ünver rüstem (23 risultati)

Condizione: New.

Hardcover. Condizione: New. A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque--the first English-language book on the topic--Ãnver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rüstem reclaims the label 'Ottoman Baroque' as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rüstem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

Condizione: New. 2019. Hardcover. . . . . .

Hardback. Condizione: New. A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rüstem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

Condizione: new.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New.

Hardcover. Condizione: new. Hardcover. A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-UEnver Rustem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rustem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history. Outgrowth of the author's thesis (Ph.D.)--Harvard University, 2013, under the title: Architecture for a new age: imperial Ottoman mosques in eighteenth-century Istanbul. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: Brand New. 324 pages. 11.25x8.25x1.25 inches. In Stock.

Hardcover. Condizione: Brand New. 324 pages. 11.25x8.25x1.25 inches. In Stock.

Hardcover. Condizione: New. RUSTEM, UNVER Osmanli baroku. On sekizinci yuzyil Istanbulu'nun mimari yenilenisi. Istanbul: Yapi Kredi Yayinlari, 2024. 4to., 367 p., color ills. Original binding. New ISBN: 9789750864193 CATALOG: Architecture & Urban studies KEYWORDS: Ottoman architecture Baroque Ottoman art Istanbul'un 18. yuzyil mimarisi kendine has uyarlanisiyla cogu kez ozgunlukten yoksun sayilmistir. Bu gorus geleneksel kultur uzerindeki Bati etkilerinden duyulan rahatsizligi yansitir. Osmanli Baroku'nda Unver Rustem, Barok uslubundan hareketle Osmanlilarin 1740-1800 yillari arasinda Istanbul'a dair yeni bir izlenim yaratmak uzere Bati bicimlerini nasil bilincli olarak uyguladiklarini gosteriyor. Yazar 18. yuzyil Istanbul binalarinin donemin diger mimari gelenekleriyle baglantisini irdelemek amaciyla "Osmanli Baroku" tanimina yeniden itibar kazandiriyor. Birincil kaynaklara basvurarak, kente canli bir hava katan bu mimarinin kendi doneminde gerek Osmanlilar gerek yabancilar tarafindan nasil ovuldugunu gozler onune seriyor. Cok sayida gorsel malzemeyle desteklenen ve daha once yayimlanmamis belgelere dayanan Osmanli Baroku, gunumuzde Islam gorsel kulturune iliskin anlayisimizda yeni bir cigir aciyor ve kuresel sanat tarihi konusundaki Avrupa merkezci anlatimlara karsi tutarli bir antitez sunuyor. Kapaktaki gorsel: Nuruosmaniye Camii, ana girisin uzerindeki yarim tonozdan ayrinti. "Osmanli Baroku, Osmanli mimarisinde daha once onemsenmemis ve gunumuz uzman cevrelerinde yanlis anlasilmis bu onemli uslup degisikligine incelikli bir bakisi benimsiyor. Unver Rustem alternatif ve son derece ozgun bir perspektifle konuyu cesurca yeniden gundeme getiriyor." Ahmet Ersoy Architecture and the Late Ottoman Historical Imaginary kitabinin yazari "Unver Rustem'in kitabi, Osmanli Baroku'nun estetik bagdastirmaciligina iliskin yerel ve yabanci algilarin son derece ozgun bir dokumunu sunuyor. Osmanli baskentindeki selatin cami insasinin degisen mimari emelleri uzerinde durarak, bu saglam sanatsal diyalog ve kulturler arasi aktarim doneminde ustalikla yol aliyor. Tarihyazimi acisindan uyumlu, gorsel bakimdan cekici ve ozenle yazilmis bir kitap." Mary Roberts Istanbul Exchanges kitabinin yazari.

Hardback. Condizione: New. A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rüstem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

Hardcover. Condizione: new. Hardcover. A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-UEnver Rustem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rustem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history. Outgrowth of the author's thesis (Ph.D.)--Harvard University, 2013, under the title: Architecture for a new age: imperial Ottoman mosques in eighteenth-century Istanbul. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: Brand New. 324 pages. 11.25x8.25x1.25 inches. In Stock.

Hardback. Condizione: New. A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rüstem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

Hardcover. Condizione: new. Hardcover. A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-UEnver Rustem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rustem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history. Outgrowth of the author's thesis (Ph.D.)--Harvard University, 2013, under the title: Architecture for a new age: imperial Ottoman mosques in eighteenth-century Istanbul. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

368 pages.

Condizione: New. Editors: Translator: 368 pages.