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This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand.
How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, and human and nonhuman relations? How is the tension between concepts and actions, and between programmatic ideas and practices, addressed in historical and theoretical debates around performative, participative, and intervening arts? And in what ways do these debates provide possible tools for the analysis of artistic intervention today?
This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, and literary and performative studies as well as art practitioners, are present case studies that shed light on artistic practices that respond to geopolitical, sociocultural, and ecological crises, as well as on curatorial projects, the organization of collectives, and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull'autore
Anna Kipke is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin. She is coeditor of The Scope of Art Criticism. Iryna Kovalenko is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at the European University Viadrina of Frankfurt (Oder) and Free University Berlin. Laura Rogalski is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Free University Berlin. Simon Teune is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Free University Berlin. Mimmi Woisnitza is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Paperback. Condizione: New. This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand. How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, and human and nonhuman relations? How is the tension between concepts and actions, and between programmatic ideas and practices, addressed in historical and theoretical debates around performative, participative, and intervening arts? And in what ways do these debates provide possible tools for the analysis of artistic intervention today? This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, and literary and performative studies as well as art practitioners, are present case studies that shed light on artistic practices that respond to geopolitical, sociocultural, and ecological crises, as well as on curatorial projects, the organization of collectives, and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors. Codice articolo LU-9783035806984
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Paperback. Condizione: New. This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand. How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, and human and nonhuman relations? How is the tension between concepts and actions, and between programmatic ideas and practices, addressed in historical and theoretical debates around performative, participative, and intervening arts? And in what ways do these debates provide possible tools for the analysis of artistic intervention today? This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, and literary and performative studies as well as art practitioners, are present case studies that shed light on artistic practices that respond to geopolitical, sociocultural, and ecological crises, as well as on curatorial projects, the organization of collectives, and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors. Codice articolo LU-9783035806984
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