Aden kumler (31 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Paperback. Condizione: New. To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place.The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian's present tense.Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jas Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy. …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place.The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historians present tense.Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jas Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy. A collection of essays by art historians on works of art, artifacts, and monuments that are no longer extant, have disappeared, or perhaps never existed outside of language. Addresses destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2022. Paperback. . . . . .

Paperback. Condizione: Brand New. 168 pages. 8.50x5.50x0.42 inches. In Stock.

hardcover. Condizione: Good. EX LIBRARY, with usual library markings. Pages clean, crisp, text unmarked. Cloth cover has light wear. Jacket lightly rubbed, with a few scratches. Shipped promptly with Tracking. Asst38.

Condizione: New. In English.

Condizione: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 168 pages. 8.50x5.50x0.42 inches. In Stock.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

First Edition. Large hardcover in jacket, very good with light shef wear. Illustrated.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 200 pages.

Taschenbuch. Condizione: Neu. Neuware - A collection of essays by art historians on works of art, artifacts, and monuments that are no longer extant, have disappeared, or perhaps never existed outside of language. Addresses destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.…

Hardcover. Condizione: As New. Hardcover. Near fine / near fine dust jacket. Free of any markings and no writings inside. For any additional information or pictures, please inquire.

Kartoniert / Broschiert. Condizione: New. A collection of essays by art historians on works of art, artifacts, and monuments that are no longer extant, have disappeared, or perhaps never existed outside of language. Addresses destruction, loss, obscurity, and existential uncertainty within the hist.

hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condizione: Very Good. Illustrated. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Wrappers. Condizione: New. 384 pages 200 illustrations in color. Still in shrink-wrap. Edited by Josef Helfenstein, Maja Wismer, Susanne Gaensheimer, and Isabelle Malz. Introduction by Isabelle Malz and Maja Wismer. Text is in German and English. Published on the occasion of the exhibition from the Kunstsammlung Nordhein-Westfalen October 28, 2023-February 18, 2024. Book.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 290 pp; illus. Original cloth. Near Fine, in dust jacket. Translating Truth is a novel and compelling account of how illuminated vernacular manuscripts transformed conceptions of Christian excellence in the later Middle Ages. Following the Fourth Lateran Council (1215), which legislated a broad pastoral outreach to the laity, new forms of religious instruction played a decisive role in the lives of Christians throughout Europe. For royal and aristocratic laypeople, luxury manuscripts of spiritual instruction made sacred truths and religious knowledge accessible—and authorizing—as never before.In this beautifully illustrated book, Aden Kumler examines how manuscript paintings collaborated and, at times, competed with texts as they translated the rudiments of Christian belief as well as complex theological teachings to new audiences on both sides of the English Channel. In the illuminations in these books, Kumler argues, elite laypeople were offered an ambitious vision of spiritual excellence and a greater role in the pursuit of their salvation.…

Paperback. Condizione: New. To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place.The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian's present tense.Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jas Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy. …

Hardcover. First Edition. Book condition is Very Good+; with a Very Good+ dust jacket. Text is clean and unmarked, still in factory shrinkwrap. ; 11.20 X 8.80 X 1.10 inches; 200 pages.

hardcover. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: Sehr gut. 1. Auflage. W : 256 Seiten, zahlreiche farbige Abbildungen - Seit den frühen 1960er Jahren arbeitete Dan Flavin mit Leuchtstoffröhren, die er in so genannten 'Situationen' anordnete und anschliessend zu Serien und Installationen weiterentwickelte. Die Farben und Dimensionen der verwendeten Materialien waren durch deren industrielle Produktion vorgegeben. Die Betrachtenden werden durch die Lichtflutung selbst zum Teil der Werke: Der Raum und die sich darin befindlichen Objekte werden in Beziehung zueinander gesetzt und schliesslich zu immersiven Kunsterlebnissen, die sinnliche, teils fast schon spirituelle Erfahrungen auslösen können. Damit befreite Flavin die Farbe von der Zweidimensionalität der Malerei.…

Hardcover. Condizione: As New. 1st Edition. 4° - 245pp - Color & B/w reproductions. Published as exhibition catalogue: Dan Flavin (1933-1996) American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures. First edition, text in English. Original binding. As New . …