after cook thomas (18 risultati)

43.5x54.5 cm. Uncolored engraving in fair condition. Frayed and soiled at edges, bottom edge trimmed close, short tear at top of center fold into image, other short tears into edges have earlier mends. A restorable copy of a famous print, published on June 1, 1803 by G & J Robinson, depicting several members of the House of Commons, including James Oglethorpe and Archibald Grant, gathered in a room at the Fleet Prison for an investigation of Thomas Bambridge, warden of the prison, for the brutal treatment of prisoners, one of whom is shown at center wearing a punishment device, known as the collar, that fits around the neck and one or both hands. Another device, known as the sheers, is held by Grant, and another device, known as the skull cap, is held by Oglethorpe and two other committee members. Bambridge was subsequently tried at the Old Bailey for the murder of a prisoner and was acquitted.

Condizione: Good. Benjamin Hoadly, Bishop of Winchester c. 1800 Engraving 321×264 (12 1/16×10 3/8) on paper 573×442 (22 9/16×17 3/8); plate-mark 424×292 (16 11/16×11 1/2) Writing-engraving 'Painted by Wm. Hogarth| Engraved by T. Cook.|The Right Reverend Father in God |DR. BENJAMIN HOADLY, LORD BISHOP OF WINCHESTER| Prelate of the Most Noble Order of the Garter|London: Published by G. & L. Robinson, Paternoster Row, & F. Cook, No.38, Tavistock Street, Covent Garden' and the Bishop's seal within the Garter ribbon in the centre Hogarth's original painting of the Bishop is N02734 above. An engraving after it (facing the same way as the painting) by Bernard Baron was published in July 1743 (Paulson 1970, no.226, pl.266) and led to the erroneous assumption that this was also the date of the original, which, however, is signed and dated 1741. some foxing.

Condizione: Good. " Design'd and scratch'd in the true Dutch taste by W. Hogarth. resp. / Engrave(')d by T. Cook. 11 x 14.5 inches plate size on wide margined wove paper. Copy of Paulson, no. 191a.

Condizione: Good. 33.9 × 26.2 cm (image) 38.5 × 29.2 cm (plate) 39.4 × 29.5 cm (sheet)printed in ink l.l.: Painted by W. Hogarth.printed in ink l.r.: Engraved by T. Cookprinted in ink l.c.: GULIELMUS HOGARTH. / Published June 1.st (st in superscript above . ) 1801 by G.G. & J.Robinson Paternoster Row London,-printed (diagonally) in ink (in image) l.r.: The / Line of Beauty. Marginal tears and some foxing & dampstains in margins.copy of Paulson, no. 181.

Condizione: Good. Engraving. 18.5 x 21 inches with margins.

Condizione: Good. Engraving. 18.5 x 21 inches with margins.The Pool Of Bethesda. The Curative Pool At Jerusalem's Sheep's Gate, Visited By The Sick And Healthy With Jesus As Good Samaritan In The Center.

Condizione: Good. Etching and engravings wove paper. 58 x 44 cm (sheet). Very Good, light scattering of foxing in the margin areas.

Condizione: Good. Etching and engravings wove paper with J. Watman watermark. 44 x 58 cm (sheet). Good, light scattering of foxing in the margin areas, toning along sheet edges, some tears along bottom sheet edge.

Condizione: Good. Etching and engravings on wove paper. 43 x 58 cm (sheet). Very Good, light scattering of foxing in the margin areas, toning along sheet edges.

Condizione: Good. Etching and engraving wove paper. 44 x 58 cm (sheet). Good, light scattering of foxing in the margin areas, toning and water staining along sheet edges.

Condizione: Good. Two engravings on one sheet 23 x 16.25 inches.

Engraving, and etching. Image measures 13 3/8 x 15 7/8". Sheet measures 16 1/4 x 21". Often referred to as the French and Indian War (1756-1763), the otherwise known Seven Years War reignited British concerns of a French invasion, as well as a culturally-ingrained anti-French feeling among the populace. With his usual skill for satirical detail, Hogarth allows us to gain the British perspective of a war so often only considered an American conflict. This print and its companion piece "England" illustrate the stark contrasts between the French and their significantly better-off adversaries, the English. For example, one of the most prominent threats that France represented was religious, as well as political, in the form of Catholicism and its implications of superstition, inquisition, and tyranny. Therefore, Hogarth portrays a monk as a leader of the invasion, preparing a boat filled with various torture devices. Hogarth also plays upon the perceived physical differences between France and Britain. In France, most of the inhabitants are emaciated and forced to roast frogs for food while in Britain, the people are stout from a steady diet of beer and roast beef. This print is additionally fascinating because it serves as an early example of the comedic connection between France and frogs. This particular print was published in the 1798 edition of "Hogarth Restored: The Whole Works of the celebrated William Hogarth" by G. C. & J. Robinson. The plates of this edition were engraved after Hogarth's plates by Thomas Cook and thus, this is usually referred to as the Cook edition. The original plate by Hogarth is part of a set entitled "The Invasion," first published in 1756, of which this is the first plate. The print is in good condition with some scuffs to the margin. William Hogarth (1697-1764) is considered by many scholars and print enthusiasts as the grandfather of English graphic satire, but he was also an accomplished oil painter, portraitist, engraver, and draughtsman. Hogarth mastered the art of depicting human nature and all of its hypocrisies in society with graphic satire. The universality of his humor and the all-too-human characters featured in his works make Hogarth's satires remarkable. This print represents the epitome of Hogarth's skills as an artist and as a conscientious observer of humanity.

