Afterimage. A Publication of the Visual Studies Workshop. Volume 7, numbers 3, 4, 5, 6, 7, 9, 10. (7 issues in total)

Hagen, Charles (editor)

Editore: The Visual Studies Workshop, Rochester, 1979

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Volume 7. Number 3. October 1979. 24 pages. Summary: Camden conference looks at "The Published Photograph" by Elizabeth Lindquist-Cock; Arles 79: Ten years of "Les rencontres internationales" by Estelle Jussim ; A Flaherty celebration by Marita Sturken; Film and video in the Whitney Biennial by Deirdre Boyle; "Attitudes": Surveying the 70s by Hal Fischer . CORRESPONDENTS: New Mexico: Work by women "outside the mainstream" by Meridel Rubenstein; Washington: Photography at the Corcoran by James Casse. REVIEWS: Light Reading and Photography & Fascination(reviewed by James Kaufmann); 'The Champion Pig (reviewed by Maren Stange); Jerry McMillan(reviewed by James Hugunin). Number 4. November 1979. 20 pages. Summary: Center Builds a Photography Archive in Tucson by Jan Zita Grover; CAPS Videotapes: Wegman, Kolpan, Hocking, Hill, Lucier; Jack Fulton's Puns and Anagrammatic Photographs by Van Deren Coke; The Rigors of Business: Mathew Brady's Photography in Political Perspective by Jennifer Todd. REVIEWS. 1O NEWS. Living in L.A. by James Hugunin; A Yank at Oxford by David Reed. Number 5. December 1979. 20 pages. Summary: Siskind honored at Northeast SPE by David Trend; In New Haven, art meets sociology by Catherine Lord; American Studies conference: Lots of smoke, some fire by James Kaufmann; Linda Connor: Solos and landscapes. Reviews by Dana Asbury and James Hugunin; Film und Foto, 1929: Towards a language of silent film by Jan-Christopher Horak; Jane Wenger: The dialectics of sexuality by Carole Harme. REVIEWS: Alfredthe Great? by David L. Jacobs; From formal to family by Anthony Bannon; Nevadaby Sally Eauclaire; Heroic journey by Jeanne Riley Forstenzer. Number 6. January 1980. 20 pages. Summary: NEA announces photography fellowships for 1980 by Charles Hagen; Whitney film conference: back to the beginning by Scott MacDonald; Edward Steichen: always modern, always traditional by Anthony Bannon; Women and photography: some thoughts on assembling an exhibition by Catherine Lord; Art between the covers by Adam Weinberg; New electronic technology: and for whom by Peter Mitchell; Doherty resigns as Eastman House director by Charles Hagen. Number 7. February 1980. Summary: It was video, video, video at Athens Festival by Deidre Boyle; James Byrne's video environments by Marie Cieri; Rachel Youdelman: a pleasant sense of ennui by James Hugunin; An interview with Robert Huot by Scott MacDonald. REVIEWS: Brassai's Paris by David Reed; Art and Commerce by Terence R. Pitts. Number 9. April 1980. 24 pages. Summary: Media independents push for access by Marita Sturken; Filmmaker's expo: animation, documentaries shine by Scott MacDonald; Photographs and time by Charles Hagen; Cameras can't see: representation, photography and human vision by Marx Wartofsky; Reflections on art in photography by Alan Trachtenberg; Jenny Wrenn: the photograph as imprint by James Hugunin. REVIEWS:The academy by Andy Grundberg; A capital decade by Marguerite Welch; Space invaders by Michael Costello. CORRESPONDENTS. Chicago: Barbara Karant's elegant interiors; Jerry Uelsmann's recent work by Carole Harmel. Number 10. May 1980. 24 pages. Summary: SPE buckles down in the Borscht Belt by Catherine Lord; Film tribe powwows at anthro conference by Marita Sturken; Ugo Mulas: Verifications by Ulrich Keller (article covering 8 pages); REVIEWS Variable vision by David Reed. NEWS NOTES. ICP: Color is the subject by Judith Gerber; 22 RIT: but for how long? by Cindy Furlong. - all first editions and in fine condition.

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• Titolo: Afterimage. A Publication of the Visual Studies Workshop. Volume 7, numbers 3, 4, 5, 6, 7, 9, 10. (7 issues in total)
• Editore: The Visual Studies Workshop, Rochester
• Data di pubblicazione: 1979
• Lingua: Inglese
• Rilegatura: Soft cover
• Condizione: Fine