Adler anthony curtis (91 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Paperback. Condizione: As New. Text clean and tight; Idiom: Inventing Writing Theory; 8vo 8" - 9" tall; 264 pages.

Paperback. Condizione: new. Paperback. With the release of Parasite (2019), winner of the Palme dOr and an Academy Award for Best Picture, the South Korean director Bong Joon Ho secured his place as one of his generations leading filmmakers. While scholars and critics have long appreciated his penetrating critique of Korean society and global capitalism, this book presents the first cohesive philosophical analysis of his first seven feature-length films. It argues that Bongs cinema not only engages with philosophy, but is radically philosophical. Writing as an intimate outsider to Korea, a resident alien married into a Korean family, and teaching at Bongs own alma mater, Anthony Curtis Adler explores Bongs visionary and re-visionary treatment of spatiality, temporality, myth, memory, genre, and the semiotics of monstrosity.Adler argues that for Bong Joon Ho, cinema doubles the ambiguity of philosophy, presenting the aesthetic means to represent anarchic motions and movements. While it can capture and contain them, subordinating them to an overarching order, it can also free them to appear in their anarchy. From the humble apartment building of Barking Dogs Never Bite to the train in Snowpiercer and Parasites mansion, Bongs films stage interior spaces as representations of a cinematic apparatus that is, ambiguously, site of both imprisonment and liberation.Even while confronting globalism head-on, Bongs films never cease to engage with the specific challenges faced by modern Korea, and, above all, the struggle of the Korean people for political representation and economic justice. An original and lyrical reading of Bong Joon Hos films highlighting the philosophical underpinnings and critical implications of his work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Paperback. Condizione: New. With the release of Parasite (2019), winner of the Palme d'Or and an Academy Award for Best Picture, the South Korean director Bong Joon Ho secured his place as one of his generation's leading filmmakers. While scholars and critics have long appreciated his penetrating critique of Korean society and global capitalism, this book presents the first cohesive philosophical analysis of his first seven feature-length films. It argues that Bong's cinema not only engages with philosophy, but is radically philosophical. Writing as an intimate outsider to Korea, a "resident alien" married into a Korean family, and teaching at Bong's own alma mater, Anthony Curtis Adler explores Bong's visionary and re-visionary treatment of spatiality, temporality, myth, memory, genre, and the semiotics of monstrosity.Adler argues that for Bong Joon Ho, cinema doubles the ambiguity of philosophy, presenting the aesthetic means to represent anarchic motions and movements. While it can capture and contain them, subordinating them to an overarching order, it can also free them to appear in their anarchy. From the humble apartment building of Barking Dogs Never Bite to the train in Snowpiercer and Parasite's mansion, Bong's films stage interior spaces as representations of a cinematic apparatus that is, ambiguously, site of both imprisonment and liberation.Even while confronting globalism head-on, Bong's films never cease to engage with the specific challenges faced by modern Korea, and, above all, the struggle of the Korean people for political representation and economic justice.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: Fine.

Condizione: new.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. With the release of Parasite (2019), winner of the Palme d'Or and an Academy Award for Best Picture, the South Korean director Bong Joon Ho secured his place as one of his generation's leading filmmakers. While scholars and critics have long appreciated his penetrating critique of Korean society and global capitalism, this book presents the first cohesive philosophical analysis of his first seven feature-length films. It argues that Bong's cinema not only engages with philosophy, but is radically philosophical. Writing as an intimate outsider to Korea, a "resident alien" married into a Korean family, and teaching at Bong's own alma mater, Anthony Curtis Adler explores Bong's visionary and re-visionary treatment of spatiality, temporality, myth, memory, genre, and the semiotics of monstrosity.Adler argues that for Bong Joon Ho, cinema doubles the ambiguity of philosophy, presenting the aesthetic means to represent anarchic motions and movements. While it can capture and contain them, subordinating them to an overarching order, it can also free them to appear in their anarchy. From the humble apartment building of Barking Dogs Never Bite to the train in Snowpiercer and Parasite's mansion, Bong's films stage interior spaces as representations of a cinematic apparatus that is, ambiguously, site of both imprisonment and liberation.Even while confronting globalism head-on, Bong's films never cease to engage with the specific challenges faced by modern Korea, and, above all, the struggle of the Korean people for political representation and economic justice.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. What becomes of life, experience, and truth in the hyperconsumeristic culture of the twenty-first century? What happens to the phenomenological call to go "back to the things themselves" when these things, to an ever greater degree, involve a televised life that is not ours to live, celebrities who are utterly like us yet infinitely untouchable, and uncannily pluripotent electronic gadgets? Combining sustained philosophical inquiry with fragmentary and experimental theoretical interventions, Anthony Curtis Adler rethinks Marxist materialism and the Heideggerian project in terms of the singular experiences of late capitalism. In doing so, he reveals how the disarticulation of life via the commodity fetish demands at once a new notion of phenomenological method and an ontology oriented toward the radical contingency of being itself as transcendental ground.…

Condizione: New.

Condizione: New. 2025. paperback. . . . . .

Paperback. Condizione: Brand New. 208 pages. 8.50x5.43x1.00 inches. In Stock.

Paperback. Condizione: Brand New. 76 pages. 7.25x4.50x0.18 inches. In Stock.

paperback. Condizione: New.

Condizione: New.

Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 208 pages. 8.50x5.43x1.00 inches. In Stock.

Paperback. Condizione: Brand New. translation edition. 239 pages. 9.75x6.50x0.75 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - With the release of Parasite (2019), winner of the Palme d'Or and an Academy Award for Best Picture, the South Korean director Bong Joon Ho secured his place as one of his generation's leading filmmakers. While scholars and critics have long appreciated his penetrating critique of Korean society and global capitalism, this book presents the first cohesive philosophical analysis of his first seven feature-length films. It argues that Bong's cinema not only engages with philosophy, but is radically philosophical. Writing as an intimate outsider to Korea, a 'resident alien' married into a Korean family, and teaching at Bong's own alma mater, Anthony Curtis Adler explores Bong's visionary and re-visionary treatment of spatiality, temporality, myth, memory, genre, and the semiotics of monstrosity.Adler argues that for Bong Joon Ho, cinema doubles the ambiguity of philosophy, presenting the aesthetic means to represent anarchic motions and movements. While it can capture and contain them, subordinating them to an overarching order, it can also free them to appear in their anarchy. From the humble apartment building of Barking Dogs Never Bite to the train in Snowpiercer and Parasite's mansion, Bong's films stage interior spaces as representations of a cinematic apparatus that is, ambiguously, site of both imprisonment and liberation.Even while confronting globalism head-on, Bong's films never cease to engage with the specific challenges faced by modern Korea, and, above all, the struggle of the Korean people for political representation and economic justice.…