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  • R. Ackermann, 1840

    Lingua: Inglese

    Editore: HardPress Publishing, 2021

    ISBN 10: 0461661500 ISBN 13: 9780461661507

    Da: THE SAINT BOOKSTORE, Southport, Regno Unito

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    EUR 28,44

    Spedizione EUR 18,49
    Spedito da Regno Unito a U.S.A.

    Quantità: Più di 20 disponibili

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    Paperback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • R. Ackermann, 1840

    Lingua: Inglese

    Editore: HardPress Publishing, 2020

    ISBN 10: 0461661500 ISBN 13: 9780461661507

    Da: moluna, Greven, Germania

    Valutazione del venditore 5 su 5 stelle 5 stelle, Maggiori informazioni sulle valutazioni dei venditori

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    EUR 27,30

    Spedizione EUR 48,99
    Spedito da Germania a U.S.A.

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    Condizione: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

  • 1840 Ackermann Satirical Print, Trial of Bill Burns, Animal Rights

    Data di pubblicazione: 1840

    Da: Geographicus Rare Antique Maps, Brooklyn, NY, U.S.A.

    Membro dell'associazione: ABAA ESA ILAB

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    EUR 1.469,09

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    Good. Even overall toning. Some foxing. Laid on older linen. Size 20 x 24 Inches. A scarce c. 1840 satirical print dealing with the 1822 trial of Bill Burns that was engraved by Charles Hunt, overseen by Ackermann and Co., and published by P. Mathews in Stourbridge. The Burns case was the first to be tried after the passage of Martin's Act (Cruel Treatment of Cattle Act), a landmark law against animal cruelty. A Closer Look A raucous courtroom scene is depicted with an amused group of onlookers observing a stern man leading a donkey, who is being taunted by the donkey's owner, before the magistrate. The scene represents the trial of Bill Burns (here barely anonymized as 'Bill Burn'), a significant case in the early history of the animal rights movement. Burns, who had publicly and severely beaten his donkey in London, was the first person tried after the passage of Martin's Act, named after Member of Parliament Richard Martin, who is the man leading the donkey here. Martin's court room stunt was ridiculed, but worked to convince the magistrate to convict Burns. As with Martin's wider crusade for animal rights, most commentators saw the trial as amusing rather than inspiring, reflected in the expressions of most of the people in the courtroom. The case was a frequent topic of discussion and mockery in London's press and popular culture at the time, including the 'comic song' written at bottom. Richard Martin and the Burns Trial Martin was born to an Anglo-Irish family in County Gallway. He studied at Cambridge and went into law, becoming the High Sherrif of Galway. He served intermittently in the Irish House of Commons from 1776 and then joined the British Parliament following the Act of Union. In the British Parliament, Martin advocated for Catholic emancipation and the abolition of slavery, in addition to laws against animal cruelty. After failing the previous year, he succeeded in persuading fellow MPs to vote for the 1822 Cruel Treatment of Cattle Act (popularly known Martin's Act), which was broader in scope than the title might suggest. Not long after the Burns trial, Martin was involved in the founding of the Society for the Prevention of Cruelty to Animals and he continued to campaign for animal rights, despite being a frequent butt of jokes in the press. Martin's later life is less illustrious, as he had to flee Britain to avoid arrest for gambling debts. But his cause lived on, with additional laws against animal cruelty passed by Parliament in subsequent years and decades. Publication History and Census This satirical print was engraved by Charles Hunt, overseen by Ackermann and Co., and is based on an 'original picture' by P. Mathews in Stourbridge, who also published it. Nothing is known of Mathews aside from this print, but Hunt and Ackermann were active in the London publishing world at the time. Its only known institutional holding is with the Victoria and Albert Museum. References: Victoria and Albert Museum Accession Number E.710-1947.