The Last Days of Mankind [Signed by Translator] The Complete Text. Questo articolo non è disponibile.
Kraus, Karl & Fred Bridgham & Edward Timms
487 valutazioni di Goodreads
Lingua: inglese
Editore: Yale University Press, 2015
- Copia autografata
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Da: Walden Books, London, Regno UnitoWalden Books
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Venditore AbeBooks dal 13 giugno 2000
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Condizione: Usato - Molto buono
EUR 42,60
Descrizione dell’articolo da parte del venditore
No dust jacket; boards are faintly shelf-marked, corners sharp, gilt titling bright; binding is tight; pages are unmarked aside from the translator Fred Bridgham's ink signature and dedication on front endpaper. ; The Margellos World Republic Of Letters; 6.25 x 1.6 x 9.25 inches; 645 pages; Signed by Translator.
Codice articolo 58566
- Titolo
- The Last Days of Mankind [Signed by Translator] The Complete Text
- Autore
- Kraus, Karl & Fred Bridgham & Edward Timms
- Editore
- Yale University Press
- Anno di pubblicazione
- 2015
- Condizione
- Very Good+
- Sovraccoperta
- No Dust Jacket
- Firmato
- Autografato dall'autore
- Rilegatura
- Hardback
- Lingua
- inglese
- ISBN 10
- 0300207670
- ISBN 13
- 9780300207675
Kraus’s iconic WWI drama, a satirical indictment of the glory of war, now in English in its entirety for the first time
"[A] superb translation."—Bill Marx, Arts Fuse
One hundred years after Austrian satirist Karl Kraus began writing his dramatic masterpiece, The Last Days of Mankind remains as powerfully relevant as the day it was published. Kraus’s play enacts the tragic trajectory of the First World War, when mankind raced toward self-destruction by methods of modern warfare while extolling the glory and ignoring the horror of an allegedly “defensive” war. This volume is the first to present a complete English translation of Kraus’s towering work, filling a major gap in the availability of Viennese literature from the era of the War to End All Wars.
Bertolt Brecht hailed The Last Days as the masterpiece of Viennese modernism. In the apocalyptic drama Kraus constructs a textual collage, blending actual quotations from the Austrian army’s call to arms, people’s responses, political speeches, newspaper editorials, and a range of other sources. Seasoning the drama with comic invention and satirical verse, Kraus reveals how bungled diplomacy, greedy profiteers, Big Business complicity, gullible newsreaders, and, above all, the sloganizing of the press brought down the Austro-Hungarian Empire. In the dramatization of sensationalized news reports, inurement to atrocities, and openness to war as remedy, today’s readers will hear the echo of the fateful voices Kraus recorded as his homeland descended into self-destruction.
"[A] superb translation."—Bill Marx, Arts Fuse
One hundred years after Austrian satirist Karl Kraus began writing his dramatic masterpiece, The Last Days of Mankind remains as powerfully relevant as the day it was published. Kraus’s play enacts the tragic trajectory of the First World War, when mankind raced toward self-destruction by methods of modern warfare while extolling the glory and ignoring the horror of an allegedly “defensive” war. This volume is the first to present a complete English translation of Kraus’s towering work, filling a major gap in the availability of Viennese literature from the era of the War to End All Wars.
Bertolt Brecht hailed The Last Days as the masterpiece of Viennese modernism. In the apocalyptic drama Kraus constructs a textual collage, blending actual quotations from the Austrian army’s call to arms, people’s responses, political speeches, newspaper editorials, and a range of other sources. Seasoning the drama with comic invention and satirical verse, Kraus reveals how bungled diplomacy, greedy profiteers, Big Business complicity, gullible newsreaders, and, above all, the sloganizing of the press brought down the Austro-Hungarian Empire. In the dramatization of sensationalized news reports, inurement to atrocities, and openness to war as remedy, today’s readers will hear the echo of the fateful voices Kraus recorded as his homeland descended into self-destruction.
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Informazioni sull’autore
The Austrian Jewish author Karl Kraus (1874–1936) was the foremost German-language satirist of the twentieth century. As editor of the journal Die Fackel (The Torch) he conducted a sustained critique of propaganda and the press, expressed through polemical essays, witty aphorisms, and resonant poems. Edward Timms, founding director of the University of Sussex Centre for German-Jewish Studies, is best known for his two-volume study Karl Kraus—Apocalyptic Satirist. The title of his memoirs, Taking Up the Torch, reflects his long-standing interest in Kraus’s journal. Fred Bridgham is the author of wide-ranging studies in German literature, history, and the history of ideas. His translations of lieder and opera include Hans Werner Henze’s The Prince of Homburg for performance by English National Opera.
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