Abdelfattah hamada (27 risultati)

Condizione: New.

Condizione: New.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2012 in the subject American Studies - Literature, , language: English, abstract: In this paper, Zora Neale Hurston¿s novel 'Their Eyes Were Watching God' is examined to demonstrate how storytelling and the blues, as aspects of diasporic survival, function in her fiction which depicts how African cultural heritage operates in the United States. She articulates the need for her black folks throughout diaspora to confront racism by employing their African cultural heritage as a vehicle for empowerment. Janie, Hurston¿s protagonist, finds that when she embraces her African heritage not only does she gain great awareness of her selfhood better as African American, but she also discovers that her Africanity and her identity are intertwined.…

Taschenbuch. Condizione: Neu. Neuware - Seminar paper from the year 2017 in the subject American Studies - Comparative Literature, grade: excellent, Mansoura University, course: drama, language: English, abstract: 'The Cuban-swimmer' is a seven-scene play in which Milcha Sanchez-Scott depicts the individual's need of self assertion as a major theme. Self assertion, according to her, is a metaphor standing for one's true identity, a symphony combining one's individuality as well as one's cultural legacy. The play follows the life of the Suarezs, a displaced Cuban family who rode the ocean to take refuge in the United States. They have migrated from Cuba in search of a secure sense of self-worth. The central character among these people is Margarita Suarez, a nineteen-year-old Cuban girl, who tries to win a swimming race in the ocean as a Cuban not as an American. Margarita takes part in this race in search not only of the 'Cuban pride' but also of her own self-assertion. In her play, Sanchez-Scott uses Margarita's story as an allegory for the whole immigration experience which Latin Americans had to go through.Milcha Sanchez-Scott was born in a multicultural family. Her father was a Colombian man who lived in Mexico; her mother is Indonesian with Chinese-Dutch roots. Jane T. Peterson holds that 'her [Milcha's] heritage reflects a diversity of ethnic and cultural influences'. She is regarded as a playwright of powerfully expressive plays. Her works consistently reflect her concern with racial and political issues, particularly with the Latin woman's struggle for spiritual survival. Latin American heritage and the sense of this culture form the ultimate base of Sanchez-Scott's material. Much of her writing reveals her concern for Latin women and their families. Peterson is clear about the idea that 'Milcha Sanchez-Scott's work frequently explores woman's experiences in Hispanic-American bicultural context'.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2023 in the subject American Studies - Literature, grade: Excellent, Mansoura University (Faculty of Arts), course: American literature, language: English, abstract: The following essays analyzes Afro-American literature regarding cultural criticism. Afro-American literature is, by its very nature, a social and cultural art whose study requires adopting cultural criticism. True, formalist critics, who claim that the literary text is all that matters, call for studying the text away from its cultural and social influences, which they accuse of corrupting the artistic experience, but this so-called separation is not suitable for minority literature such as Afro-American literature which is intimately connected to its cultural, historical, ideological conditions. 'Black literature' as Henry L. Gates believes 'came to be seen as a cultural artifact (the product of unique historical forces) or as a document that bore witness to the political and emotional tendencies of the Negro victim of white racism'. It can be stated that Afro-American literature emanates from a discrete cultural condition which is marked by marginalization, racism, persecution and injustice because the experience of black American writers' as a disenfranchised, oppressed group in America has its noticeable effect on their literary works. In other words, Afro-American literature and African Americans' life have been directly interrelated because the black writers never 'separate literature from life' (Fuller 264). Thus, critics of Afro-American literature should take into consideration the relations between the text and sociology, between aesthetic regards and cultural considerations, between fiction and ideology.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Academic Paper from the year 2021 in the subject American Studies - Literature, , course: Doctoral Dissertation, language: English, abstract: This thesis examines Zora Neale Hurston's 'Dust Tracks on a Road'.Empowering the African cultural heritage is a frequent theme in Zora Neale Hurston¿s fiction. According to her, the cultural heritage is not something stagnant or inert; it continues to affect her black folks in the present and the future. Therefore, as she always believes, it is necessary for black Americans to turn to their African roots to inspire strength and guidance. Hurston¿s approach to the cultural heritage coincides with Diane Barthel¿Bouchier¿s belief that heritage can be used as a way of life in order to attain sustainability. To Barthel¿Bouchier, cultural heritage is a ¿living history incorporating social process of both continuity and change¿ (9). Indeed, Hurston¿s fiction is an attempt to make African culture serve life. Her novels and short stories can be read as endeavors to transform the perception of the African roots in the African Americans¿ psyche from a stain that needs to be washed out into a powerful force that can uphold the whole AfröAmerican community.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Academic Paper from the year 2022 in the subject American Studies - Comparative Literature, grade: Excellent with houner, Mansoura University (Faculty of Arts), course: Phd, language: English, abstract: Zora Neale Hurston used Black American slang to uncover racism against her black folk. She employed not only slang languages of her black folk but also her African culture heritage. Her novel 'Their Eyes Were Watching God' is examined to demonstrate how storytelling and the blues, as aspects of diasporic survival, function in her fiction which depicts how African cultural heritage operates in the United States. She articulates the need for her black folks throughout diaspora to confront racism by employing their African cultural heritage as a vehicle for empowerment. Janie, Hurston¿s protagonist, finds that when she embraces her African heritage not only does she gain great awareness of her selfhood better as African American, but she also discovers that her Africanity and her identity are intertwined.…

