Ai weiwei mark siemons (17 risultati)

Condizione: very_good.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Gut. 115 SS. mit vielen Abbildungen. Texte ind Englisch und teils Deutsch. - Sauber und gut erhalten. Sprache: Englisch Gewicht in Gramm: 550 Gr.-8°, Illustrierte Original-Broschur.

hardcover. Condizione: New. **HARDBACK**.

Softcover, Heft. 115 Seiten Zustand: keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten gut. Sprache: Englisch Gewicht in Gramm: 350.

117 Seiten. Gr.-8°. Gut erhalten. Illustrierter O-Pappband. Text englisch.

Hardcover. Condizione: New. Condizione sovraccoperta: Art, Chinese, Contemporary. . . . . 8vo, hardcover. No dj. NEW. No wear to overs and contents: crisp, clean - pristine. 117 pp., illus.

Hardcover. Condizione: Near Fine. 1st Edition. Decorative Boards Recent work of one of China's most important and outspoken contemporary artists is featured in this book. One of China's most controversial artists, Ai Weiwei is also one of the world's most prominent critics of the Chinese government. A critic of China's handling of such matters as the 2008 Olympic Games, and the tragedy of the 2008 earthquake, Ai Weiwei brings questions about tradition, history, modernity, and change to his works of sculpture, architecture, photography and his blog texts. This attractive volume includes images of Ai Weiwei's acclaimed Fairytale installation for the 2007 Documenta in Kassel, German, as well as illustrations of his furniture and woodwork, teapots and vases, video stills and his recent works for the exhibition at the Haus der Kunst in Munich. These include Remembering, an installation at the front facade at the Haus der Kunst with backpacks, which commemorates the Sichuan Earthquake and the thousands of children who died in their schools then. Other works are Soft Ground and Rooted Upon. In addition to illustrations of Ai Weiwei's three-dimensional work, there are numerous photographs, images of installations in situ, and blog entries and poems by the artist. …

24 x 19 cm. 114 S., 1 Blatt. Illustrierte OBroschur. Einbandkanten mit kleinen Bereibungen. Sonst sehr gtes Exemplar. Sonderdruck zur Ausstellung München 2009 durchgehend mit Abbildungen versehen. Text in englischer Sprache.

Condizione: Good. Taschenbuch. Zustandsangabe altersgemäß. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 115 Seiten. In englischer Sprache. Einband mit leichten Gebrauchsspuren.

Hardcover. Condizione: As New. Book is as new. 118pp with colour photographs.

Condizione: Very Good.

Condizione: Gut. 117 Seiten. Geheftet. Sprache: Englisch Gewicht in Gramm: 675.

Softcover. Condizione: Sehr gut. 120 S., 24 cm, zahlr. Abb., meist s/w, nahezu neuwertig. 120 p. Buch.

Illustrierte Originalbroschur. Condizione: Wie neu. Erstausgabe. Offprint Sonderdruck. 115 (1) Seiten mit zahlreichen Illustrationen und graphischen Darstellungen. 24,2 x 19,3 cm. Sehr guter Zustand. Frisches Exemplar. Wie ungelesen. Er kämpft gegen das Unrecht in seinem Land und gibt den Schwachen und Zerbrochenen eine Stimme: Ai Weiwei gilt als der bedeutendste chinesische Künstler der Gegenwart und ist der bekannteste Repräsentant für regimekritische Kunst aus China. Jetzt wird Ai Weiwei mit einer großen Einzelausstellung im Haus der Kunst in München gewürdigt. Dieses Buch zeigt nicht nur alle Exponate der Ausstellung, sondern auch Fotomaterial sowie Texte des Künstlers, politische Statements und Ausschnitte seiner blogs. - Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures, he refashions artefacts and antiques into surprising, sometimes monumental constructions such as "Template" (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive outdoor sculpture.As much as these materials look to the past, they also speak of the present, because never before (and probably never again) have they been available in such abundance. Like his benches carved from centuries-old temple beams, "Template" is a sly commentary on the speed with which China's building boom is obliterating its past. (When Template collapsed in a rainstorm two weeks after its unveiling at Documenta 12, the artist embraced its demise as a clever artistic twist).In China today, making art that's critical of current cultural and economic policies is not a particularly safe career move. But Ai's father, the poet Ai Qing, walked a similar path, absorbing European avant-garde styles while studying in 1930s Paris and later standing by them in the face of Communist opposition, a move that eventually led to his exile to the distant provincial town where his son Weiwei came to be born and raised. In the late 1970s, Ai Weiwei moved to Beijing, banding together with other pro-democracy artists in a loose collective known as the Stars Group.In 1981, following government retaliation against one of their exhibitions, Ai moved to New York, where he attended art school and lived the life of the bohemian for twelve years, his East Village apartment serving as a base for countless visiting Chinese artists. When his father became ill in 1993, Ai returned to China, settling in Beijing and finally taking up his art career in earnest. Weiwei's artistic forebears belong primarily to the Western modernist avant-garde (Duchamp and Beuys are particularly relevant).But Ai has equally and increasingly been influenced by modernist architecture and contemporary urban planning, citing the need for an ideal for living in a country where runaway economic development has shown little regard for the everyday life of the individual. In stark contrast to the glass-and-steel high-rises going up around Beijing, the art galleries, ateliers and homes, Ai designs are boxy and modest, made from brick and other vernacular materials. Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures. What truly marks out Ai as a twenty-first century artist is the multiplicity of his roles: not just artist, designer and architect but also curator, publisher, web blogger and compass for an entire generation of Beijing artists.He has been described more than once as the Chinese Warhol, overseeing a factory-like studio (Fake) with dozens of assistants engaged in countless projects in a range of disciplines. And indeed his outsize public persona is an inseparable part of his art. It should come as no surprise that when Herzog & de Meuron came to Beijing to conceive of a new stadium for the 2008 Olympics, Ai was the one who provided them with a design concept: an interlaced form based on the woven baskets his wife collects at local antique markets.At a time when the West is finally discovering Chinese contemporary art, Ai is one of the few to have transcended t.…

Hardcover. Condizione: As New. 1st Edition. 118pp., Pictorial photographic laminated boards, orange eps., col. illust. title page, So Sorry, col. & b/w plts. & text, full & dbl. page photos, plan drawings, installation, talk with Ai Weiwei, biography, ack. The title of this exhibition, So Sorry, refers to the thousands of apologies expressed recently by governments, industries, and financial corporations worldwide in an effort to make up for tragedies and wrongdoings. Size: Wide Large Octavo. Book. …

Munich 2009, Prestel Verlag,115 pp, softcover,color photos, not as new but good copy, (code O-92).