Isbn: 9781858940823 - art made modern: roger fry's vision of art (24 risultati)

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good.

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. Minor sunfading to spine, otherwise very good.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Slight edgewear and bumping to boards and unclipped DJ protected in mylar. Solid binding and clean text. No ownership marks, ex-lib marks, stamps or stickers. International addresses will require extra postage due to weight. ; 4to, gray cloth, DJ, 224pp. , index. Illustrated Throughout.; 4to 11" - 13" tall.…

Hardcover. Condizione: VG+. Hardback in Very Good+ condition with Very Good+ dust jacket. 8.5 X 0.75 X 11 inches. 224 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 224 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Record # 462776.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 224 pages; Physical desc. : 224 p. : col. ill. ; 27 cm. Published on the occasion of an exhibition held at The Courtauld Gallery, Courtauld Institute of Art, 15 Oct. 1999-23 Jan. 2000. Includes bibliographical references and index. Includes also works by Seurat, Cezanne, Duncan Grant, Omega Workshop, and others. Subject: Fry, Roger Eliot (1866-1934) --Exhibitions --Criticism and interpretation --Art, Modern --20th century --Great Britain. Summary: The leading critic of contemporary art writing in English in the first half of the twentieth century, Roger Fry defined what made art modern in Britain and America. It was Fry who coined the term "Post-Impressionism" and created a sensation in London with two shows of the new art from France in 1910 and 1912. Fry was an extraordinarily versatile figure - a popularizer and scholar, art historian and art scribe, exhibiting painter and museum curator, restorer and impresario, member of the establishment and rebel, thinker and doer. He worked on both sides of the Atlantic, in London and at the Metropolitan Museum of Art in New York. This book brings together and reveals the interplay of all the elements of Fry's personality and influence, examining the formation of his views, his relationship with other critics, his art historical and museum activity, the ideals of the Omega design workshop he founded, his own paintings and collaborative murals and his views of the 'primitive': children's art, non-Western art, paleolithic art. This book concludes with Fry's own words - the text of a hitherto unpublished 'Lecture on Design', which reveals some key tenets of his mature thought. The book accompanies a major exhibition at the Courtauld Gallery in London, and contains essays by a number of distinguished scholars and writers, led by Christopher Green, with specialist knowledge of Fry's different fields of activity. 2 Kg.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Cloth, 224 pages, illustrations (some colour); 28 cm. Published on the occasion of the exhibibion Art Made Modern: Roger Fry's Vision of Art at the Courtauld Gallery, Courtauld Institute of Art, Somerset House, Strand, London, 15 October 1999 to 23 January 2000. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** CONTENTS: Foreword, by John Murdoch; Preface, by Christopher Green; PT. I. ESSAYS ON ROGER FRY: ART, CRITICISM AND DESIGN. Into the twentieth century: Roger Fry's project seen from 2000, by Christopher Green; Out of the nineteenth century: Roger Fry's early art criticism, 1900-1906, by Elizabeth Prettejohn; Fathers and sons: Walter Sickert and Roger Fry, by Anna Greutzner Robins; From "art quake" to "pure visual music": Roger Fry and modern British art, 1910-1916, by Richard Cork; Roger Fry's social vision of art, by Judith Collins. PT. II. ESSAYS ON ROGER FRY: REMAKING THE CANON. Roger Fry and early Italian art, by Caroline Elam; European 'masterpieces' for America: Roger Fry and the Metropolitan Museum of Art, by Flaminia Gennari Santori; Expanding the canon: Roger Fry's evaluations of the 'civilized' and the 'savage', by Christopher Green. PT. III. ROGER FRY'S CANON: From African sculpture to Vlaminck, incorporating the catalogue of the exhibition, by Christopher Green; A lecture by Roger Fry: 'Principles of Design. I. General ideas, paleolithic and neolithic, early art to Giotto ; Bibliography; Index. Size: 4to. Collectible.…

