Adya rangacharya (33 risultati)

Condizione: New. pp. ix + 85.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: As New. Contents: Preface. 1. Introduction. 2. Origin and objectives. 3. The first production. 4. Theatre-house and the stage. 5. Purvaranga. 6. Abhinaya. 7. Stagecraft. 8. Ten forms of stage-representations. 9. Play-construction. 10. Rasa theory. 11. Conclusion. Index. "Bharata's Natyasastra, the earliest treatise on dramatics, is, even today, the origin of our dramatic tradition. Besides being the most important study of dramatics, it is also the most comprehensive. The all-inclusive quality, however, creates problems for the reader who has to go through a great deal of unnecessary information. In his Introduction to Bharata's Natyasastra, the author has culled all information essential and relevant to drama, eliminating the superfluous. Eschewing attempts to provide any kind of a scholarly or original interpretation of Bharata's views, the author has focused on giving the reader a connected account of the study of dramatics using modern terminology. The purpose is to introduce those interested in drama to Bharata's wisdom and to throw light on the state of dramatics in ancient India. Written in a simple and lucid style, the author takes the reader through topics like theatre houses, the stage and stage craft, play-construction and the rasa theory. All lovers of drama are sure to find this book both useful and absorbing.". …

Hardcover. Condizione: New. 96pp.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. > Edition/Printing: 2nd Revised edition | Book is in very good condition. Creasing to page 73. Interior is clean. Foxing to outer page edges. Dust jacket has shelf wear, corner and edge wear. chipping, small tears to edges. Foxing to covers. Year 1967. 229 pages.…

Hardcover. Condizione: Used - Good. Bombay: Popular Prakashan, 1967. xii,229 pages. 8.5 x 5.5", cloth, no dj. VG/none.

Hardcover. Condizione: Very Good. (July 1971), First Edition, Very Good/Very Good dj, octavo, 165pp., gray boards hardcover with black lettering on cover & backstrip, b&w photo ill's throughout, unclipped dj slightly worn at corners & edges but solid & colorful, part of "India--the Land and People" series, binding tight, text unmarked. …

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Condizione: New. Anadi-Anant. Book.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: New. 1st Edition. Kalidasa is the great, the supreme poet of the senses, of aesthetic beauty, of sensuous emotion. . .In continuous gift of seizing an object and creating to eye he has no rival in literature." His appreciation by the connoisseurs of literature extended beyond the boundaries of time and space. What strikes one about Kalidasa is his keen sense of observation, recognition of the essence of the object and suggesting it in themes succinct manner possible as well as his familiarity with nature and behaviour of people. Kalidasa had the style, the craft of the arts, intelligence and vocabulary, all of which contributed to his greatness. He was given the title of Kavikulaguru by the great poet Jayadeva. Baria also applauded his aptness. Kalidasa has committed himself to the traditional modus operandi whether in describing emotions, in suggesting thoughts or in depicting the beauty of women. In some places, he has projected his rebellious ideas too but in a very moderate manner. It was the specialty of Kalidasa that instead of a blatant use of words he used them in such a way that they conveyed much more than what they meant. This book provides inspiration and motivation to go deep into the works of Kalidasa. The objective of the book is to glean and examine minutely the rare qualities which made Kalidasa, a poet par excellence.…

Hardcover. Condizione: used/Good+. Condizione sovraccoperta: Fair. 163 Pages. Illustrated.

Condizione: New. In English.

Paperback. Condizione: New.

Paperback. Condizione: Brand New. 182 pages. Marathi language. 5.50x0.39x8.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Edizione standard.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New. Edizione standard.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: new.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. First edition (1966) hardcover in excellent condition (slight handling, unmarked), with good dust jacket (light wear, a few small edge tears, price-clipped). The DJ is protected by a new, clear, removeable cover. 80 pages. [10oz]. Book.…

Paperback. Condizione: New. Edizione standard.

Paperback. Condizione: New. Edizione standard.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - THIS IS THE 8TH NOVEL BY THE AUTHOR AADYA RANGACHARYA. THIS NOVEL CASTS A LIGHT ON THE RELATIONSHIP BETWEEN A MAN AND A WOMAN. ACTUALLY, NOWHERE IN THIS NOVEL HE DESCRIBES THE INTIMATE ACTS BETWEEN A MAN AND WOMAN BUT MERELY SUGGESTS. HIS STYLE REFLECTS THE INNER CORE OF THE HUMAN BEINGS. THOUGH VERY SIMPLE THIS STYLE IS VERY EFFECTIVE. THIS NOVEL IS BASED ON THE RELATIONSHIP OF A HUSBAND AND HIS SICK WIFE, A REAL BED-RIDDEN ONE WHO IS UNABLE TO GIVE HIM ANY PHYSICAL PLEASURE. AFTER HER DEATH, HE MARRIES HER COUSIN TO WHOM HE WAS ATTRACTED TERRIBLY. THE WHOLE NOVEL THEREAFTER IS BASED ON THEIR RELATIONSHIP. IT ENDS ABRUPTLY, WHEN WE THINK THAT IT IS GOING TO TAKE SOME GOOD TURN.¿¿¿¿ ¿¿¿¿¿¿¿¿¿ (¿¿¿¿¿¿¿) ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿. ¿¿¿¿¿-¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿. ¿¿. ¿¿. ¿¿. ¿¿¿¿. ¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿. ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿. ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿. ¿¿¿¿ ¿¿¿¿¿¿¿¿¿ (¿¿¿¿¿¿¿).…