a v marraccini (37 risultati)

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condizione: New. In her debut book, A. V. Marraccini explores how we inhabit works of art, and how our sense of longing informs and changes our relationship to them. Intertwining fig wasps, Updike, Genet, Twombly, Rilke, jewel heists, and a vividly rendered panoply of histories and myths from classical antiquity, We the Parasites both tells a strange love story and makes a slantwise argument about reading with the body, and what it ultimately means to know, and to want.'We the Parasites is my new favourite book, a dazzlingly erudite disquisition of the erotics of criticism, riven with knockout sentences and a luxuriant sensibility. A.V. Marraccini stops you in your tracks, urges you to think with her a while about the delicious joy of art, how we grow huge and terrifying on it, and how this thievery, this parasitism is necessary both for its continuance and for our own.' Lauren Elkin, author of Flâneuse: Women Walk The City'In 1964, Sontag wrote: 'In place of a hermeneutics we need an erotics of art.' Since then, many works of criticism have paid lip service to this desideratum, but few have managed to achieve it. In We the Parasites, encountering a work of art is not fixed as a safe looking at, but rather as an eating, a kissing, a being-seduced-by, a being-contaminated by, a being-infected-by that restores art and criticism to the dangerous adventure that it is.' Ryan Ruby.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: As New. 1st Edition. A like new copy. 139pp.

Paperback. Condizione: New. In her debut book, A. V. Marraccini explores how we inhabit works of art, and how our sense of longing informs and changes our relationship to them. Intertwining fig wasps, Updike, Genet, Twombly, Rilke, jewel heists, and a vividly rendered panoply of histories and myths from classical antiquity, We the Parasites both tells a strange love story and makes a slantwise argument about reading with the body, and what it ultimately means to know, and to want.'We the Parasites is my new favourite book, a dazzlingly erudite disquisition of the erotics of criticism, riven with knockout sentences and a luxuriant sensibility. A.V. Marraccini stops you in your tracks, urges you to think with her a while about the delicious joy of art, how we grow huge and terrifying on it, and how this thievery, this parasitism is necessary both for its continuance and for our own.' Lauren Elkin, author of Flâneuse: Women Walk The City'In 1964, Sontag wrote: 'In place of a hermeneutics we need an erotics of art.' Since then, many works of criticism have paid lip service to this desideratum, but few have managed to achieve it. In We the Parasites, encountering a work of art is not fixed as a safe looking at, but rather as an eating, a kissing, a being-seduced-by, a being-contaminated by, a being-infected-by that restores art and criticism to the dangerous adventure that it is.' Ryan Ruby.

Paperback. Condizione: new. Paperback. In her debut book, A. V. Marraccini explores how we inhabit works of art, and how our sense of longing informs and changes our relationship to them. Intertwining fig wasps, Updike, Genet, Twombly, Rilke, jewel heists, and a vividly rendered panoply of histories and myths from classical antiquity, We the Parasites both tells a strange love story and makes a slantwise argument about reading with the body, and what it ultimately means to know, and to want.We the Parasites is my new favourite book, a dazzlingly erudite disquisition of the erotics of criticism, riven with knockout sentences and a luxuriant sensibility. A.V. Marraccini stops you in your tracks, urges you to think with her a while about the delicious joy of art, how we grow huge and terrifying on it, and how this thievery, this parasitism is necessary both for its continuance and for our own. Lauren Elkin, author of Flaneuse: Women Walk The CityIn 1964, Sontag wrote: In place of a hermeneutics we need an erotics of art. Since then, many works of criticism have paid lip service to this desideratum, but few have managed to achieve it. In We the Parasites, encountering a work of art is not fixed as a safe looking at, but rather as an eating, a kissing, a being-seduced-by, a being-contaminated by, a being-infected-by that restores art and criticism to the dangerous adventure that it is.' Ryan Ruby A queer-feminist creative critical work centring on the impact of parasites in cultural discourse surrounding visual art, mythology, philosophy and fiction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback or Softback. Condizione: New. We The Parasites. Book.

Condizione: New.

