a deveria (37 risultati)

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Fine. Not ex-library. Scarce; OCLC records no copies in U.S.

Condizione: New. In.

Condizione: New. In.

Paperback. Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Original handkolorierte Lithographie von ca. 1840 - Blatt-Maße: ca. 20 x 27,5 cm - gut erhalten. -- original handcolored lithograph from circa 1840 - good condition. - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original handkolorierte Lithographie von ca. 1840 - Blatt-Maße: ca. 20 x 27,5 cm - Papier etwas gebräunt - sonst gut erhalten. -- original handcolored lithograph from circa 1840 - paper slightly browned - otherwise in good condition. - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original handkolorierte Lithographie von ca. 1840 - Blatt-Maße: ca. 20 x 27,5 cm - gut erhalten. -- original handcolored lithograph from circa 1840 - good condition. - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original handkolorierte Lithographie von ca. 1840 - Blatt-Maße: ca. 20 x 27,5 cm - gut erhalten. -- original handcolored lithograph from circa 1840 - good condition. - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original handkolorierte Lithographie von ca. 1840 - Blatt-Maße: ca. 20 x 27,5 cm - Papier leicht gebräunt - sonst gut erhalten. -- original handcolored lithograph from circa 1840 - paper sighlty browned - otherwise in good condition. - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original handkolorierte Lithographie von ca. 1840 - Blatt-Maße: ca. 20 x 27,5 cm - Papier leicht gebräunt - sonst gut erhalten. -- original handcolored lithograph from circa 1840 - paper slightly browned - otherwise in good condition. - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original handkolorierte Lithographie von ca. 1840 - Blatt-Maße: ca. 20 x 27,5 cm - Leicht fleckig - sonst gut erhalten. -- original handcolored lithograph from circa 1840 - slightly stained - otherwise in good condition. - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

No Binding. Condizione: Good. First Edition. 33.8 X 23.8 Cm. Dampstaining In Upper Right Corner, Small Intrusion Into The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.

No Binding. Condizione: Good. First Edition. 34.7 X 27.8 Cm. Dampstaining In Lower Right Corner, Outside The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.

rigide. Condizione: Assez bon. 150 Vignettes par Célestin Nanteuil, Tony Johannot, Devéria, Jeanron, Édouard May, Jean Gigoux, Camille Rogier, Achille Allier. Suivi d'un Catalogue complet des Romans, Drames, Poésies, ornés de vignettes, de 1825 à 1840, 1 vol. in-4 reliure demi-vélin à coins, reliure signée de Paul Vié, E. Dentu, Libraire-Éditeur. Paris, 1883,VIII-438 pp. Etat très satisfaisant (reliure un peu frottée avec 2 petits accrocs en dos, rouss., bon état par ailleurs) Langue: Français.

Demi-cuir. Condizione: Bon. Devéria, Cosway, Champagne, Champin, Turner, Julien, Daffinger, Gavarni (illustratore). A. DE LAMARTINE PORTRAITS ET SALONS ROMANTIQUES Introduction de Louis BARTHOU, de l'Académie Française 1927, Paris, Editions Le Goupy , imprimé à Paris, sur les presses de J. Dumoulin et dans les ateliers de Jacomet In-8 (17,5 x 24,5 cm), relié, 218 pages Reliure demi-cuir basane havane, dos titré orné doré, tête de tranche dorée, couvertures et dos conservés, lettrines, culs-de-lampe Exemplaire n°495 sur 975 tirés sur papier pur fil Lafuma marque maçonnique en pied de coiffe de Roland Bailly illustrations in texte et 16 planches hors texte d'après Devéria, Cosway, Champagne, Champin, Turner, Julien, Daffinger, Gavarni, Contenu du livre : Introduction - Madame Récamier - Balzac - Madame de Girardin - Alfred de Musset - Table des illustrations Etat : reliure écorchée avec défauts de cuir aux coiffes et dos, papier bien blanc, ouvrage bien solide, agréable exemplaire Poids : 980g.

Reliure signée. Condizione: Bon. DEVERIA, Achille (illustratore). VIII + 398 pp. + 443 pp. + 452 pp. + 470 pp. + 468 pp., 5 volumes in-8, demi-basane havane, dos 4 nerfs avec titre et tomaison dorés, filets dorés, tranches jaspées. Reliure signée CHAPIN. Contes orientaux traduits du turc, du persan et de l'arabe par Petis-de-la-Croix, Galland, Cardonne, Chawis et Cazotte, etc. Avec une notice par M. Collin de Plancy. 10 gravures hors-texte en noir par Achille DEVERIA. Mors du second plat du tome I fendu, quelques épidermures et frottements sur les plats, papier et gravure d'une belle fraicheur. Bon ensemble.

Condizione: Good. Small folio. 25.,5 x 34.6 cm. Contemporary gilt roan. Title page by Victor Adam and 38 plates with 2 lithographs per page on rag paper by Adam and others. Light foxing. Very rare. Nont in OCLC.Inventaire du fonds français après 1800. Tome premier, Abbéma-Beaumont ([Reprod. en fac-sim.]) / Bibliothèque nationale, Département des estampes ; par Jean Laran, 1930.________________________________________Extract 1 : La Variété, nouveau recueil de croquis par divers artistes, chez Aumont et chez Tilt, 1831 : 1e Lon, n° 3, Le Bac, Le taureau échappé.Album de lithographies comportant de sujets divers. Paysages, bateaux, animaux sauvages, métiers et scènes animés.Superbes tirages en lithographie, le tout sur beau papier.Titré et 38 planches superbement imprimées par la Maitre de la lithographie, LEMERCIER.Volume in-folio, reliure du temps en maroquin, vieux rouge.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: Good. Engraving. 4to. Very Good. Text in French.

Condizione: Good. Engraving. 4to. Very Good, somewhat stained. Text in French.