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  • Lingua: Inglese

    Editore: Yale University Press, New Haven, CT & London, 2000

    0300073917 / 9780300073911

    • Rilegato

    Da: gearbooks, The Bronx, NY, U.S.A.gearbooks

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    Condizione: Usato - Come nuovo

    EUR 34,24

    EUR 5,79 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. 204 pp. Clean, fresh copy and dj with very light shelf wear, crisp pages and clean text. Pictures of actual copy -not displayed here!- available upon request. The British Museum (Front Jacket Illustration); Claes Peterson (Back Jacket Illustration); Mary Carruthers (Design) (illustratore).…

  • Lingua: Inglese

    Editore: Yale University Press, New Haven, CT, 1990

    0300047630 / 9780300047639

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    • Prima edizione

    Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS

    Venditore con 5 stelle
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    Condizione: Usato - Quasi ottimo

    EUR 63,91

     Spedizione gratuita 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. Cloth, viii, 247 pages, illustrations (some colour); 29 cm. Translated from the Swedish. Near fine. Firm binding, clean inside copy. Light edgewear to boards. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Annibale Carracci, Nicolas Poussin, and Claude Lorrain were the masters of ideal, or heroic, landscape painting in the 17th century. In this book, Margaretha Lagerlof interprets these paintings in a new way, examining them from four perspectives relevant to their contemporaries - those of drama, rhetoric, utopianism, and metaphysics. She first discusses the emergence of the genre of landscape painting, its essential principles, and its position in the theoretical structure of classicism. Next she views the genre of ideal landscape through the "filters", as she calls them, of drama, rhetoric, utopianism, and metaphysics. Through the filter of drama she sees ideal landscape as a setting for man's emotions, actions, and ultimate fate. She uses the laws of classical rhetoric as an analogy for the way in which an ideal landscape is constructed, showing how content and style were adapted to produce a desired effect. She explains how utopianism evokes the dream of a perfect life, and how metaphysics leads us to ask whether the order visible in the pictures springs from the eternal verities of ideas or of God. In a concluding chapter, Lagerlof closely analyzes four paintings by Carracci, Poussin, and Lorrain, exploring how the various patterns she has described interact with one another." - Publisher. *** CONTENTS: Introduction; Nature as creation and drama: landscape and the Humanist theory of art; Annibale Carracci, Nicholas Poussin and Claude Gellee, known as Claude Lorrain; A stage for life and action; "As though it were happening before our eyes." The ideal landscape and rhetoric; The world as it ought to be': the ideal landscapes and utopia; Nature, God, "Idea" and harmony: the ideal landscape and metaphysics; Model of a method. Size: 4to. Collectible.…

  • Lingua: Inglese

    Editore: John Wiley Sons, Chichester, UK., &c., 1977

    0471995134 / 9780471995135

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    Da: Yushodo Co., Ltd., Fuefuki-shi, Yamanashi Pref., GiapponeYushodo Co., Ltd.

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    Membro dell’associazione: ILAB

    Condizione: Usato - Buono

    EUR 48,73

    EUR 31,24 spedizione 
    Spedito da Giappone a U.S.A.

    Quantità: 1 disponibile

    Hardcover. Condizione: Good. x, 210 p. Ex-Library.