Taschenbuch. Condizione: Neu. Subjectivity versus the Main Stream Culture | Hamada Abdelfattah | Taschenbuch | 52 S. | Englisch | 2020 | LAP LAMBERT Academic Publishing | EAN 9786202668040 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2012 in the subject American Studies - Literature, , language: English, abstract: In this paper, Zora Neale Hurston¿s novel 'Their Eyes Were Watching God' is examined to demonstrate how storytelling and the blues, as aspects of diasporic survival, function in her fiction which depicts how African cultural heritage operates in the United States. She articulates the need for her black folks throughout diaspora to confront racism by employing their African cultural heritage as a vehicle for empowerment. Janie, Hurston¿s protagonist, finds that when she embraces her African heritage not only does she gain great awareness of her selfhood better as African American, but she also discovers that her Africanity and her identity are intertwined. 40 pp. Englisch.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2017 in the subject American Studies - Comparative Literature, grade: excellent, Mansoura University, course: drama, language: English, abstract: 'The Cuban-swimmer' is a seven-scene play in which Milcha Sanchez-Scott depicts the individual's need of self assertion as a major theme. Self assertion, according to her, is a metaphor standing for one's true identity, a symphony combining one's individuality as well as one's cultural legacy. The play follows the life of the Suarezs, a displaced Cuban family who rode the ocean to take refuge in the United States. They have migrated from Cuba in search of a secure sense of self-worth. The central character among these people is Margarita Suarez, a nineteen-year-old Cuban girl, who tries to win a swimming race in the ocean as a Cuban not as an American. Margarita takes part in this race in search not only of the 'Cuban pride' but also of her own self-assertion. In her play, Sanchez-Scott uses Margarita's story as an allegory for the whole immigration experience which Latin Americans had to go through.Milcha Sanchez-Scott was born in a multicultural family. Her father was a Colombian man who lived in Mexico; her mother is Indonesian with Chinese-Dutch roots. Jane T. Peterson holds that 'her [Milcha's] heritage reflects a diversity of ethnic and cultural influences'. She is regarded as a playwright of powerfully expressive plays. Her works consistently reflect her concern with racial and political issues, particularly with the Latin woman's struggle for spiritual survival. Latin American heritage and the sense of this culture form the ultimate base of Sanchez-Scott's material. Much of her writing reveals her concern for Latin women and their families. Peterson is clear about the idea that 'Milcha Sanchez-Scott's work frequently explores woman's experiences in Hispanic-American bicultural context'. 48 pp. Englisch.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2023 in the subject American Studies - Literature, grade: Excellent, Mansoura University (Faculty of Arts), course: American literature, language: English, abstract: The following essays analyzes Afro-American literature regarding cultural criticism.Afro-American literature is, by its very nature, a social and cultural art whose study requires adopting cultural criticism. True, formalist critics, who claim that the literary text is all that matters, call for studying the text away from its cultural and social influences, which they accuse of corrupting the artistic experience, but this so-called separation is not suitable for minority literature such as Afro-American literature which is intimately connected to its cultural, historical, ideological conditions. ¿Black literature¿ as Henry L. Gates believes ¿came to be seen as a cultural artifact (the product of unique historical forces) or as a document that bore witness to the political and emotional tendencies of the Negro victim of white racism¿.It can be stated that Afro-American literature emanates from a discrete cultural condition which is marked by marginalization, racism, persecution and injustice because the experience of black American writers¿ as a disenfranchised, oppressed group in America has its noticeable effect on their literary works. In other words, Afro-American literature and African Americans¿ life have been directly interrelated because the black writers never ¿separate literature from life¿ (Fuller 264). Thus, critics of Afro-American literature should take into consideration the relations between the text and sociology, between aesthetic regards and cultural considerations, between fiction and ideology. 52 pp. Englisch.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 60 pp. Englisch.