A large engraving showing Charles Churchill as a bear, holding a wooden club and a tankard of beer. Hogarth's dog, Trump, urinates on a copy of Churchill's "Epistle to Hogarth" This is a large format engraving. The print is 38 x 28.5cm and the sheet is 49.5 x 36cm. ((19½ by 14¼ inches). Most copies we have seen for sale are 19cm x 26cm. Very good condition with no significant edgewear. A few small stains only to the edges. There is a small repaired enclosed tear to the top border. Print area is very good.

Later Edition. The complete series, plates I-X uncut as issued. These are the Thomas Cook re-engravings, ca. 1806. Plate marks 21-1/4" x 14" on 24" x 17" sheets; printed on heavy wove paper. Occasional shallow chipping, soiling, & foxing to extremities; images fresh and unfoxed; Very Good. A fresh and attractive set of Hogarth's illustrations to Hudibras, filled with the artist's typically allusive and symbolic humor. Folio - over 12" - 15" tall.

Condizione: Good. 12 Engravings on 12 sheets. 23 x 17 inches/55 x 45 cm. sheet sizes. Copies of Paulson, nos. 168-179. Stained, mainly visible in marigins; Plate 12 torn in half, but without loss.lndustry and Idleness is the title of a series of 12 engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Plate 1: The Fellow 'Prentices Industry and Idleness at their Looms Plate 2: The Industrious 'Prentice performing the Duty of a Christian Plate 3: The Idle 'Prentice at play in the Church yard during Divine Service Plate 4: the Industrious 'Prentice a favourite, and entrusted by his master Plate 5: The Idle 'Prentice turn'd away, and sent to Sea Plate 6: The Industrious 'Prentice out of his time a7 Married to his Master's Daughter Plate 7: the Idle 'Prentice return'd from Sea and in a garret with a common Prostitute Plate 8: The Industrious 'Prentice grown rich and Sheriff of London Plate 9: The Idle 'Prentice betrayed and taken in a Night-Cellar with his Accomplice Plate 10: The Industrious 'Prentice Alderman of London, the Idle one brought before him & Impeach'd by his Accomplice Plate 11: The Idle 'Prentice Executed at Tyburn Plate 12: the Industrious 'Prentice Lord-Mayor of London The images were Painted and Engraved in 1747. Plates 1 - 10 are within plate mark sized 265 x 350 mm. Plates 11 and 12 are sized 270 x 405 mm. On paper sized 480 x 630 mm. Painted by William Hogarth (Heath edition, 1820-22)The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818 "The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies with either a recut plate or the 'engravers version'.

Condizione: Good. 12 Engravings on 7 sheets. 25 x 18.5 inches sheet sizes. Copies of Paulson, nos. 82-93. Few mariginal tearsIllustration to the the 17th Century work ofSamuel Butler who was influenced by Rabelais and Cervantes' Don Quixote. While in Cervantes, the noble knight although being mocked is supposed to draw readers' sympathies, Hudibras is offered nothing but derision.The title comes from the name of a knight in Edmund Spenser's Faerie Queene who is described as "not so good of deeds as great of name" and "more huge in strength than wise in work". Spenser in turn probably got the name from the legendary king of the Britons, Rud Hud Hudibras.Made by T. Cook after W. Hogarth. Thomas Cook (1744-1818) was a London engraver. Thomas was a student of Ravenet, the well-known French engraver who resided in London at the time. He has copied the entire engraved work of Hogarth, which was published under the name 'Hogarth Restored' from 1806. William Hogarth (1697-1764) was an English painter, printmaker, social critic and cartoonist.

Thomas Bambridge (?-ca. 1750) was sedert 1728 een berucht gevangenisbewaarder van de Fleet Prison in Londen die zijn gevangenen martelde etc. Na een onderzoek in 1729 door het House of Commons werd hij opgesloten in Newgate Prison en vervallen verklaard uit zijn functie. Hij staat op de prent als tweede van links en wordt ondervraagd door James Oglethorpe. Op de voorgrond een gevangen Portugees Jacob Mendez Solas die gevangen zat in ijzeren boeien in de Fleet Prison wegens schulden. Her en der martelwerktuigen. Gravure door J. Cook, naar een schilderij van W. Hogarth. Published Londen, Robinson, 1-6-1803. De prent toont Bambridge, 15 heren rond een tafel en een gevangen Portugees. [EN] Interior of the Fleet Prison with the House of Commons committee appointed to enquire into the state of gaols (after Hogarth's painting of c.1729 in the National Portrait Gallery); to left, James Oglethorpe, Chairman of the Committee, confronts the warden of the Fleet, Thomas Bambridge; in the foreground, a prisoner (probably Jacob Mendes da Sola) kneels in shackles. l Engraving on paper with margins; plate mark: 440 x 560 mm, total: 450 x 550 mm; damaged along the plate mark.

all 16,9 x 20,9 cm. (platemark), all prints lettered with title, artists' names and publication line: "Published by Longman, Hurst, Rees, & Orme, Novr. 1st. 1806.