Grant, Omega Workshop, and others. Subject: Fry, Roger Eliot (1866-1934) --Exhibitions --Criticism and interpretation --Art, Modern --20th century --Great Britain. Summary: The leading critic of contemporary art writing in English in the first half of the twentieth century, Roger Fry defined what made art modern in Britain and America. It was Fry who coined the term "Post-Impressionism" and created a sensation in London with two shows of the new art from France in 1910 and 1912. Fry was an extraordinarily versatile figure - a popularizer and scholar, art historian and art scribe, exhibiting painter and museum curator, restorer and impresario, member of the establishment and rebel, thinker and doer. He worked on both sides of the Atlantic, in London and at the Metropolitan Museum of Art in New York. This book brings together and reveals the interplay of all the elements of Fry's personality and influence, examining the formation of his views, his relationship with other critics, his art historical and museum activity, the ideals of the Omega design workshop he founded, his own paintings and collaborative murals and his views of the 'primitive': children's art, non-Western art, paleolithic art. This book concludes with Fry's own words - the text of a hitherto unpublished 'Lecture on Design', which reveals some key tenets of his mature thought. The book accompanies a major exhibition at the Courtauld Gallery in London, and contains essays by a number of distinguished scholars and writers, led by Christopher Green, with specialist knowledge of Fry's different fields of activity. 2 Kg. Codice articolo 155432
Quantità: 5 disponibili