1811 after (41 risultati)

In ivory and gold frame with ivory ruled mount. Mount window size: 280 x 205mm, frame overall: 225 x 270mm. Appears in excellent condition but not examined out of the frame. 22.5 x 27 cm.

Original Punktierstich aus dem 19. Jh. - Blatt-Format: ca. 18,5 x 11,5 cm. - gut erhalten. || Original stipple engraved portrait from the early 19th century. -- in good condition. | -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Englisch Gewicht in Gramm: 10.…

Original Kupferstich von ca.1780. Aus dem berühmten schweizer Atlas von Zurlauben: "Tableaux de la Suisse ou Voyage Pittoresque fait dans les treize Cantons et etats allies du Corps Helvetique. - Paris, 1786. Es gilt als eines der schönsten und wertvollsten Ansichtenwerke über die Schweiz. Blattmaße ca.33 x50cm. gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.…

Stipple engraving and etching, domed top, India paper proof, before title, some fraying on edges of margins, mark on bald head, The title is added in pencil. The British Museum suggest this print is possibly Lord Radstock.

Condizione: Good. Engraving on rag. Image 10" x 8.25". Good with tear at right edge, not near image, else VG. In mylar protective sleeve. Scarce.Image from "The History of the Royal Residences of Windsor Castle.".

Blatt-Maße: ca. 46 x 36 cm. -- Original Radierung von ca. 1840. Prächtiges, großformatiges Blatt. -- nur leicht fleckig, sonst gut erhalten. || Original etched portrait from c. 1840. Beautiful, large portrait. -- only slightly stained, otherwise in good condition. || -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 35.…

Blatt-Maße: ca. 49,5 x 37 cm. -- Original Aquatinta-Radierung von ca. 1855. Seltenes, großformatiges Blatt. -- im Außenrand etwas fleckig, sonst gut erhalten. || Original mezzotint portrait from c. 1855. -- somewhat stained on the outer margin, otherwise in good condition. || -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 35. …

Condizione: Good. Engraving on rag. Image 10" x 8.25". VG. In mylar protective sleeve. Scarce.Image from "The History of the Royal Residences.".

Condizione: Good. Handcolored etching. 27 x 39cm. Numbered 256 upper right inside the platemark.Title etched below image.Later state; former plate number "N. 13" has been replaced with a new plate number, and year of publication has been burnished from end of imprint statement.Date of publication based on complete imprint on earlier state: Pubd. by T. Tegg, 111 Cheapsid [sic], Feb. 25, 1807. Cf. British Museum online catalogue, registration no.: 1991,0720.35.Plate numbered "256" in upper right corner.Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4.Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.Cf. Krumbhaar, E.B. Isaac Cruikshank: a catalogue raisonné, no. 1258.Abstract:A husband and wife have an argument across a table. He equates her to the devil's daughter.…

Condizione: Good. Handcoloured engraving. 49 x 62cm. sheet size. Marginal tears/.Peel 2278; Morgan Library Record ID:185903: .Print shows the interior of a country barbershop, where the barber, his assistant, and a boy, are engaged in shaving and wig-dressing. An elderly rustic sits full-face and well-lathered in an arm-chair in the centre of the shop, while a lean and tattered barber holds the bowl. A stout farmer in top-boots (left) with a stubbly face dubiously contemplates a wig, which he holds on a tall wig-block.///// On the right a fat barber painfully shaves an old man, while a younger customer stanches a cut over a basin. A young boy in front of them holds two elaborately curled legal wigs. A long judge's wig, uncurled, hangs from a wig-block. Behind (left) a prim, elderly man in a newly dressed wig adjusts his neck-cloth at a small mirror; a coachman in back view puts on his tightly curled wig. .There are also two dogs, two cats, a magpie taking part of a wig from a box on the floor, and another bird in a cage. Above the door (right) are fishing-rods and a creel. On the wall are four prints: a naval battle (framed); a view of the "County Gaol"; an execution scene; and a skeleton fiddling to exulting demons. There is also "A Calendar of the Prisoners to be Tried. . . ".The room is ramshackle with a casement window, bricks showing through the plaster. From the roof hang a ham and a bundle of turnips and carrots. Cf. BM Satires.From the collection of Frederic Gale Ruffner, Jr., the founder of Gale Research, Detroit.…

