Abel ferrara director (7 risultati)

Draft script for the 1994 film, with annotations in manuscript ink on the title page. Loosely based on the 1955 novel "The Body Snatchers" by Jack Finney. The third film adaptation of Finney's novel, preceded by "Invasion of the Body Snatchers" (1956), directed by Don Siegel, and starring Kevin McCarthy and Dana Wynter, and "Invasion of the Body Snatchers" (1978), directed by Philip Kaufman, and starring Donald Sutherland and Brooke Adams. Director Abel Ferrara's first film for a major studio and his first foray into science fiction. An Environmental Protection Agency inspector and his family travel to a remote military base, where he and his daughter become convinced people are being replaced by aliens. Nominated for the Palme d'Or. Set and shot on location in Selma, Alabama. Untitled International Creative Management, Inc. wrappers. Title page present, dated October 22, 1991, noted as POLISH DRAFT, with credits for screenwriters Stuart Gordon and Dennis Paolia, and revision credit (noted as "polish" credit) for Nicholas St. John. 122 leaves, with last page of text numbered 120. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads. Spicer Neo-Noir US. Vinegar Syndrome.…

Archive of material relating to the 1998 film. Archive includes four scripts dated variously between 1991 and 1997 and credited variously to screenwriters Christ Zois, Zoë Lund, and William Gibson, as well as approximately ten pages of correspondence and ephemera relating to the film's production, and a xerographically duplicated copy of Gibson's source story. One screenplay with the ownership name of Zois on the title page. From the archive of Christ Zois, Abel Ferrara's frequent co-screenwriter. Of note are several pieces of correspondence regarding writing credits for the film, dated variously between 1997 and 1998. Screenwriters Abel Ferrara and Christ Zois claimed that prior adaptations of Gibson's novel by Gibson, Lund, and others had no bearing on their own adaptation. Ferrara and Zois would ultimately receive sole screenwriting credit on the completed film. Based on the 1984 short story by William Gibson, about two freelance industrial spies in Tokyo who decide to use a call girl to execute their latest mission. Shot on location in New York. November, 1991 Draft: Self wrappers. Title page present, dated November 1991, noted as Third Draft, with credit for author and screenwriter William Gibson. 93 leaves, with last page of text numbered 92. Xerographic duplication, rectos only. Pages Near Fine, partially bound with a binder clip at the top left corner. October 9, 1993 Draft: Self wrappers. Title page present, dated Oct. 9. 1993, noted as SECOND DRAFT, with credit for screenwriter Zoë Lund. 116 leaves, with last page of text numbered 109. Xerographic duplication, rectos only. Pages Near Fine, partially bound with a binder clip at the top left corner. September 28, 1997 Draft: Self wrappers. Title page present, dated 9/28/97, noted as Draft, with credits for screenwriters Christ Zois and Abel Ferrara. 75 leaves, with last page of text numbered 74. Xerographic duplication, rectos only. Pages Very Good plus, partially bound with a binder clip at the top left corner. Undated Draft: Self wrappers. Title page present, undated, with credit for screenwriter Christ Zois. 99 leaves, with last page of text numbered 98. Xerographic duplication, rectos only. Pages Very Good plus, partially bound with a binder clip on the top edge, and housed in a red card folder. …

Archive of two Draft scripts for the 2020 film, one undated and with the ownership name of screenwriter Christ Zois on the title page-this being from Zois' archive collection-with Zois' extensive annotations in manuscript ink throughout, the other dated June 27, 2017. From the archive of Christ Zois, Abel Ferrara's frequent co-screenwriter. The sixth collaboration between actor Willem Dafoe and director Abel Ferrara, a psychological thriller heavily based on the work of Carl Jung, about an American living a largely solitary existence in Siberia. Undated script: Self wrappers. Title page present, undated. 33 leaves, with last page of text numbered 32. Xerographic duplication, rectos only. Pages Very Good plus, unbound. June 27, 2017 script: Self wrappers. Title page integral with first page of text, dated June 27, 2017. 37 leaves, with last page of text dated 37. Pages Very Good plus, partially bound with a single binder clip on the top left corner.…

Pas de couverture. Condizione: Bon. Authentic French promotional photo (Dangerous Game) signed Abel. Obtained in person in September 1993 in Paris. Rare clear signature. Size : 21x30 cm. Condition : the photo is a little bit creased, see scans please. Provenance : Eric Leguèbe (1935-2002) collection, French journalist and film critic who worked for the newspaper Le Parisien. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur. …

Two vintage borderless reference photographs from the 1985 film, both showing actress Melanie Griffith. A former boxer turned nightclub promoter joins together with a police detective to investigate a serial killer targeting strippers. Set in Manhattan, and shot on location in New York and Los Angeles.…

First Draft script for the 2014 film. From the archive of Christ Zois, Abel Ferrara's frequent co-screenwriter. A biopic about the final days in the life of controversial Italian director Pier Paolo Pasolini, then middle-aged and living in Rome, as he finishes production of his notorious 1975 film "Salò, or the 120 Days of Sodom." Housed in a blue card folder. Title page present, dated February 28, 2011, noted as First Draft, with credits for director-screenwriter Abel Ferrara and screenwriter Nicola Tranquillino. 98 leaves, with last page of text numbered 97. Xerographic duplication, rectos only. Pages about Fine, partially bound with a binder clip on the top left corner.…

Collection of 17 vintage reference photographs taken on the set of the 1995 film by photographer Shade Rupe. Variously featured are director Abel Ferrara, actress Lili Taylor, cinematographer Ken Kelsch, screenwriter Nicholas St. John, and other cast and crew members, all photographed over the course of a single evening near Manhattan's Puck Building, Lafayette Street, an alley off Jersey Street, NYU, and Keith Haring's Pop Shop on Lafayette Street. Struck in 2020 from Rupe's original negatives, these being the only existing prints. Full provenance available, with letter from Rupe stating "no other prints have ever, or will ever, be struck." Stamp on verso of each photo crediting Rupe as photographer. A conceptual, black-and-white reimagining of the vampire movie, about a philosophy graduate student who is forced to reconsider the nature of evil and humanity after succumbing to a vampire and developing an addiction to human blood. Set and shot on location in Manhattan. 12 x 9 inches. Fine. Arrow 1769. Spicer US Neo-Noir.…