adamu abdalla (23 risultati)

Soft cover. Condizione: Very Good. x, 475pp. English and Hausa. : ill. owner's name in pen."Proceedings of the First International Conference on Hausa Films, organized by the Center for Hausa Cultural Studies, Kano, Nigeria, from 4-7th August 2003 at the Murtala Mohammed Library Complex, Kano State, Nigeria.".

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

hardcover. Condizione: Fine.

Hardcover (Original Cloth). Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. First Edition; First Edition. 320 pages. With dedication by the author on front free endpaper. Slight wear to spine, covers & corners. ; Octavo (standard book size).

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. This historical account of cinema in Nigeria explores the transcultural transfer of media from India to Africa through films.Hausa Cinema of Northern Nigeria examines how the Hindi Cinema of India became the template for storytelling in the Hausa regional cinema of Northern Nigeria and explores the emergence of Indigenous language within cinema in this region. Such emergence created points of divergence with the Islamic public culture leading to censorship both within the entertainment industry and the newly re-introduced Shari'a government of Kano. Throughout this book, Abdalla Uba Adamu explores the tension between Islamic society and the intrusion of transglobal media influences in cinema in Kano. He provides a deeper understanding of global media transnationalism and its impact on Muslim African popular culture. This book also discusses how the Muslim Hausa youth used the agencies of transglobal media technologies to transform the Hausa narrative style from a linear and didactic format to a complex configuration. By examining the Hausa film industry' s history, Adamu challenges the notion of cultural and media imperialism and the dominance of media consumption in contemporary African societies.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Brand New. 505 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condizione: New. This historical account of cinema in Nigeria explores the transcultural transfer of media from India to Africa through films.Hausa Cinema of Northern Nigeria examines how the Hindi Cinema of India became the template for storytelling in the Hausa regional cinema of Northern Nigeria and explores the emergence of Indigenous language within cinema in this region. Such emergence created points of divergence with the Islamic public culture leading to censorship both within the entertainment industry and the newly re-introduced Shari'a government of Kano. Throughout this book, Abdalla Uba Adamu explores the tension between Islamic society and the intrusion of transglobal media influences in cinema in Kano. He provides a deeper understanding of global media transnationalism and its impact on Muslim African popular culture. This book also discusses how the Muslim Hausa youth used the agencies of transglobal media technologies to transform the Hausa narrative style from a linear and didactic format to a complex configuration. By examining the Hausa film industry' s history, Adamu challenges the notion of cultural and media imperialism and the dominance of media consumption in contemporary African societies.

Hardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Hardcover. Condizione: new. Hardcover. This historical account of cinema in Nigeria explores the transcultural transfer of media from India to Africa through films.Hausa Cinema of Northern Nigeria examines how the Hindi Cinema of India became the template for storytelling in the Hausa regional cinema of Northern Nigeria and explores the emergence of Indigenous language within cinema in this region. Such emergence created points of divergence with the Islamic public culture leading to censorship both within the entertainment industry and the newly re-introduced Sharia government of Kano. Throughout this book, Abdalla Uba Adamu explores the tension between Islamic society and the intrusion of transglobal media influences in cinema in Kano. He provides a deeper understanding of global media transnationalism and its impact on Muslim African popular culture. This book also discusses how the Muslim Hausa youth used the agencies of transglobal media technologies to transform the Hausa narrative style from a linear and didactic format to a complex configuration. By examining the Hausa film industry s history, Adamu challenges the notion of cultural and media imperialism and the dominance of media consumption in contemporary African societies. Providing a historical account of cinema in Nigeria, this book explores the transcultural transfer of media from India to Africa in Hausa cinema This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: new. Hardcover. This historical account of cinema in Nigeria explores the transcultural transfer of media from India to Africa through films.Hausa Cinema of Northern Nigeria examines how the Hindi Cinema of India became the template for storytelling in the Hausa regional cinema of Northern Nigeria and explores the emergence of Indigenous language within cinema in this region. Such emergence created points of divergence with the Islamic public culture leading to censorship both within the entertainment industry and the newly re-introduced Sharia government of Kano. Throughout this book, Abdalla Uba Adamu explores the tension between Islamic society and the intrusion of transglobal media influences in cinema in Kano. He provides a deeper understanding of global media transnationalism and its impact on Muslim African popular culture. This book also discusses how the Muslim Hausa youth used the agencies of transglobal media technologies to transform the Hausa narrative style from a linear and didactic format to a complex configuration. By examining the Hausa film industry s history, Adamu challenges the notion of cultural and media imperialism and the dominance of media consumption in contemporary African societies. Providing a historical account of cinema in Nigeria, this book explores the transcultural transfer of media from India to Africa in Hausa cinema This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condizione: Neu. Hausa Cinema of Northern Nigeria | Cultural Imperialism and Censorship | Abdalla Uba Adamu | Buch | Englisch | 2025 | Bloomsbury Academic | EAN 9781666962444 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This historical account of cinema in Nigeria explores the transcultural transfer of media from India to Africa through films.Hausa Cinema of Northern Nigeriaexamines how the Hindi Cinema of India became the template for storytelling in the Hausa regional cinema of Northern Nigeria and explores the emergence of Indigenous language within cinema in this region. Such emergence created points of divergence with the Islamic public culture leading to censorship both within the entertainment industry and the newly re-introduced Shari'a government of Kano. Throughout this book, Abdalla Uba Adamu explores the tension between Islamic society and the intrusion of transglobal media influences in cinema in Kano. He provides a deeper understanding of global media transnationalism and its impact on Muslim African popular culture. This book also discusses how the Muslim Hausa youth used the agencies of transglobal media technologies to transform the Hausa narrative style from a linear and didactic format to a complex configuration. By examining the Hausa film industry' s history, Adamu challenges the notion of cultural and media imperialism and the dominance of media consumption in contemporary African societies.