Lingua: Inglese
Editore: Southern Alberta Art Gallery / Liane and Danny Taran Gallery, Lethbridge, AB / Montreal, 2004
ISBN 10: 1894699254 ISBN 13: 9781894699259
Da: Purpora Books, Comox, BC, Canada
Prima edizione
EUR 8,87
Quantità: 1 disponibili
Aggiungi al carrelloWraps. Condizione: Fine. First Edition. Large format, 7 1/2" x 10", 56 pages. Colour photographs by Hoffmann and two essays by Lai, both in English and French. Exhibition Catalogue.
Da: Bay State Book Company, North Smithfield, RI, U.S.A.
Condizione: very_good. Lam, Adrienne (illustratore).
Lingua: Inglese
Editore: Southern Alberta Art Gallery, 2004
ISBN 10: 1894699254 ISBN 13: 9781894699259
Da: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Prima edizione
Soft cover. Condizione: As New. 1st Edition. Softcover: 56 pages, illustrated in color. Catalog to an exhibition mounted at Liane and Danny Taran Gallery, Montreal and Southern Alberta Art Gallery, Lethbridge, 2004. Essay by Adrienne Lai; Text in English and French. Condition: As new, with no marks or writing to book. No sign of handling or wear.
Lingua: Inglese
Editore: Chapman and Hall/CRC 2000-09-21, 2000
ISBN 10: 1584881240 ISBN 13: 9781584881247
Da: Chiron Media, Wallingford, Regno Unito
EUR 186,85
Quantità: 5 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
Editore: Southern Alberta Art Gallery, Lethbridge, Alberta, Canada, 2009
ISBN 10: 1894699467 ISBN 13: 9781894699464
Da: Black's Fine Books & Manuscripts, Toronto, ON, Canada
Prima edizione
EUR 84,29
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. First Edition, First Printing. pp. 75, [1]. 8vo., measuring 6" x 9". Pictorial covers. Richly illustrated with full-page black-and-white photographs, many fold-outs. No detectable flaws. Appears unread: as new. Scarce in commerce. Ted Hiebert's experimental exploration of photography produces provocative serial images that contain layered references to the construction of identity. Rejecting the traditional lighting sources, Hiebert coats his own body in glow-in-the-dark paint and uses this self-generating luminescence to capture the figure on film. While his practice revolves around self-portraiture, Hiebert escapes any notion of narcissism through his acts of transformation which renders the artist anonymous. Hiebert's work has been shown in solo exhibitions across Canada and group exhibitions internationally. This is the first monograph dedicated to his work.