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Academic Paper from the year 2021 in the subject American Studies - Literature, , course: Doctoral Dissertation, language: English, abstract: This thesis examines Zora Neale Hurston's 'Dust Tracks on a Road'.Empowering the African cultural heritage is a frequent theme in Zora Neale Hurston¿s fiction. According to her, the cultural heritage is not something stagnant or inert; it continues to affect her black folks in the present and the future. Therefore, as she always believes, it is necessary for black Americans to turn to their African roots to inspire strength and guidance. Hurston¿s approach to the cultural heritage coincides with Diane Barthel¿Bouchier¿s belief that heritage can be used as a way of life in order to attain sustainability. To Barthel¿Bouchier, cultural heritage is a ¿living history incorporating social process of both continuity and change¿ (9). Indeed, Hurston¿s fiction is an attempt to make African culture serve life. Her novels and short stories can be read as endeavors to transform the perception of the African roots in the African Americans¿ psyche from a stain that needs to be washed out into a powerful force that can uphold the whole AfröAmerican community. 52 pp. Englisch.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This study examines subjectivity in selected plays of Clifford Odets, August Wilson and Milcha Sanchez-Scott. It examines subjectivity as it appears in Odets' selected play, Awake and Sing! as he explores the socio-cultural elements of his Jewish identity. It also discusses Wilson's play The Piano Lesson in which he reveals and addresses his African-American identity by employing different devices of African cultural traditions. Then, the study deals with Sanchez-Scott's The Cuban Swimmer, in which the playwright explores her Latin-American culture from a feminist point of view. The study ends by proving that the three playwrights managed to portray their own subjectivities in addition to the cultural identities of their fellow people. 52 pp. Englisch.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study examines subjectivity in selected plays of Clifford Odets, August Wilson and Milcha Sanchez-Scott. It examines subjectivity as it appears in Odets' selected play, Awake and Sing! as he explores the socio-cultural elements of his Jewish identity. It also discusses Wilson's play The Piano Lesson in which he reveals and addresses his African-American identity by employing different devices of African cultural traditions. Then, the study deals with Sanchez-Scott's The Cuban Swimmer, in which the playwright explores her Latin-American culture from a feminist point of view. The study ends by proving that the three playwrights managed to portray their own subjectivities in addition to the cultural identities of their fellow people.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Essay from the year 2012 in the subject American Studies - Literature, , language: English, abstract: In this paper, Zora Neale Hurston¿s novel 'Their Eyes Were Watching God' is examined to demonstrate how storytelling and the blues, as aspects of diasporic survival, function in her fiction which depicts how African cultural heritage operates in the United States. She articulates the need for her black folks throughout diaspora to confront racism by employing their African cultural heritage as a vehicle for empowerment. Janie, Hurston¿s protagonist, finds that when she embraces her African heritage not only does she gain great awareness of her selfhood better as African American, but she also discovers that her Africanity and her identity are intertwined.Books on Demand GmbH, Überseering 33, 22297 Hamburg 40 pp. Englisch.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Abdelfattah HamadaHamada Abdelfattah Yousef, Egyptian Literary Schoalr. He was born in 1975. He works as a teacher of Engish language in a private school. He got his MA degree in English drama, the Department of English, Faculty of A.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Academic Paper from the year 2021 in the subject American Studies - Literature, , course: Doctoral Dissertation, language: English, abstract: This thesis examines Zora Neale Hurston's 'Dust Tracks on a Road'.Empowering the African cultural heritage is a frequent theme in Zora Neale Hurston¿s fiction. According to her, the cultural heritage is not something stagnant or inert; it continues to affect her black folks in the present and the future. Therefore, as she always believes, it is necessary for black Americans to turn to their African roots to inspire strength and guidance. Hurston¿s approach to the cultural heritage coincides with Diane Barthel¿Bouchier¿s belief that heritage can be used as a way of life in order to attain sustainability. To Barthel¿Bouchier, cultural heritage is a ¿living history incorporating social process of both continuity and change¿ (9). Indeed, Hurston¿s fiction is an attempt to make African culture serve life. Her novels and short stories can be read as endeavors to transform the perception of the African roots in the African Americans¿ psyche from a stain that needs to be washed out into a powerful force that can uphold the whole AfröAmerican community. 