Soft cover. OZANNE, Nicolas-Marie (1728 -1811), after WEBBER, John (1750?-1793). "View of Karakakooa Bay in Owhyhee, where Captn. Cook was Killed". ca 1785. Single sheet, tipped-in to modern mount (6 x 10 6/8 inches). EXCEPTIONALLY FINE WATERCOLOUR DRAWING, after the "View of Karakakooa Bay in Owhyhee, where Captn. Cook was Killed" by John Webber, published in 1784 to accompany the official account of Cook's third voyage, showing HMS Resolution and Discovery in the background and boats and canoes of the Hawaiians busy in the bay, all against the backdrop of a towering forest covered cliff. Provenance: with 19th-century pencilled inscription on the verso: "P Ozanne Ohaite" and "6F"; with Christie's Paris, 1st April 2016, lot 62, attributed to Pierre Ozanne One of a series of fine watercolour drawings painted in reduced format after the originals created to accompany the published accounts of Cook's voyages. Ozanne's depiction of "Resolution Bay" after William Hodges is part of the celebrated touring exhibition of the Rothschild drawings of Waddesdon Manor, see item 7 in Juliet Carey's catalogue of the exhibition "Theatres of Life.". Nicholas Ozanne was a marine artist best known for a series of views of French ports and for illustrating the works of Duhamel du Monceau. His sister, Jeanne-Françoise Ozanne (1735 - 1795), was an engraver - her works include Vues de Dieppe, de Saint- Valéry, de Livourne, des colonies françaises. His second sister, Marie-Jeanne Ozanne (1736 1786), married the engraver Le Gouaz, whilst her own works include Vue de Livourne and Temps serein, after Vernet ; the Ferme flamande and the Relais flamands, after Wouwerman. His brother, Pierre Ozanne (1737 1813) was an engraver and marine engineer, and it may be that Nicholas intended that his brother should engrave this exquisite drawing for publication, hence the inscription on the verso. The original artist of this view, John Webber, was the official artist of Cook's third voyage A Voyage to the Pacific Ocean, 1784. However he did not witness the tragic scene of Cook's death himself, and therefore did not include a depiction of it in the official account. Instead this image of Karakakooa Bay was included, and "The Death of Captain Cook" privately and separately published by Webber in 1782. It took eleven months for the news of Cook's death on the 14th February 1779 in Hawaii to reach the British Admiralty in London. Cook's third and tragic last voyage had attempted to locate the much sought-after North-West Passage, a longed-for ice-free sea route which would link the Atlantic and Pacific Oceans. After a long tour of the coast of Alaska as far as the Arctic Circle, Cook decided to over-winter in Hawaii, which he had named after his patron the Earl of Sandwich. "After carrying out a running survey of the easternmost of the Hawaiian Islands, Cook anchored in Kealakekua Bay on the island of Hawaii on 17 January 1779. At first he was well received and by some accounts was considered by the Hawaiians as the embodiment of their god Lono. On 4 February 1779 Cook got under way to continue his survey of the islands but was forced to return to Kealakekua Bay for repairs after the Resolution's foremast was damaged in a violent storm. It soon became clear that his return was not welcome, and bad relations culminated in the theft of the Discovery's cutter. On the morning of 14 February Cook, with less than his usual judgment, landed with an escort of marines in an attempt to persuade the local chief to return on board where he intended to hold him as a hostage against the return of the cutter. The chief readily agreed to accompany Cook, but at the landing place they were met by a hostile crowd and in the altercation that followed Cook and four of the marines were killed" (Andrew C. F. David for DNB). The most matter-of-fact account of Cook's death is to be found in the journal of First-Lieutenant James Burney (later Read Admiral): "with Glasses we could see Capt'n. Cook r.…

Title page of the 'Evangelisch Jaarboekje' with a reproduction of a composition by Ary Scheffer (1845), celebrated artist from the nineteenth century.The original painting is in Amsterdam at the Stedelijk Museum. Steel engraving on paper; total: 182 x 116 mm. Top corners weak on verso, probably due to previous mounting, otherwise in great condition.…

Condizione: Good. Crayon manner engraving in sanguine ink. 35 x 27 cm (sheet). Good, light specks of foxing in the margins, tears along sheet edges.

Condizione: Good. Hand-colored crayon manner engraving. 33.5 x 26 cm (sheet). Very Good, a few light specks of foxing in the margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Condizione: Good. Hand-colored Engraving. 10" x 8.25", Good with torn right edge.

Condizione: Good. Hand-colored Engraving. 10" x 8.25", Good with torn right edge.

