after 1898 (35 risultati)

Condizione: Good. Engravings. 43 x 60 cm (sheet). Very Good, light foxing and water staining in the margins, print chine-colled to another support sheet.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Condizione: Good. Engraving. 22.5 x 31 cm (sheet). Very Good, light specks of foxing, toning along sheet edges.

Condizione: Good. Color lithograph. 41 x 31 cm (sheet). Very Good, tears along left sheet, some surface scratches, light soiling.

Condizione: Good. Lithograph on chine colle. 32 x 45 cm (sheet). Very Good, light specks of foxing in the margin areas, a water stain in right margin.

Maße: ca. 13,5 x 11,5 cm. Radierung. Selten - nicht bei Gerster. -- gut erhalten. || Etching. Rare. -- in good condition. || Lit.: E0090 (AFCEL) // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

No Binding. Condizione: Good. Portrait of Bernard of Clairvaux. Born 1090 in Fontaine-les-Dijon, France. Died 20 August 1153 in Clairvaux, France. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Ernst Deger (1809-1885), c. 1860. Good condition. Paper with some faint to very faint spotting. Verso: blank. Dimensions: 75 x 47 mm. Bernard of Clairvaux was Saint, Monk, Cistercian, Abbot, Confessor, Leader in the revitalization of Benedictine monasticism, Doctor of the Church, Doctor Mellifluus, and Founder of Clairvaux Abbey. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Anthony the Great. Born 251 AD in ancient Heracleopolis Magna, Egypt. Died 356 AD in Mount Colzim, Egypt. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Carl Clasen (1812-1886), c. 1860. Good condition. Paper slightly soiled. Verso: blank. Dimensions: 102 x 60 mm. Anthony the Great was Saint, Monk, Hermit, "Anthony of Egypt", "Anthony the Abbot", "Anthony of the Desert", "Anthony the Anchorite", "Anthony the Hermit", "Anthony of Thebes", "Father of All Monks", Patron saint for animals, Patron saint for skin diseases, Patron saint for farmers, Patron saint for butchers, Patron saint for basket makers, Patron saint for brushmakers, Patron saint for gravediggers, and Patron saint of the Pontifical Ecclesiastical Academy. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Lambert of Maastricht. Born c. 636/638 in Maastricht, The Netherlands. Died c. 705 in Liege, Belgium . Steel engraving by Eduard Rittinghaus (1830 - after 1898), after J.B. Budde (h-h), c. 1860. Reasonable condition. Paper with some faint spotting and small staining. Verso: blank. Dimensions: 99 x 52 mm. Lambert of Maastricht was Bishop, Saint, Martyr, Patron saint of farmers, Bishop of Maastricht, Patron saint of surgeons, Patron saint of dentists, and Patron saint for paralyzed people. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Juliana of Nicomedia. Born c. 285 AD in Cuma, Italy. Died 304 AD in ancient Nicomedia, Turkey or Napels, Italy. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Franz Ittenbach (1813-1879), c. 1860. Good condition. Paper with some faint to very faint spotting. Verso: blank. Dimensions: 75 x 39 mm. Juliana of Nicomedia was Saint, Martyr, and Patron saint of sickness. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Bonaventure. Born 1221 in Bagnoregio, Italy. Died 15 July 1274 in Lyon, France. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Mino da Fiesole (c. 1429 - 1484), c. 1860. Reasonable condition. Paper slightly soiled and slightly browned. Some very faint spotting. Verso: blank. Dimensions: 100 x 45 mm. Bonaventure was Philosopher, Cardinal, Theologian, Saint, Cardinal-Bishop of Albano, Franciscan Friar, Doctor of the Church, Scholastic theologian, Minister General of the Order of Friars Minor, Teacher of the Faith, "Giovanni di Fidanza", and "Seraphic Doctor". c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Sulpitius the Pious. Born c. 570 in Vatan, France. Died 644 in Bourges, France. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after J.B. Budde (h-h), c. 1860. Reasonable condition. Paper a bit soiled, with some minor, faint to very faint spotting. Verso: blank. Dimensions: 99 x 54 mm. Sulpitius the Pious was Bishop, Saint, Archbishop of Bourges, Patron saint of Vatan, Patron saint of Bourges, and Patron saint of late vocations. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Jesus of Nazareth. Born c. 4 BC in Bethlehem, Israel. Died c. 30 AD in Jerusalem, Israel. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Johann Friedrich Overbeck (1789-1869), c. 1860. Reasonable condition. Paper with some spotting/small staining. Verso: blank. Note: portrayed as Pastor Bonus. Dimensions: 75 x 48 mm. