Aime mpane (16 risultati)

Condizione: New. Shrink wrapped! Paperback edition. (african art, exhibitions, art) A brand new, unused and unread copy in perfect condition.

Hardcover. Condizione: new. Hardcover. The Royal Museum for Central Africa, in Tervuren, Belgium, was founded in 1898, but its current building was inaugurated in 1910 and is characterised by many symbols reflecting the colonial propaganda of the time. The grand rotunda, designed to serve as the museum entrance, plays host to a series of statues that are strong examples of such imagery, reflecting fundamentally racist stereotypes.Between 2013 and 2018, the RMCA underwent a major renovation that saw a substantial redesign of the permanent exhibition, with the involvement of members of the African diaspora in Belgium. A major challenge of the renovation was to demonstrate the will to decolonise a listed building that is legally protected against changes. As removal of the colonial statues was not allowed, the museum was forced to find innovative solutions, notably by inviting contemporary African artists to create installations to dialogue, contrast, and discuss with colonial messages.Congolese artist Aime Mpane was chosen to make such an installation in the rotunda in 2018 with New breath, or Burgeoning Congo. Public reaction helped the AfricaMuseum realise that it needed to go further. Along with the creation of a second sculpture, Aime Mpane, in co-creation with Belgian artist Jean Pierre Mueller, proposed the RE/STORE project: a permanent installation of transparent veils, each bearing a contemporary message, hung in front of every statue in the rotunda. The themes addressed in this collection of veils interact with the viewer in a powerful and eloquent manner.This richly illustrated book is a compilation of texts written by renowned experts about the history of the rotunda and its statues, as well as the semantic and artistic analysis of RE/STORE, providing a full catalogue of the installations, sculptures, and veils. A richly illustrated book, compiling texts by renowned experts about the history of the rotunda of the Royal Museum for Central Africa, Tervuren, Belgium. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. The Royal Museum for Central Africa, in Tervuren, Belgium, was founded in 1898, but its current building was inaugurated in 1910 and is characterised by many symbols reflecting the colonial propaganda of the time. The grand rotunda, designed to serve as the museum entrance, plays host to a series of statues that are strong examples of such imagery, reflecting fundamentally racist stereotypes.Between 2013 and 2018, the RMCA underwent a major renovation that saw a substantial redesign of the permanent exhibition, with the involvement of members of the African diaspora in Belgium. A major challenge of the renovation was to demonstrate the will to decolonise a listed building that is legally protected against changes. As removal of the colonial statues was not allowed, the museum was forced to find innovative solutions, notably by inviting contemporary African artists to create installations to dialogue, contrast, and discuss with colonial messages.Congolese artist Aimé Mpané was chosen to make such an installation in the rotunda in 2018 with New breath, or Burgeoning Congo. Public reaction helped the AfricaMuseum realise that it needed to go further. Along with the creation of a second sculpture, Aimé Mpané, in co-creation with Belgian artist Jean Pierre Müller, proposed the RE/STORE project: a permanent installation of transparent veils, each bearing a contemporary message, hung in front of every statue in the rotunda. The themes addressed in this collection of veils interact with the viewer in a powerful and eloquent manner.This richly illustrated book is a compilation of texts written by renowned experts about the history of the rotunda and its statues, as well as the semantic and artistic analysis of RE/STORE, providing a full catalogue of the installations, sculptures, and veils.…

Hardcover. Condizione: Brand New. 1st edition. 184 pages. 10.63x0.75x8.74 inches. In Stock.

Buch. Condizione: Neu. Neuware - A richly illustrated book, compiling texts by renowned experts about the history of the rotunda of the Royal Museum for Central Africa, Tervuren, Belgium.