52 pp. Englisch.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2017 in the subject American Studies - Comparative Literature, grade: excellent, Mansoura University, course: drama, language: English, abstract: 'The Cuban-swimmer' is a seven-scene play in which Milcha Sanchez-Scott depicts the individual¿s need of self assertion as a major theme. Self assertion, according to her, is a metaphor standing for one¿s true identity, a symphony combining one¿s individuality as well as one¿s cultural legacy. The play follows the life of the Suarezs, a displaced Cuban family who rode the ocean to take refuge in the United States. They have migrated from Cuba in search of a secure sense of self-worth. The central character among these people is Margarita Suarez, a nineteen-year-old Cuban girl, who tries to win a swimming race in the ocean as a Cuban not as an American. Margarita takes part in this race in search not only of the ¿Cuban pride¿ but also of her own self-assertion. In her play, Sanchez-Scott uses Margaritäs story as an allegory for the whole immigration experience which Latin Americans had to go through. Milcha Sanchez-Scott was born in a multicultural family. Her father was a Colombian man who lived in Mexico; her mother is Indonesian with Chinese-Dutch roots. Jane T. Peterson holds that ¿her [Milchäs] heritage reflects a diversity of ethnic and cultural influences¿. She is regarded as a playwright of powerfully expressive plays. Her works consistently reflect her concern with racial and political issues, particularly with the Latin woman¿s struggle for spiritual survival. Latin American heritage and the sense of this culture form the ultimate base of Sanchez-Scott¿s material. Much of her writing reveals her concern for Latin women and their families. Peterson is clear about the idea that ¿Milcha Sanchez-Scott¿s work frequently explores woman¿s experiences in Hispanic-American bicultural context¿. 48 pp. Englisch.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Essay from the year 2023 in the subject American Studies - Literature, grade: Excellent, Mansoura University (Faculty of Arts), course: American literature, language: English, abstract: The following essays analyzes Afro-American literature regarding cultural criticism. Afro-American literature is, by its very nature, a social and cultural art whose study requires adopting cultural criticism. True, formalist critics, who claim that the literary text is all that matters, call for studying the text away from its cultural and social influences, which they accuse of corrupting the artistic experience, but this so-called separation is not suitable for minority literature such as Afro-American literature which is intimately connected to its cultural, historical, ideological conditions. 'Black literature' as Henry L. Gates believes 'came to be seen as a cultural artifact (the product of unique historical forces) or as a document that bore witness to the political and emotional tendencies of the Negro victim of white racism'. It can be stated that Afro-American literature emanates from a discrete cultural condition which is marked by marginalization, racism, persecution and injustice because the experience of black American writers' as a disenfranchised, oppressed group in America has its noticeable effect on their literary works. In other words, Afro-American literature and African Americans' life have been directly interrelated because the black writers never 'separate literature from life' (Fuller 264). Thus, critics of Afro-American literature should take into consideration the relations between the text and sociology, between aesthetic regards and cultural considerations, between fiction and ideology.GRIN Publishing GmbH, Waltherstraße 23, 80337 München 52 pp. Englisch.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Academic Paper from the year 2022 in the subject American Studies - Comparative Literature, grade: Excellent with houner, Mansoura University (Faculty of Arts), course: Phd, language: English, abstract: Zora Neale Hurston used Black American slang to uncover racism against her black folk. She employed not only slang languages of her black folk but also her African culture heritage. Her novel 'Their Eyes Were Watching God' is examined to demonstrate how storytelling and the blues, as aspects of diasporic survival, function in her fiction which depicts how African cultural heritage operates in the United States. She articulates the need for her black folks throughout diaspora to confront racism by employing their African cultural heritage as a vehicle for empowerment. Janie, Hurston¿s protagonist, finds that when she embraces her African heritage not only does she gain great awareness of her selfhood better as African American, but she also discovers that her Africanity and her identity are intertwined. 60 pp. Englisch. …

