adamson thomas a (39 risultati)

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Ex-library hardcover in very nice condition with the usual markings and attachments. Sunned spine. Except for library markings, interior clean and unmarked. Tight binding.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 2nd. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. 5th or later Edition. HARDBACK BOOK IN VERY GOOD TO NEAR FINE CONDITION,SEALED DISK IS INCLUDED.

Paperback. Condizione: Fair. No Jacket. Assuming no prior programming experience, this author team introduces the concept of structured programming through BASIC. This highly accessible language is used to develop the solid programming habits that are required by higher-level languages such as C and C . Throughout the book, the clearest possible examples are used to illustrate new concepts while frequent technical applications are presented to portray programming as an essential tool for the solution, analysis, and design of technical problems. Coverage includes an introduction followed by chapters on using the computer; structured programming; computations and comparisons; making decisions--branch blocks; loop blocks; arrays; string manipulation and sorting; computer graphics; using files; ASCII character set; and an introduction to Visual BASIC. For practicing computer programmers and anyone interested in computers in general, computer programming with BASIC in specific. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Dampness has seeped into more than just the cover. Moderate edgewear on the boards. Binding is moderately loose. Some pages are falling out. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Paperback. Condizione: Good.

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. CD missing. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN:0827326408.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Condizione: As New. 2nd.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

paperback. Condizione: Good.

paperback. Condizione: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!

Condizione: Used. pp. 430 2nd Edition.

Condizione: Used. pp. 430.

Condizione: Used. pp. 430.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. First Edition. Dark covers with gilt lettering on spine have light shelf-wear to edges, corners and spine-ends. Sound binding. Clean pages. Library plate on inside front cover and library stamps on title-page and reverse of title, and occasionally in lower corners of text pages and on plates. Fold-out plates are clean and intact. Contents include: Proceedings of the Annual Meeting held in London on 10th May 1906; Compression of steel ingots in the mould, by A J Capron; Volume and temperature changes during the cooling of cast iron, by Thomas Turner; Influence of silicon, phosphorus, manganese, and aluminium on chill in cast iron, by E Adamson; Preliminary note on the influence of manganese on iron, by J O Arnold & F K Knowles; Use of oxygen in removing blast-furnace obstructions, by C de Schwarz; Brittleness and blisters in thin steel sheets, by Edward F Law; The relation between type of fracture and micro-structure of steel test-pieces, by C O Bannister; Solid rolled steel car wheels and tyres, by P Eyermann; Chain-making machinery, by E Lelong; The effect of copper in steel, by F H Wigham; The early use of iron, by Bennett H Brough; Notes on the Progress of the Home and Foreign Iron and Steel Industries. Fold-out plates showing: 8000 tons hydraulic press for fluid compression of steel - Robinson & Rodger's Patents; 5000 tons hydraulic press for fluid compression of steel; No dust jacket, as published. Quantity Available: 1. Shipped Weight: under 1 kg. Pictures of this item not already displayed here available upon request. Inventory No: 02617053143. All our books are sent by tracked mail.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: Used. pp. 861.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: Used. pp. xi + 339 4th Edition.

Condizione: Used. pp. 861.

Condizione: Used. pp. xi + 339 Illus.

Condizione: Used. pp. xi + 339.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!