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  • Lingua: Inglese

    Editore: Getty Publications, 2012

    1606061038 / 9781606061039

    • Rilegato

    Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books

    Venditore con 5 stelle
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    Condizione: Usato - Molto buono

    EUR 12,74

     Spedizione gratuita 
    Spedito in U.S.A.

    Quantità: 1 disponibili

    Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: J. Paul Getty Museum, 2012

    1606061038 / 9781606061039

    • Rilegato

    Da: ANARTIST, New York, NY, U.S.A.ANARTIST

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    Condizione: Usato

    EUR 17,84

    EUR 4,33 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

    Hardcover with dustjacket, 112 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

  • Lingua: Inglese

    Editore: Museum, 2012

    1606061038 / 9781606061039

    • Rilegato

    Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS

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    Condizione: Nuovo

    EUR 1762,41

    EUR 2,60 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

    Hardcover. Condizione: New. Like painters and draftsmen before them, photographers turned to the landscape as a source of inspiration after the invention of the medium in 1839. Since then, changing artistic movements and technical advancements have provided opportunities for camera artists to approach the subject in diverse and imaginative ways, as illustrated by the carefully selected works in Landscape in Photographs. Until the nineteenth century, landscape was seen merely as a backdrop to a main subject, but with the rise of industrialization, natural settings became increasingly rare in urban life and, therefore, more valued and frequently represented. Plein air photographers recorded landscapes near and far, while Pictorialists, such as Edward Steichen and Imogen Cunningham, added emotional resonance to the scenery with their painterly style. During the twentieth century, the lenses of Edward Weston, Ansel Adams, and Minor White discovered lines, shades, and textures, and the landscape became a creation of rich tones and graphic compositions. Artists such as Harry Callahan and Aaron Siskind went further and cropped nature into purely abstract images.Landscape in Photographs accompanies the exhibition In Focus: Picturing Landscape, on view at the Getty Center from May 22 through October 7, 2012.