a massonet (6 risultati)

Taschenbuch. Condizione: Neu. Cloud Infrastructures, Services, and IoT Systems for Smart Cities | Second EAI International Conference, IISSC 2017 and CN4IoT 2017, Brindisi, Italy, April 20-21, 2017, Proceedings | Antonella Longo (u. a.) | Taschenbuch | Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering | xix | Englisch | 2017 | Springer | EAN 9783319676357 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Soft cover. Condizione: Good. 1st ed, 1926, Soft cover 10 x 12 inches approx, 68pages; Original brown light card covers with printed title label on upper cover. 17 leading pen and pencil artists describe their methods. With several pages contemporary advertisements; this copy shows moderate general wear, a few marks and edge wear to front cover, generally clean and very useable; careful packaging and UK dispatch within two working days (JS).

Broché. Condizione: Bon. A. Massonet (illustratore). Volume de 80 pages, ici sous une joilie reliure plein cuir, dos à cinq nerfs, pièce de titre rouge et fleurons dorés, aux plats ceints de cadres dorés, pages de gardes marbrées. Portraits en n&b de Clémenceau par A. Massonet, dessinateur du Claque à fond, journal belge des tranchées. Quelques traces de frottement sur la reliure, papier vergé bruni, une signature en haut de la page de faux titre, sinon en bon état. Fort rare ouvrage absent des catalogues de la BnF et du WorldCat.

brossura. Condizione: Molto buono (Very Good). In folio, pp. 26 con 12 tavole a colori illustrate da Massonet e commentate da Biebuyck. Cartonato editoriale, copertina con tappo di champagne in rilievo. Opera pubblicata in sole 350 copie  Molto buono (Very Good) .

0. Bruxelles, Musée du Livre , 1920, in-4°, 212 pp, 100 pp + 21 planches hors-texte ( dont plusieurs lithographies originales et des tirages sur Offset par les presses de l'École de la Lithographie de Bruxelles. Broché, couverture souple d'origine ( couverture de A.Carlens ). Une tentative de redressement culturel belge après la première guerre mondiale, très bien illustrée. La publication est en même temps le dernier fascicule (n° 47 - 59 ) de la première série des publications du Musée du Livre qui débuta en 1907.

Bruxelles, J. E. Goossens, 1933. Folio (35.6 x 27.1 cm). [26] pp.; ten full colour plates. Original embossed soft boards. = A sparkling, ephemeral work, published in only 350 copies, and nicely illustrated by the Belgian artist Armand Massonet (1892-1979). The single embossment has the shape of a champagne cork. A single, original watercolour drawing by Massonet, in the same style and size, has been added with a pencilled dedication, signed by the artist. "He studied at the Académie Royale des Beaux-Arts of Brussels and the Ecole National des Beaux-Arts in Paris (in the studio of Fernand Cormon), where he followed the steps of Van Gogh and Toulouse-Lautrec. During World War I, Massonet served as a stretcher-bearer for the Belgian Army while working for the art section of the Army, capturing scenes of war and devastation throughout Belgium. He published an art and literary paper called Le Claque à Fond while on the front line. After the war, he taught drawing in different schools and academies of Brussels while publishing books and articles on art and sketch techniques. He worked with different artists and writers of the time, such as Victor Horta, René Lyr and Victor Boin. After World War II he moved to Paris, where he painted regularly and continued to publish books on art and painting. There he became acquainted with painters such as Vlaminck. Massonet's work demonstrates a particular skill for sketching and capturing movement and light. As a painter, he produced numerous portraits and views of cities (Brussels, Paris, Venice) as well as interior scenes. His paintings also developed the theme of music and dance, portraying jazz bands and piano players. He produced numerous posters and publicity drawings for companies such as Philips and Agfa-Gevaert. His work can be found in museums in Brussels, Belgium; Rheims, France; and Riga, Latvia"(Wikipedia). Boards a bit soiled; short tears in the right margin of the original drawing, and some unobtrusive pinpoint spotting; otherwise very good. Rare.