a f e maillot (2 risultati)

Hardcover. Condizione: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustratore). 1st Edition. Quarto. Pp. 315 (verso blank). Plus 40 leaves of hand-coloured plates, including frontispiece. Large armorial head- and tail-pieces, illustrated initials. Title-page printed in red and black, and with handsome armorial device. Half-title present. HARDCOVER, bound in the original publisher's full lavishly decorated cloth by A. Souze, large armorial illustration in gold, black, and silver within elaborate frame, gilt lettering to cover and spine, illustration to spine and lower cover, all edges gilt. The binding incorporates a second, elaborately decorated original paper cover, printed separately by the Paris firm of Draeger et Lesieur, beautifully illustrated and hand-coloured, gilt, blue, and red lettering within gold frame; spine ends bit worn, first inner hinges slightly cracked. In a very good condition. Handsome book, well preserved. ~ FIRST EDITION. Jules Richard (Thomas-Jules-Richard Maillot) (1825-1899). Louis Isaac Trinquier (1853-1922). The lively plates are the result of a complicated and delicate process, now obsolete, which was invented in the early 1850's by Firmin Gillot. Known as Gillotage, the process turned a lithographic drawing into a relief plate. Employing both planographic and relief methods, the process remained purely manual, involving no photography. The lithograph was transferred to zinc and then etched, in an extremely laborious process, to make a metal relief block from which the final print was made. Noteworthily, many of Daumier's lithographic plates were treated in this way before their publication. Here, the plates are delicately hand-coloured by contemporary hand, rich in detail, and in a particularly good condition. I-3.

8º: A-C 8 D 4 E 2, gepag.: 58 [2] pp. Met titelvignet door W.J. Strunck. Papieren omslag Van Halmael, Bijdragen tot de geschiedenis van het tooneel (Leeuwarden 1840), p.59; Hilman, Ons Tooneel (Amsterdam 1879), p. 206 Van Aken II, p.215; CBMNL 5177; Saalmink II, p.1214 Overvest Kup leidde samen met Th. Obelt gedurende een groot aantal jaren een reizend toneelgezelschap. In 'Mevrouw Angot te Parijs' speelde Obelt volgens Van Halmael meer dan 180 keer, en nooit zonder de levendigste toejuiching, zelfs van de beste Fransche Komieken. Na Obelt werd de rol volgens Hilman oneindige malen te Amsterdam op kleine schouwburgen vervuld door een tot in den dood getrouwen broeder der natte gemeente.