a barbiero (46 risultati)

Condizione: Bueno. : Tengo una historia que contarte es una antología de cuentos españoles del siglo XXI, publicada por Grafein Ediciones en 2012. Esta edición en tapa blanda contiene 171 páginas y presenta una colección de relatos de diversos autores, incluyendo a Alicia Pallás Solsona, Alonso Medinilla, Anna Cabot Dalmau, y muchos otros. El libro explora temas variados dentro de la literatura y ficción contemporánea española. EAN: 9788493799830 Tipo: Libros Categoría: Literatura y Ficción Título: Tengo una historia que contarte Autor: AA VV| Alicia Pallás Solsona| Alonso Medinilla| Anna Cabot Dalmau| Carmela Piñol Barbiero| Carolina Murcia| Concha Francés Vidal| Concha Mayo| Hélène Augé Covillandeau| Javier Espinosa| Jeannette Laurent Ronda| Leticia Troyano| Mara Giugliarelli| Margarita López Carrillo| Margarita Roiz de la Parra| Mariano López Carrillo| Pilar Chárlez Alarcón| Santos Doval Vega| Teresa Docio Rosado| Victor Tejada Editorial: Grafein. Idioma: es-ES Páginas: 171 Formato: tapa blanda.

Condizione: Como nuevo. : Tengo una historia que contarte es una antología de cuentos españoles del siglo XXI, publicada por Grafein Ediciones en 2012. Esta edición en tapa blanda contiene 171 páginas y presenta una colección de relatos de diversos autores, incluyendo a Alicia Pallás Solsona, Alonso Medinilla, Anna Cabot Dalmau, y muchos otros. El libro explora temas variados dentro de la literatura y ficción contemporánea española. EAN: 9788493799830 Tipo: Libros Categoría: Literatura y Ficción Título: Tengo una historia que contarte Autor: AA VV| Alicia Pallás Solsona| Alonso Medinilla| Anna Cabot Dalmau| Carmela Piñol Barbiero| Carolina Murcia| Concha Francés Vidal| Concha Mayo| Hélène Augé Covillandeau| Javier Espinosa| Jeannette Laurent Ronda| Leticia Troyano| Mara Giugliarelli| Margarita López Carrillo| Margarita Roiz de la Parra| Mariano López Carrillo| Pilar Chárlez Alarcón| Santos Doval Vega| Teresa Docio Rosado| Victor Tejada Editorial: Grafein. Idioma: es-ES Páginas: 171 Formato: tapa blanda.

Condizione: As New. Good quality. No yellow highlightings.

Condizione: New.

Paperback or Softback. Condizione: New. Letters in Plautus. Book.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the epistolary medium's script-like ability to precipitate presence in absence. These missives thus serve as emblems of the dramatic script, and in their onstage composition and recitation they cast a portrait of the plays' textual origins into the plays themselves. But by virtue of their inscription with a premise which is identical to that of the comedies they inhabit, the Plautine letters also reproduce the relationship between the playwright's Greek models and his Latin translations: the mirror effect created by a dramatic text inscribed, read and realized within a dramatic text whose plot it also duplicates generates a mise-en-abyme which ultimately serves to contemplate problems of novelty and literary ownership that beset Plautus' literary endeavor.

Paperback. Condizione: new. Paperback. The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the epistolary medium's script-like ability to precipitate presence in absence. These missives thus serve as emblems of the dramatic script, and in their onstage composition and recitation they cast a portrait of the plays' textual origins into the plays themselves. But by virtue of their inscription with a premise which is identical to that of the comedies they inhabit, the Plautine letters also reproduce the relationship between the playwright's Greek models and his Latin translations: the mirror effect created by a dramatic text inscribed, read and realized within a dramatic text whose plot it also duplicates generates a mise-en-abyme which ultimately serves to contemplate problems of novelty and literary ownership that beset Plautus' literary endeavor. Illuminates the origins of the earliest surviving poetry written in Latin and addresses a question that has vexed readers of Plautine comedy since the birth of modern philology: how did Plautus translate? Of interest to scholars of Latin poetry, the Roman Republic, book history and the history of western drama. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New.