Taschenbuch. Condizione: Neu. Diasporic Survival in Zora Neale Hurston's "Their Eyes Were Watching God". African cultural heritage in the United States | Hamada Abdelfattah Yousef | Taschenbuch | Englisch | 2022 | GRIN Verlag | EAN 9783346685681 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. …

Taschenbuch. Condizione: Neu. Milcha Sanchez-Scott's "The Cuban Swimmer". A Journey of Self-assertion | Hamada Abdelfattah | Taschenbuch | Englisch | 2020 | GRIN Verlag | EAN 9783346223388 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. …

Taschenbuch. Condizione: Neu. Zora Neale Hurston's novel "Their Eyes Were Watching God". Storytelling and the Blues as aspects of Diasporic Survival | Unmasking American Racism | Hamada Abdelfattah | Taschenbuch | Englisch | 2024 | GRIN Verlag | EAN 9783964879141 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. …

Taschenbuch. Condizione: Neu. Suffering and Survival in Black American Literature. Zora Neale Hurston's "Dust Tracks on a Road" | Hamada Abdelfattah | Taschenbuch | Englisch | 2023 | GRIN Verlag | EAN 9783346872944 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. …

Taschenbuch. Condizione: Neu. Unmasking Racism. A Study of Afro-American literature | Hamada Abdelfattah Yousef | Taschenbuch | Englisch | 2023 | GRIN Verlag | EAN 9783346996343 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This study examines subjectivity in selected plays of Clifford Odets, August Wilson and Milcha Sanchez-Scott. It examines subjectivity as it appears in Odets' selected play, Awake and Sing! as he explores the socio-cultural elements of his Jewish identity. It also discusses Wilson's play The Piano Lesson in which he reveals and addresses his African-American identity by employing different devices of African cultural traditions. Then, the study deals with Sanchez-Scott's The Cuban Swimmer, in which the playwright explores her Latin-American culture from a feminist point of view. The study ends by proving that the three playwrights managed to portray their own subjectivities in addition to the cultural identities of their fellow people.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 52 pp. Englisch.…