Condizione: Good. Hand-colored Engraving. 10" x 8.25", Good with left edge torn.

Condizione: Good. Hand-colored Engraving. 10" x 8.25" Oblong, Good with torn bottom edge, else VG.

Condizione: Good. Hand-colored Engraving. 10" x 8.25", Good with torn right edge.

Condizione: Good. Hand-colored Engraving. 10" x 8.25", Very Good.

Großformatiger original Kupferstich. -- Blattmaße: ca. 51 x 42,5 cm. Bildmasse: ca. 40 x 27 cm. -- gut erhalten. || Large format original copper engraving. -- in good condition. -------------------------------------------------------------------------------------------------------- Jean-François de Galaup de La Pérouse (1741 1788) war ein französischer Seefahrer, Weltumsegler und Geograf im Zeitalter der Aufklärung. Von 1772 bis 1776 segelte La Pérouse im Auftrag des französischen Gouverneurs im Indischen Ozean zwischen den französisch beherrschten Kolonien Mauritius, Réunion, Pondicherry in Südindien und Madagaskar und später auch nach Australien. Im Februar 1788 schickte La Pérouse eine Nachricht mit der weiter geplanten Route in die Heimat: über Tonga, Neukaledonien und die Salomonen sollte es nach Neuguinea gehen. Doch La Pérouse erreichte keines dieser Ziele. Beide Schiffe nebst Mannschaft verschwanden spurlos. Man nimmt an, dass die Schiffe in einen tropischen Wirbelsturm gerieten. -------------------------------------------------------------------------------------------------------- Jean-François de Galaup de La Pérouse (1741-1788) was a French navigator, circumnavigator and geographer in the Age of Enlightenment. From 1772 to 1776, La Pérouse sailed on behalf of the French governor in the Indian Ocean between the French-controlled colonies of Mauritius, Reunion, Pondicherry in southern India and Madagascar and later also to Australia. In February 1788, La Pérouse sent a message with the further planned route home: via Tonga, New Caledonia and the Solomon Islands it was to go to New Guinea. But La Pérouse did not achieve any of these goals. Both ships and crew disappeared without a trace. The ships are believed to have been hit by a tropical cyclone. This engraving comes from the very rare Atlas Atlas du Voyage de la Perouse. printed in Paris in 1797. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.…

Hand-coloured aquatint, laid down, mount obscures imprint, Shows the Dover to London mail coach No. 1058.

Hand-coloured aquatint, laid down, mount obscures imprint, small tear at head, some damage to title, Shows the Age, which ran from Brighton to Richmond through Kingston, Dorking, and Horsham.

Condizione: Good. Engraving. Handcolored and matted. The work titled "Naufrage des deux chaloupes, au Port des Francais" was created by Nicolas Marie Ozanne and engraved by Dequevauviller, with script by L. Aubert. It is Plage 25 in the "Atlas du Voyage de la Perouse," published in 1797 by L'Imprimerie de la Republique. The engraving measures 41 cm in width and 28 cm in height.This composition is an engraved drawing depicting a dramatic maritime scene at Lituya Bay, Alaska. The setting is a tumultuous sea, where two longboats (chaloupes) are shown shipwrecked. The foreground is dominated by the chaotic struggle of sailors clinging to debris amidst towering waves. The figures are rendered with dynamic expressions and gestures, emphasizing the peril and urgency of the situation.In the middle ground, the remaining parts of the vessels are visible, and some crew members attempt to navigate the wreckage. The background features a serene landscape of rugged mountains and dense forests, offering a stark contrast to the tumultuous scene in the foreground. The sky is filled with dramatic clouds, enhancing the overall tension and atmosphere of the artwork.The engraving's style reflects the precision and attention to detail typical of late 18th-century maritime art. The lines are finely etched, capturing both the ferocity of the sea and the tranquility of the surrounding landscape.This work is historically significant as it is part of the narrative of Jean-Francois de Galaup, comte de La Perouse's voyage. La Perouse embarked on an expedition from France in 1785 to further the discoveries initiated by Captain Cook. Unfortunately, he was shipwrecked in 1788, but his documented experiences, including maps and views, were preserved and published in this atlas.The cultural context reflects the Age of Enlightenment's spirit of exploration and scientific inquiry, as European powers sought to chart unknown territories. This particular scene, set in Alaska, underscores the dangers faced by explorers during these expeditions.The engraving is part of a larger atlas, "La Perouse's Voyages," which contains 34 maps and views. This specific piece is listed under List No 3355.025 and Page No 25 in the Rumsey Collection. The work is an exceptional example of 18th-century cartographic art, issued to accompany La Perouse's global voyages, with particular emphasis on the hazards and discoveries encountered during these explorations.…

