adler folk (14 risultati)

Softcover. Condizione: Very Good. First Edition. Sterling condition copy in softcover format of an exhibit catalog, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear. Held from January 16 1988 to February 20, 1988. Glossy pictorial covers, 59 pp., and replete with gorgeous, full-color reproductions printed on high-gloss paper, 41 in all.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condizione: Very Good.

paperback. Condizione: Good. No Highlighting or underlining. Some Wear but overall good condition. 100% Satisfaction Guaranteed.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Condizione: Very Good. No Jacket. Exhibition January 16 - February 20, 1988. The important influence of folk art on artists such as Charles Demuth, Elie Nadelman, Marsden Hartley and many more. Text tracks these influences with examples of both folk and 20th C artists that used folk elements, integrating 41 color images. Very minor wear along folds of spine; 3 images in the index have been circled with red ink. Book is otherwise fine. 51 pages, 9" x 11".

35, (1)pp. Prof. illus. in color. Lrg. sq. 4to. Wraps.

(6)pp. (=one folding sheet). Loosely inserted into pocket: Offprint reprinted from The Magazine Antiques, September 1987: "The Rustic Furniture of Ernest Stowe" by Craig Gilborn. (12)pp. 9 color plates. Lrg. 4to. Wraps. With a checklist of the exhibition, including furniture by Ernest Stowe.

(8)pp. (=one folding sheet). 4 color illus. Lrg. 4to. Self-wraps.

Paperback. Condizione: As New. As new 8.5 x 11" staple bound exhibition catalog. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Softcover. Pictorial shell case wraps. 8 folio plates. Folio plates are descriptively annotated on backs. Publication date verified with the Gallery. Published to accompany an exhibition held at Hirschl&Adler Folk 12/6/1990 to 1/12/1991. VG, exlib with sticker to cover at tail.

Softcover. White wraps. 36 pp. 13 color plates. This interesting exhibition catalogue begins with a brief introduction by Frank J. Miele, and continues with a detailed description by Melinda Ventre of the creation process of the woven coverlet, interspersed with wonderful illustrations. Lists 50 works. VG-, small white sticker front cover.

Condizione: Good. Exhibition Catalogue. 4to. Soft Covers. 51 pp. Color Plates. Very Good. Provenance: Suzaan Boettger.

Condizione: guter bis sehr guter Zustand. Dem Demetrescu Oswald Adler (illustratore). F. guter bis sehr guter Zustand, geringe Gebrauchs- und Alterungsspuren: innen im Deckel ein kleiner Fleck - Seiten sauber und ordentlich - Schutzumschlag gering defekt und verschmutzt Volkskunst in Rumänien "The forms of social life lived by the Rumanian people in the course of the various historical epochs are clearly reflected by the way in which dwelling-houses and places of worship are situated and built. Rumanian villages comprising peasant households, with ? mostly in Transylvania ? a wooden church towering above each of them and standing high upon a hillock, constitute a most interesting rural settlement. The various occupations of the inhabitants led to the establishment of several types of villages situated amid the varied scenery of our country. The abundance of timber available in the Carpathian regions and in the forests of the North-Danubian plains have offered splendid building material. Necessity and experience enhanced the skill and understanding of deft popular handicraftsmen who built both the dwellings with their outhouses and the churches which, despite their characteristic features, have several traits in common with the buildings in several neighbouring countries (U.S.S.R., Poland, Czechoslovakia and Hungary). The dwellings and the wooden churches erected on the territory of the Rumanian People's Republic belong to the sphere of wood architecture, which extends over an immense area, its main centres being in the U.S.S.R. and the Carpathians. In wood architecture the Rumanian dwelling and church, of remarkable artistic excellence proper to the Rumanian people, rank very high, owing to certain principles and techniques peculiar to them Land owing to their original style.On the crests of the Apuseni Mountains in Transylvania, in the deep valleys and on the hill-tops in Northern Moldavia, on the high plateau in the west of Oltenia, villages are scattered about on immense expanses of land. The houses belonging to cattle-breeders and to people working in the woods are situated at long distances from one another. Their pointed, black roofs made of straw or shingles peep out solitarily on all the heights. The household with outhouses stand right in the middle of the plot of land owned by the peasant and are often enclosed like a small wooden fortress designed to defend the cattle and the sheep against the attacks of wild beasts. On the lower ledges of the sub-Carpathian hills, in the lowlands surrounded by mountains and hills or on the Transylvanian table-land, the houses are threaded ." Seitenanzahl: ca. 200 Seiten mit zahlreichen Bildern Format: ca. 24,5 x 31 Leinen Englisch.

Paperback. Condizione: New.