Condizione: NEW.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. "But Iâm not the fig, Iâm the wasp. I burrow into sweet, dark places of fecundity, into novels and paintings and poems and architectures, and I make them my own.""We the Parasites is my new favorite book, a dazzlingly erudite disquisition on the erotics of criticism, riven with knockout sentences and a luxuriant sensibility. A. V. Marraccini stops you in your tracks, urges you to think with her a while about the delicious joy of art, how we grow huge and terrifying on it, and how this thievery, this parasitism is necessary both for its continuance and for our own." â"Lauren Elkin, author of Flâneuse: Women Walk the City"In 1964, Sontag wrote: 'In place of a hermeneutics we need an erotics of art.' Since then, many works of criticism have paid lip service to this desideratum, but few have managed to achieve it. [â¦] In We the Parasites, encountering a work of art is not fixed as a safe looking at, but rather as an eating, a kissing, a being-seduced-by, a being-contaminated by, a being-infected-by that restores art and criticism to the dangerous adventure that it is." â" Ryan RubyIn her debut book, A. V. Marraccini explores how we inhabit works of art, and how our sense of longing informs and changes our relationship to them. Intertwining fig wasps, Updike, Genet, Twombly, Rilke, jewel heists, and a vividly rendered panoply of histories and myths from classical antiquity, We the Parasites both tells a strange love story and makes a slantwise argument about reading with the body, and what it ultimately means to know, and to want.A.V. Marraccini is a critic, essayist, and historian of art. In addition to her scholarly work, she has written on both visual culture and literature for publications ranging from the TLS and the LARB to BOMB magazine and Hyperallergic.

Trade Paperback. Condizione: New. First Edition. New. 'We the Parasites is my new favorite book, a dazzlingly erudite disquisition on the erotics of criticism, riven with knockout sentences and a luxuriant sensibility. A. V. Marraccini stops you in your tracks, urges you to think with her a while about the delicious joy of art, how we grow huge and terrifying on it, and how this thievery, this parasitism is necessary both for aits continuance and for our own.' Lauren Elkin, author of Flâneuse: Women Walk the City Intertwining fig wasps, Updike, Genet, Twombly, Rilke, jewel heists, and a vividly rendered panoply of histories and myths from classical antiquity, it both tells a strange love story and makes a slantwise argument about reading with the body. We The Parasites reconfigures how longing changes and informs our relationship with art and literature, and asks what it means to want.

Condizione: new.

Condizione: New.

Condizione: New. 2023. paperback. . . . . .

Condizione: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

paperback. Condizione: New.

Condizione: New. In.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. In her debut book, A. V. Marraccini explores how we inhabit works of art, and how our sense of longing informs and changes our relationship to them. Intertwining fig wasps, Updike, Genet, Twombly, Rilke, jewel heists, and a vividly rendered panoply of histories and myths from classical antiquity, We the Parasites both tells a strange love story and makes a slantwise argument about reading with the body, and what it ultimately means to know, and to want.'We the Parasites is my new favourite book, a dazzlingly erudite disquisition of the erotics of criticism, riven with knockout sentences and a luxuriant sensibility. A.V. Marraccini stops you in your tracks, urges you to think with her a while about the delicious joy of art, how we grow huge and terrifying on it, and how this thievery, this parasitism is necessary both for its continuance and for our own.' Lauren Elkin, author of Flâneuse: Women Walk The City'In 1964, Sontag wrote: 'In place of a hermeneutics we need an erotics of art.' Since then, many works of criticism have paid lip service to this desideratum, but few have managed to achieve it. In We the Parasites, encountering a work of art is not fixed as a safe looking at, but rather as an eating, a kissing, a being-seduced-by, a being-contaminated by, a being-infected-by that restores art and criticism to the dangerous adventure that it is.' Ryan Ruby.

Condizione: NEW.

Paperback. Condizione: New. In her debut book, A. V. Marraccini explores how we inhabit works of art, and how our sense of longing informs and changes our relationship to them. Intertwining fig wasps, Updike, Genet, Twombly, Rilke, jewel heists, and a vividly rendered panoply of histories and myths from classical antiquity, We the Parasites both tells a strange love story and makes a slantwise argument about reading with the body, and what it ultimately means to know, and to want.'We the Parasites is my new favourite book, a dazzlingly erudite disquisition of the erotics of criticism, riven with knockout sentences and a luxuriant sensibility. A.V. Marraccini stops you in your tracks, urges you to think with her a while about the delicious joy of art, how we grow huge and terrifying on it, and how this thievery, this parasitism is necessary both for its continuance and for our own.' Lauren Elkin, author of Flâneuse: Women Walk The City'In 1964, Sontag wrote: 'In place of a hermeneutics we need an erotics of art.' Since then, many works of criticism have paid lip service to this desideratum, but few have managed to achieve it. In We the Parasites, encountering a work of art is not fixed as a safe looking at, but rather as an eating, a kissing, a being-seduced-by, a being-contaminated by, a being-infected-by that restores art and criticism to the dangerous adventure that it is.' Ryan Ruby.