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 224 pages; Physical desc. : 224 p. : col. ill. ; 27 cm. Published on the occasion of an exhibition held at The Courtauld Gallery, Courtauld Institute of Art, 15 Oct. 1999-23 Jan. 2000. Includes bibliographical references and index. Includes also works by Seurat, Cezanne, Duncan Grant, Omega Workshop, and others. Subject: Fry, Roger Eliot (1866-1934) --Exhibitions --Criticism and interpretation --Art, Modern --20th century --Great Britain. Summary: The leading critic of contemporary art writing in English in the first half of the twentieth century, Roger Fry defined what made art modern in Britain and America. It was Fry who coined the term "Post-Impressionism" and created a sensation in London with two shows of the new art from France in 1910 and 1912. Fry was an extraordinarily versatile figure - a popularizer and scholar, art historian and art scribe, exhibiting painter and museum curator, restorer and impresario, member of the establishment and rebel, thinker and doer. He worked on both sides of the Atlantic, in London and at the Metropolitan Museum of Art in New York. This book brings together and reveals the interplay of all the elements of Fry's personality and influence, examining the formation of his views, his relationship with other critics, his art historical and museum activity, the ideals of the Omega design workshop he founded, his own paintings and collaborative murals and his views of the 'primitive': children's art, non-Western art, paleolithic art. This book concludes with Fry's own words - the text of a hitherto unpublished 'Lecture on Design', which reveals some key tenets of his mature thought. The book accompanies a major exhibition at the Courtauld Gallery in London, and contains essays by a number of distinguished scholars and writers, led by Christopher Green, with specialist knowledge of Fry's different fields of activity. 2 Kg.…

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 224 pp., 142 illustrations most in color. Published on the occasion of the exhibition at The Courtauld Gallery, Courtauld Institute of Art, Somerset House, Strand, London 15 October 1999-23 January 2000.

Hardback. Condizione: Near Fine. 1st Edition. Quarto Size [approx 24cm x 30.5cm]. Near Fine condition in a Near Fine Dustjacket. Dustjacket now protected in our purpose-made clear archival plastic sleeve. An excellent copy. Illustrated with colour and black & white plates. 224 pages. The informative and well-illustrated catalogue of the exhibition of the same name which explored Fry's contribution to twentieth-century art. Robust, professional packaging and tracking provided for all parcels.…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New.

Hardcover. Condizione: Near Fine. Book in near fine condition. 224pp with colour illustrations.

hardcover. Condizione: new.

Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. Essays for the Courtauld exhibition. pp224. Nicely illus. DW in archival sleeve.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Fine. Near Fine. Beau livre, bel exemplaire. Contains several critical essays by various authors. Well illustrated. ISBN10: 1858940826, ISBN13: 9781858940823, [publisher: London : Courtauld Gallery, Courtauld Institute Of Art, In Association With Merrell Holberton, Publishers] Hardcover with dust jacket well-preserved; tight, bright; 224 pages; col. ill. ; 27 cm. Published on the occasion of an exhibition held at The Courtauld Gallery, Courtauld Institute of Art, 15 Oct. 1999-23 Jan. 2000. Includes bibliographical references and index. Includes also works by Seurat, Cezanne, Duncan Grant, Omega Workshop, and others. Subject: Fry, Roger Eliot (1866-1934) --Exhibitions --Criticism and interpretation --Art, Modern --20th century --Great Britain. Summary: The leading critic of contemporary art writing in English in the first half of the twentieth century, Roger Fry defined what made art modern in Britain and America. It was Fry who coined the term "Post-Impressionism" and created a sensation in London with two shows of the new art from France in 1910 and 1912. Fry was an extraordinarily versatile figure - a popularizer and scholar, art historian and art scribe, exhibiting painter and museum curator, restorer and impresario, member of the establishment and rebel, thinker and doer. He worked on both sides of the Atlantic, in London and at the Metropolitan Museum of Art in New York. 224 p. Book. …

Rilegato. Condizione: ottimo. Condizione sovraccoperta: ottimo. prima edizione. Figg. 142 a colori e in nero n.t.

Hardcover. Condizione: New. 0.83 x 10.89 x 8.95 Inches.