Condizione: Good. Title page for the suite. 21.3 x 28.6 cm. . Tear in top margin 3 cm.Reference: Charles Auffret, Une Famille d'Artistes Brestois au xviiie siècle: Les Ozann[e], 1891, pp. 73-74 no. XI.XI MARINES ET PAYSAGES. ? PAYSAGES ET MARINES. Sous ce titre, nous connaissons deux séries de cahiers : La première intitulée « Paysages et Marines, » comprend quatre cahiers ohlongs de six planches chacun. La deuxième, « Marines et Paysages. ? Paysages et Marines », est formée de six cahiers de quatre planches. Nous les décrirons successivement. l re SÉRIE : « PAYSAGES ET MARINES ». Quatre cahiers de six planches. 1 er cahier : Le titre est écrit sur le pavillon d'un fort, à gauche. .Le cahier E pi. 1. porte dans le ciel une banderole sur laquelle on lit : « Païsages et Marines, » à Paris chez François Chéreau, rue St-Jacques aux 2 Piliers d'Or. ? Elles portent toutes les quatre le monogramme de Pierre : P. 0. ? Le sous-titre est inscrit en Las sur une tablette faisant partie de l'encadrement. Toutes les planches portent à gauche et en haut, en dehors de l'encadrement, la lettre E, et, à droite, le n° d'ordre de la planche. .Pierre a beaucoup moins gravé que son frère et son burin a plutôt reproduit des ?uvres de Nicolas ou de J. Vernet que les siennes propres. A en juger par les pièces qui nous ont passé sous les yeux, il reproduisait mieux les petites scènes maritimes que les grands paysages : ainsi les cahiers de marine, les man?uvres de petits vaisseaux d'après les dessins de son frère sont d'un trait fin, délicat ; fidèle interprète de la man?uvre, il ne lui sacrifie rien. Mais" dès qu'il aborde les planches de grandes dimensions, ou elles restent inachevées en certains points, ou bien la taille en est dure, heurtée, disons le mot médiocre.Le Gonaz est mort à Paris le 12 j uin 1816. De son mariage avecM"° Jeanne Ozanne il avait eu deux fils qui sont morts avant lui,etune fille,Marie-Amelie, née à Paris en 17 7 2 et mariée en 1794 à J . J .Coiny. Leur popostérité est éteinte. Expertise by Yves Salmon, 56760 Pénestin, France.…

Condizione: Good. Handcolored engraving on 18th Century laid paper. 46.5 x 34.5cm. Marginal tears. References: Karen F. Beall, Kaufrufe und Strassenhändler: Cries and itinerant trades, Ö1; Lipperheide Ebb 1. Kaut 1.- Vgl. Colas 423, Hiler 110, Slg. Eckl, IV, Nr. 1580.Aus der ?Große Kaufruf"-Serie nach Zeichnungen von Johann Christian Brand, die ab 1775 als eines der ersten Werke der Kupferstichschule an der Wiener Kunstakademie erschien, stellte erstmals das ?gemeine Volk von Wien" in den Vordergrund einer grafischen Serie. Die englischen und französischen Vorbildern folgenden Darstellungen von Wanderhändlern, Handwerkern und Marktverkäuferinnen wurden zum Teil mit den für die Anpreisung ihrer Produkte typischen ?Kaufrufen" bezeichnet. Die Stiche begründeten ein eigenes Genre typisierender Berufsdarstellungen, das bis weit ins 20. Jahrhundert populär war.From the collection of Frederic Gale Ruffner, Jr., the founder of Gale Research, Detroit.…

Condizione: Good. .Hancdoloured stipple engraving on laid paper. 43x 57cm. sheet size. V&A, no. E.373-1943: Stipple engraving showing a tea-party, assorted ladies and gentlemen seated rigidly in a semicircle, while a footman holds a tray of tea cups and another servant holds a plate of bread and butter.Lower margin reads: "H. Bunbury Esq. / CONVERSAZIONE./ W. Dickinson Excudit / LONDON. Publish'd Feb.y 11.th 1782, by W. Dickinson Engraver & Printseller N.o 158 New Bond Street.".From the collection of Frederic Gale Ruffner, Jr., the founder of Gale Research, Detroit.…