Condizione: New. In.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the epistolary medium's script-like ability to precipitate presence in absence. These missives thus serve as emblems of the dramatic script, and in their onstage composition and recitation they cast a portrait of the plays' textual origins into the plays themselves. But by virtue of their inscription with a premise which is identical to that of the comedies they inhabit, the Plautine letters also reproduce the relationship between the playwright's Greek models and his Latin translations: the mirror effect created by a dramatic text inscribed, read and realized within a dramatic text whose plot it also duplicates generates a mise-en-abyme which ultimately serves to contemplate problems of novelty and literary ownership that beset Plautus' literary endeavor. Illuminates the origins of the earliest surviving poetry written in Latin and addresses a question that has vexed readers of Plautine comedy since the birth of modern philology: how did Plautus translate? Of interest to scholars of Latin poetry, the Roman Republic, book history and the history of western drama. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: OTTIMO USATO. Niccolò Barbiero (illustratore). La piccola Gaja scienza ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Tornano le leggi surreali e spietate di Murphy, che questa volta prende di mira global e no-global, rossi e neri offrendo al lettore un viaggio attraverso la "murfologia dei massimi sistemi", la "murfologia etica", la "murfologia elettorale", quella "femminista", la lotta di classe, la "partitologia". Illustratore: Barbiero, N. Curatore: Spagnol, L.;Bloch, A. Numero pagine 85. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Paperback. Condizione: new. Paperback. The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the epistolary medium's script-like ability to precipitate presence in absence. These missives thus serve as emblems of the dramatic script, and in their onstage composition and recitation they cast a portrait of the plays' textual origins into the plays themselves. But by virtue of their inscription with a premise which is identical to that of the comedies they inhabit, the Plautine letters also reproduce the relationship between the playwright's Greek models and his Latin translations: the mirror effect created by a dramatic text inscribed, read and realized within a dramatic text whose plot it also duplicates generates a mise-en-abyme which ultimately serves to contemplate problems of novelty and literary ownership that beset Plautus' literary endeavor. Illuminates the origins of the earliest surviving poetry written in Latin and addresses a question that has vexed readers of Plautine comedy since the birth of modern philology: how did Plautus translate? Of interest to scholars of Latin poetry, the Roman Republic, book history and the history of western drama. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: BUONO USATO. Psicologia e ricerche sociali ITALIANO Libro usato ma in buone condizioni. Potrebbe presentare piccolissimi danni alle copertine e lievi piegature da lettura al dorso e/o piegature minime agli angoli, normali segni del tempo. La rilegatura potrebbe essere minimamente allentata ma integra e senza fogli sciolti e o mancanze. Le pagine e/o i tagli potrebbero essere lievemente ingialliti con minima fioritura. La foto corrisponde al libro in vendita Altre foto su richiesta. Numero pagine 160.

Condizione: BUONO USATO. Psicologia e ricerche sociali ITALIANO Dedica datata e firmata presumibilmente dalla stessa Curatrice alla prima bianca, n.12 della collana, prefazione di Gustavo Iacono, pagine leggermente ingiallite ai bordi, con alcune tavole in nero nei testi, ingialliti e con fioritura i tagli, copertina editoriale flessibile, con ombrature, fioritura, segni di usura alle punte e piccolo strappetto sia al piede che alla cima. Numero pagine 160.

Taschenbuch. Condizione: Neu. Neuware - 'The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the epistolary medium's script-like ability to precipitate presence in absence. These missives thus serve as emblems of the dramatic script, and in their onstage composition and recitation they cast a portrait of the plays' textual origins into the plays themselves. But by virtue of their inscription with a premise which is identical to that of the comedies they inhabit, the Plautine letters also reproduce the relationship between the playwright's Greek models and his Latin translations: the mirror effect created by a dramatic text inscribed, read and realized within a dramatic text whose plot it also duplicates generates a mise-en-abyme which ultimately serves to contemplate problems of novelty and literary ownership that beset Plautus' literary endeavor'--.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: New.

Condizione: New.

Paperback. Condizione: New. The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the epistolary medium's script-like ability to precipitate presence in absence. These missives thus serve as emblems of the dramatic script, and in their onstage composition and recitation they cast a portrait of the plays' textual origins into the plays themselves. But by virtue of their inscription with a premise which is identical to that of the comedies they inhabit, the Plautine letters also reproduce the relationship between the playwright's Greek models and his Latin translations: the mirror effect created by a dramatic text inscribed, read and realized within a dramatic text whose plot it also duplicates generates a mise-en-abyme which ultimately serves to contemplate problems of novelty and literary ownership that beset Plautus' literary endeavor.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.