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Thomas Becket. Born 21 December 1119 in London, England. Died 29 December 1170 in Canterbury, England. Steel engraving by Eduard Rittinghaus (1830 - after 1898), c. 1860. Good condition. Paper faintly soiled. Verso: blank. Dimensions: 98 x 49 mm. Thomas Becket was Saint, Archbishop, Martyr, Archbishop of Canterbury, Primate of England, "Thomas of Canterbury", "Thomas of London", Archdeacon of Canterbury, Lord Chancellor of England, Patron saint of Exeter College at Oxford, Patron saint of Portsmouth, Patron saint of Arbroath Abbey, Patron saint of the secular clergy, and Patron saint of the City of London. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Peter of Alcantara. Born 1499 in Alcantara, Spain. Died 18 October 1562 in Arenas de San Pedro, Spain. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Heinrich Karl Anton Mucke (1806-1891), c. 1860. Good condition. Paper faintly soiled. Verso: blank. Dimensions: 98 x 54 mm. Peter of Alcantara was Saint, Franciscan Friar, Mystic, Patron saint of Brazil, Patron saint of Eucharistic adoration, Patron saint of Extremadura, and Patron saint of Pakil. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Jesus of Nazareth. Born c. 4 BC in Bethlehem, Israel. Died c. 30 AD in Jerusalem, Israel. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Philipp Veith (1768-1837), c. 1860. Reasonable condition. Paper with some spotting/small staining. Verso: blank. Dimensions: 75 x 47 mm. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Saint Veronica. Born 1st Century AD in Banias, Syria or Jerusalem, Holy Land. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Dominik Mosler (1822-1880), c. 1860. Reasonable condition. Paper a bit soiled, with some minor, faint to very faint spotting. Verso: blank. Dimensions: 102 x 53 mm. Saint Veronica was Saint, "Berenike", Patroness of images, Patroness of laundry workers, Patroness of photographers, and Patroness of Santa Veronica. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Conrad of Piacenza. Born 1290 in Calendasco, Italy. Died 19 February 1351 in Noto, Italy. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Andreas Johann Jacob Heinrich Muller (1811-1890), c. 1860. Reasonable condition. Paper slightly soiled. Some faint spotting. Verso: blank. Dimensions: 102 x 51 mm. Conrad of Piacenza was Saint, Pilgrim, Franciscan tertiary, Hermit, Penitent, Patron saint for the cure of hernias, Patron sain tof Calendasco, and Patron saint of Noto. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Ansgar. Born 801 in Corbie, France. Died 865 in Bremen, Germany. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after F.W. Commans (h-h), c. 1860. Good condition. Paper faintly soiled. Verso: blank. Dimensions: 98 x 57 mm. Ansgar was Saint, Missionary, "Apostle of the North", "Anskar", "Anschar", "Oscar", and Archbishop of Hamburg-Bremen. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Frederick of Utrecht. Born c. 780 in Sexbierum, The Netherlands. Died c. 835 in Utrecht, The Netherlands. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Joseph Anton Nikolaus Settegast (1813-1890), c. 1860. Reasonable condition. Paper a bit soiled, with some faint spotting and small staining. Verso: blank. Dimensions: 98 x 57 mm. Frederick of Utrecht was Bishop, Saint, Martyr, Bishop of Utrecht, and Possibly murdered by inhabitants of Walcheren. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Willibrord. Born c. 658 in Northumbria, England/Scotland. Died 739 in Echternach, Luxembourg. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after J.B. Budde (h-h), c. 1860. Good condition. Paper faintly soiled. Verso: blank. Dimensions: 98 x 52 mm. Willibrord was Bishop, Saint, Missionary, Christian missionary, First Bishop of Utrecht, "Apostle to the Frisians", Patron saint for convulsions, Patron saint for epilepsy, Patron saint of epileptics, Patron saint of Luxembourg, Patron saint of the Netherlands, and Patron saint of the Archdiocese of Utrecht. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Mary, mother of Jesus. Born c. 18 BC. Died after c. 30/33 AD. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Eduard von Steinle (1810-1886), c. 1860. Reasonable condition. Paper with some very faint spotting/small staining. Verso: blank. Dimensions: 75 x 47 mm. Mary, mother of Jesus was Saint, Mother of Jesus, Virgin, and The holiest and greatest saint. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Jesus of Nazareth. Born c. 4 BC in Bethlehem, Israel. Died c. 30 AD in Jerusalem, Israel. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Dominik Mosler (1822-1880), c. 1860. Good condition. Some very faint spotting. Verso: blank. Dimensions: 118 x 80 mm. c. 1860. Print.

