The American Western genre in film has spanned the better part of a century, and its attributes have evolved from the classic in the early 1900’s, to the contemporary-revisionist in the late 20th century. Traditionally, the American Western, through its revisionist subgenre born in the 1950’s, has retained the same linear narrative structure of the classic Western as a means to deconstruct the romanticized myth of the American frontier. The revisionist Western subgenre transformed the American Western hero into the anti-hero through revealing his flaws, and the post-revisionist Western of the 1990’s accentuated the anti-hero’s sense of moral ambiguity. The major aim of this study was to use the theme of emergent order in David Milch’s Deadwood as a tool to discuss the deconstruction of the romanticized myth of the American frontier, and the reconstruction of the Western genre through the contemporary-revisionist Western.
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Samantha Seamans completed her Master of Arts degree in English Language and Literature at Central Connecticut State University. She is currently an Adjunct Professor of English at Central Connecticut State University and Westfield State University in Massachusetts.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The American Western genre in film has spanned the better part of a century, and its attributes have evolved from the classic in the early 1900 s, to the contemporary-revisionist in the late 20th century. Traditionally, the American Western, through its revisionist subgenre born in the 1950 s, has retained the same linear narrative structure of the classic Western as a means to deconstruct the romanticized myth of the American frontier. The revisionist Western subgenre transformed the American Western hero into the anti-hero through revealing his flaws, and the post-revisionist Western of the 1990 s accentuated the anti-hero s sense of moral ambiguity. The major aim of this study was to use the theme of emergent order in David Milch s Deadwood as a tool to discuss the deconstruction of the romanticized myth of the American frontier, and the reconstruction of the Western genre through the contemporary-revisionist Western. 108 pp. Englisch. Codice articolo 9783846536254
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Da: AHA-BUCH GmbH, Einbeck, Germania
Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The American Western genre in film has spanned the better part of a century, and its attributes have evolved from the classic in the early 1900 s, to the contemporary-revisionist in the late 20th century. Traditionally, the American Western, through its revisionist subgenre born in the 1950 s, has retained the same linear narrative structure of the classic Western as a means to deconstruct the romanticized myth of the American frontier. The revisionist Western subgenre transformed the American Western hero into the anti-hero through revealing his flaws, and the post-revisionist Western of the 1990 s accentuated the anti-hero s sense of moral ambiguity. The major aim of this study was to use the theme of emergent order in David Milch s Deadwood as a tool to discuss the deconstruction of the romanticized myth of the American frontier, and the reconstruction of the Western genre through the contemporary-revisionist Western. Codice articolo 9783846536254
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Da: moluna, Greven, Germania
Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Seamans SamanthaSamantha Seamans completed her Master of Arts degree in English Language and Literature at Central Connecticut State University. She is currently an Adjunct Professor of English at Central Connecticut State Universit. Codice articolo 5497437
Quantità: Più di 20 disponibili
Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germania
Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The American Western genre in film has spanned the better part of a century, and its attributes have evolved from the classic in the early 1900's, to the contemporary-revisionist in the late 20th century. Traditionally, the American Western, through its revisionist subgenre born in the 1950's, has retained the same linear narrative structure of the classic Western as a means to deconstruct the romanticized myth of the American frontier. The revisionist Western subgenre transformed the American Western hero into the anti-hero through revealing his flaws, and the post-revisionist Western of the 1990's accentuated the anti-hero's sense of moral ambiguity. The major aim of this study was to use the theme of emergent order in David Milch's Deadwood as a tool to discuss the deconstruction of the romanticized myth of the American frontier, and the reconstruction of the Western genre through the contemporary-revisionist Western.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 108 pp. Englisch. Codice articolo 9783846536254
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Da: Revaluation Books, Exeter, Regno Unito
Paperback. Condizione: Brand New. 108 pages. 8.66x0.25x5.91 inches. In Stock. Codice articolo 3846536253
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