Joseph wearing (14 risultati)

Hardcover. Condizione: Very Good. 8vo. 61 pp., b/w frontis portrait. Signed " With best wishes for the post-depression year 1935, Joseph Wearing" on ffep. Five addresses delivered at Kiwanis Club gatherings from 1932 to 1934 by Joseph Wearing, Senior County Judge and Surrogate Judge in London, Ontario. Endpapers darkened, short tear (1/4") to title page, head/tail of spine bumped. …

Hardcover. Condizione: Good. 1st Edition. pgs.61 Senior County Judge and Surrogate Judge London, Canada. clean tight text with tanning to text pages gift subscription on title page faded water stain on front cover near hinge, sunning to spine with a small water mark, crimping to top/bottom spines tanning to inside covers and flyleaf sunning to covers.…

Hardcover. Condizione: Good. No Jacket. Singed by author with inscription. Top 1/4" of spine is missing. Signed by Author(s). Book.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. HBDJ, Glossy Pictorial Hardcover boards duplicates DJ Illustration, Book Condition: Very Good. VG/FINE-. 1st Edition. June 1988, 1st printing wiht #1 Intact on copyright pg ,with dustjacket. fine- condition with light edgewear, clean and tight copy, light shelfwear to edges, NO marks or highlights., Interior nice, tight Clean, with 2 Creased dogeared pages , , She Terrorizes a Dog named Shmoofy & will steal your heart with her Antics, Lucy the cat likes to Romp & Play, Flip the pgs from back to Front & see Lucy Move. Green rabbit wearing topcoat holding Cane Endpapers. Canemaker, John (illustratore).…

Hardcover. Condizione: Fair. 61 p. 23 cm. Frontispiece photo. Tan paper covers. Soiled front. Inscribed by author on front free endpaper.

Buch. Condizione: Neu. Neuware - The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them 'illuminated.' Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike. …

Condizione: New. Illuminating Metalwork lives up to its title, casting light on the use of metal in a variety of medieval manuscript traditions, enhancing the essays with multiple indices and a generous number of color figures, and bookending the whole with esse.

Hardback. Condizione: New. The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them "illuminated." Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike. …

hardcover. Condizione: Sehr gut. 523 Seiten; 9783110620153.2 Gewicht in Gramm: 3.

Buch. Condizione: Neu. Illuminating Metalwork | Metal, Object, and Image in Medieval Manuscripts | Joseph Salvatore Ackley (u. a.) | Buch | XIII | Englisch | 2021 | De Gruyter | EAN 9783110620153 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.…

Hardback. Condizione: New. The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them "illuminated." Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike. …

fester Einband. 523 S., 184 farb. Abb. Lit.verz. Reg. Kart. *neuwertig* The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them "illuminated." Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike. Sprache: Englisch.…

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1919. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 64, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 64 64.…