No Binding. Condizione: Fair. Portrait of Saint Stephen. Born c. 5 AD. Died c. 33-36 AD in Jerusalem, Israel. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after R. Elster (h-h), c. 1860. Reasonable condition. Paper with overall spotting and small staining. Verso: blank. Dimensions: 117 x 84 mm. Saint Stephen was Saint, Martyr, Deacon, Patron saint of horses, The first martyr of Christianity, Protomartyr, Protomartyr of The Faith, Patron saint of altar servers, Patron saint of Acoma, Patron saint of casket makers, Patron saint of Cetona, Patron saint of Deacons, Patron saint for headaches, Patron saint of Kessel, Patron saint of masons, Patron saint of Owensboro, Patron saint of Passau, Patron saint of Kigali, Patron saint of Dodoma, Patron saint of Serbia, Patron saint of Prato, and Patron saint of the Republic of Srpska. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Jesus of Nazareth. Born c. 4 BC in Bethlehem, Israel. Died c. 30 AD in Jerusalem, Israel. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Dominik Mosler (1822-1880), c. 1860. Good condition. Verso: blank. Dimensions: 118 x 81 mm. c. 1860. Print.

No Binding. Condizione: Good. Portrait of Judas Iscariot. Died c. 30-33 AD. Steel engraving by Eduard Rittinghaus (1830 - after 1898), after Dominik Mosler (1822-1880), c. 1860. Good condition. Verso: blank. Note: portrayed betraying Jesus in the Garden of Gethsemane. Dimensions: 118 x 81 mm. Judas Iscariot was Apostle, Disciple, and Betrayed Jesus Christ. c. 1860. Print.

Condizione: Good. Color heliogravure on cream wove paper. 25 x 19 cm (sheet). Signed and dated '97' in the plate. Very Good, a few specks of foxing, toning along sheet edges.

original copper engraving, Kupferstich, 22 x 15 cm, aufgewalztes Chinapapier de 500 Grafik.

An interesting letter, indicating the networks of sympathisers who assisted those fleeing to England in the years following the revolutions of 1848. In the July 1895 edition of the Atlantic, the subject of this letter, the Christian Socialist J. M. Ludlow, in reviewing Nadaud's memoirs, described him as 'a friend of my own, of many years' standing'. The present item was written in the seventh of the eighteen years of Nadaud's English exile, part of which was spent as a teacher in Wimbledon under the name 'Henri Geo. Nadaud'. The identity of the recipient is not known. 4pp, 16mo. Bifolium on grey paper. Worn, and with a small part of one corner torn away, but in fair overall condition. Folded once for postage. Sixty-six lines of text, addressed to 'Cher Mons Delabussière', and signed 'Martin'. He begins by explaining why he has not been able to return in person the 'numéro' (of a periodical) that Delabussière has sent him, and that he has read with great pleasure. (He had previously made arrangements about altered worktimes with a colleague.) He goes on to ask whether Delabussière would like to dine with him the following Wednesday, and whether he would like him to invite 'Boura' and another man as well. He states that he does not recall talking to Boura on the subject of a letter 'écrite par le monsieur ou je suis, à celui que je venais de quitter. / Le fait de votre réussite, parle assez haut en lui même pour que, aucun on dit, ne puisse atteindre votre amore propre. Si on n'avait pas eu confiance en vous, je n'y pourais pas été appele?' He hopes that Delabussière's 'association' brings him money, as friends are rare, and a man is placed in the scales of wealth rather than of honour. He has distributed Delabussière's prospectuses along with his own calling card, and bids him visit 'un de mes bons amis, Mr Ludlow, avocat anglais, 3 Old Square Lincom-inn [sic]' and tell him that he is 'le professeur de (Mechanics institution)', and 'il aura peut être un collège à vous offrir'. It will be worth his while, 'car ces messieurs font des sacrifices énormes pour l'education du peuple anglais'. He gives a few further instructions regarding how to approach Ludlow, ending, 'Il sait toute mon affaire, je ne lui cache rien!'.

Condizione: Good. Etching. 21.6 x 18.3 cm. Very Good; tiny tear at margin. Text En Francais.Portrait of the artist Horace Vernet.

Colour-printed lithograph. Very good condition apart from a few mild surface abrasions, a small loss and mild crease at the top of the image. A pupil of Harrison Bird Brown, the American artist Nicholas Winfield Scott Leighton was initially trained as a landscape painter but is primarily known for his images of animals, particularly thoroughbred racing horses. He funded his artistic education in Portland, Maine by rearing and trading horses, a job which gave him an intimate knowledge of equine anatomy that later manifested itself in his paintings. Leighton eventually settled in Boston, where he established a studio and continued to execute equestrian paintings, many of which were published as prints by Currier & Ives. During the 1880s, he exhibited his work at the prestigious National Academy of Design.