Distorted Reflections. The Public and Private Faces of the Author in the Work of Uwe Johnson, Günter Grass and Martin Walser 1965 - 1975.

Taberner, Stuart.

ISBN 10: 9042003537 / ISBN 13: 9789042003538

Editore: Amsterdam, Atlanta., 1998

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141 Seiten. Erschien in der Reihe: Amsterdamer Publikationen zur Sprache und Literatur, (Band) 130. Guter Zustand. Der Titel erscheint auch unter folgender Angabe: Distorted Reflections. The Public and Private Uses of the Author in the Work of Uwe Johnson, Günter Grass and Martin Walser 1965 - 1975, welche Angabe korrekt ist, unklar, es handelt sich aber offensichtlich um das dasselbe Werk. Size: 8°.

Codice articolo 056892

Dati bibliografici

• Titolo: Distorted Reflections. The Public and Private Faces of the Author in the Work of Uwe Johnson, Günter Grass and Martin Walser 1965 - 1975.
• Editore: Amsterdam, Atlanta.
• Data di pubblicazione: 1998
• ISBN 10: 9042003537
• ISBN 13: 9789042003538
• Rilegatura: OBroschur / Karton.
• Cataloghi dei venditori:
  • Literaturwissenschaft, Linguistik, Sprachen

Descrizione articolo

Riassunto

This volume presents a new approach to the political engagement of three major West German authors, Uwe Johnson, Günther Grass and Martin Walser. Whereas analysis of intellectuals' participation in the political upheaval of the late 1960s has tended to focus on speeches written in response to contemporary events, this book examines works of fiction for the way in which authors reflected upon their engagement in a more contemplative medium. Examination of these literary reflections reveals a mismatch between writers' confidence as public intellectuals and their private anxiety.
Beginning with a survey of intellectual engagement until the late 1960s, the present volume moves onto a theoretical discussion of the legitimacy of authors' public interventions. Three chapters are devoted to the fiction of Uwe Johnson, Günther Grass, and Martin Walser. Uwe Johnson's fiction embodies retreat, an acknowledgment of political impotence. Günther Grass's novels present the failings of the engaged intellectual as exemplary to an audience which is expected to learn from this inadequacy. Finally, Martin Walser's intellectual characters stylise private weakness to appeal to a middle-brow audience titillated by the public figure's confession of impotence. In Walser's work, political engagement degenerates into pure form, into a Camp gesture of authors' obsession with their private selves.