Pamphlet. Condizione: Very good. First Edition. Octavo, 24pp. Disbound. Free of foxing or notable wear. Includes the scarce folding chart of troops killed and wounded at Prophet's Town on November 7th, 1811. From the private collection of Tom Charles Huston. (Howes H-247). The Battle of Tippecanoe occurred on November 7, 1811, near present-day Lafayette, Indiana, between American forces led by Governor William Henry Harrison and Native American warriors associated with Shawnee leaders Tecumseh and Tenskwatawa. The battle took place near Prophetstown, with Harrison commanding approximately 1,000 troops, including regular soldiers, militia, and volunteers, while the Native American forces numbered around 500-700 warriors from various tribes. The Native Americans launched a surprise pre-dawn attack on Harrison's encampment but were eventually repelled. The Americans suffered around 62 killed and 126 wounded, with similar or slightly higher casualties estimated for the Native Americans. The battle weakened Tecumseh's confederation and led to the burning of Prophetstown by Harrison's troops. First edition of James Madison's Transmission of Two Letters from Gov. Harrison Of The Indiana Territory to Congress, published in 1811, after the Battle of Tippecanoe. (illustratore).…

Condizione: Good. Original ltihograph. 45 x 58cm. Handcolored. Marginal tears. Ownership inscription dated 1826 verso. Louis-Philippe d'Orleans as a geography teacher at the College of Reichenau, Switzerland 1793-4, c.1825 (litho) by Chretien (fl. 1825) (after); Private Collection; (add.info.: Louis-Philippe (1773-1850), King of the French 1830-48; in exile from France during the period of the French Revolution spent about a year as a schoolmaster in a school under the assumed name of Monsieur Chabos; picture commissioned by Louis-Philippe c.1825 after his return to France after the Bourbon restoration of 1814; lithograph by Charles-Etienne-Pierre Motte (1785-1836); Heidi Mehrkens:As a young nobleman exiled from France,Louis-Philippe, then Duc de Chartres, worked as a teacher at a Bu?ndner reformschool, where he lived under an assumed name from October 1793 to June 1794.From the collection of Frederic Gale Ruffner, Jr., the founder of Gale Research, Detroit. …

Condizione: Good. Suite of 24 engravings on laid paper. 13.3 x 21cm. sheet size.Reference: Charles Auffret, Une Famille d'Artistes Brestois au xviiie siècle: Les Ozann[e], 1891, pp. 83-84 no. XV.XV. CAHIERS DE VINGT-QUATRE PLANCHES. Diverses man?uvres de vaisseaux dessinées au naturel par Ozanne l'aîné et gravées par Ozanne le cadet. 84 LES OZANNE A Paris, chez la V ve Chéreau. ? 2 cahiers de 24 pi. chaque. Voici la nomenclature de l'un d'eux : 1, 2, 3 : Vaisseaux mouillés. ? 4 : Vaisseaux vent arrière. ? 5, 0, 7, 8 : Vaisseaux vent largue. ? 9, 10, il, 12 : Vaisseaux au plus près. ? 13, 14, 15, 16 : Vaisseaux en panne. ? 17, 18, 19, 20 : Vaisseaux arrivant, ? 21, 22, 23, 24 : Vaisseaux virant vent devant. Chaque série porte en outre A, B, C. Ces man?uvres ont été reproduites avec quelques variantes, comme nous le verrons plus loin dans la description de l'?uvre de Pierre. .Pierre a beaucoup moins gravé que son frère et son burin a plutôt reproduit des ?uvres de Nicolas ou de J. Vernet que les siennes propres. A en juger par les pièces qui nous ont passé sous les yeux, il reproduisait mieux les petites scènes maritimes que les grands paysages : ainsi les cahiers de marine, les man?uvres de petits vaisseaux d'après les dessins de son frère sont d'un trait fin, délicat ; fidèle interprète de la man?uvre, il ne lui sacrifie rien. Mais" dès qu'il aborde les planches de grandes dimensions, ou elles restent inachevées en certains points, ou bien la taille en est dure, heurtée, disons le mot médiocre.Le Gonaz est mort à Paris le 12 j uin 1816. De son mariage avecM"° Jeanne Ozanne il avait eu deux fils qui sont morts avant lui,etune fille,Marie-Amelie, née à Paris en 17 7 2 et mariée en 1794 à J . J .Coiny. Leur popostérité est éteinte. Expertise by Yves Salmon, 56760 Pénestin, France.…