Hardcover. Condizione: new. Hardcover. The Royal Museum for Central Africa, in Tervuren, Belgium, was founded in 1898, but its current building was inaugurated in 1910 and is characterised by many symbols reflecting the colonial propaganda of the time. The grand rotunda, designed to serve as the museum entrance, plays host to a series of statues that are strong examples of such imagery, reflecting fundamentally racist stereotypes.Between 2013 and 2018, the RMCA underwent a major renovation that saw a substantial redesign of the permanent exhibition, with the involvement of members of the African diaspora in Belgium. A major challenge of the renovation was to demonstrate the will to decolonise a listed building that is legally protected against changes. As removal of the colonial statues was not allowed, the museum was forced to find innovative solutions, notably by inviting contemporary African artists to create installations to dialogue, contrast, and discuss with colonial messages.Congolese artist Aime Mpane was chosen to make such an installation in the rotunda in 2018 with New breath, or Burgeoning Congo. Public reaction helped the AfricaMuseum realise that it needed to go further. Along with the creation of a second sculpture, Aime Mpane, in co-creation with Belgian artist Jean Pierre Mueller, proposed the RE/STORE project: a permanent installation of transparent veils, each bearing a contemporary message, hung in front of every statue in the rotunda. The themes addressed in this collection of veils interact with the viewer in a powerful and eloquent manner.This richly illustrated book is a compilation of texts written by renowned experts about the history of the rotunda and its statues, as well as the semantic and artistic analysis of RE/STORE, providing a full catalogue of the installations, sculptures, and veils. A richly illustrated book, compiling texts by renowned experts about the history of the rotunda of the Royal Museum for Central Africa, Tervuren, Belgium. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New. The Royal Museum for Central Africa, in Tervuren, Belgium, was founded in 1898, but its current building was inaugurated in 1910 and is characterised by many symbols reflecting the colonial propaganda of the time. The grand rotunda, designed to serve as the museum entrance, plays host to a series of statues that are strong examples of such imagery, reflecting fundamentally racist stereotypes.Between 2013 and 2018, the RMCA underwent a major renovation that saw a substantial redesign of the permanent exhibition, with the involvement of members of the African diaspora in Belgium. A major challenge of the renovation was to demonstrate the will to decolonise a listed building that is legally protected against changes. As removal of the colonial statues was not allowed, the museum was forced to find innovative solutions, notably by inviting contemporary African artists to create installations to dialogue, contrast, and discuss with colonial messages.Congolese artist Aimé Mpané was chosen to make such an installation in the rotunda in 2018 with New breath, or Burgeoning Congo. Public reaction helped the AfricaMuseum realise that it needed to go further. Along with the creation of a second sculpture, Aimé Mpané, in co-creation with Belgian artist Jean Pierre Müller, proposed the RE/STORE project: a permanent installation of transparent veils, each bearing a contemporary message, hung in front of every statue in the rotunda. The themes addressed in this collection of veils interact with the viewer in a powerful and eloquent manner.This richly illustrated book is a compilation of texts written by renowned experts about the history of the rotunda and its statues, as well as the semantic and artistic analysis of RE/STORE, providing a full catalogue of the installations, sculptures, and veils.…

hardcover 265 x 210 mm, 184 pages, ENG edition. ISBN 9789085868378. The Royal Museum for Central Africa was founded in 1898, but its current building was inaugurated in 1910 and is characterised by many symbols reflecting the colonial propaganda of the time. The grand rotunda, designed to serve as the museum entrance, plays host to a series of statues that are strong examples of such imagery, reflecting fundamentally racist stereotypes. Between 2013 and 2018, the RMCA underwent a major renovation that saw a substantial redesign of the permanent exhibition, with the involvement of members of the African diaspora in Belgium. A major challenge of the renovation was to demonstrate the will to decolonise a listed building that is legally protected against changes. As removal of the colonial statues was not allowed, the museum was forced to find innovative solutions, notably by inviting contemporary African artists to create installations to dialogue, contrast, and discuss with colonial messages. Congolese artist Aimé Mpane was chosen to make such an installation in the rotunda in 2018 with New breath, or Burgeoning Congo. Public reaction helped the AfricaMuseum realise that it needed to go further. Along with the creation of a second sculpture, Aimé Mpane, in co-creation with Belgian artist Jean Pierre Müller, proposed the RE/STORE project: a permanent installation of transparent veils, each bearing a contemporary message, hung in front of every statue in the rotunda. The themes addressed in this collection of veils interact with the viewer in a powerful and eloquent manner. This richly illustrated book is a compilation of texts written by renowned experts about the history of the rotunda and its statues, as well as the semantic and artistic analysis of RE/STORE, providing a full catalogue of the installations, sculptures, and veils. 0 g.…

Condizione: Hervorragend. Zustand: Hervorragend | Seiten: 40 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: gut. THE GRAND ROTUNDA OF THE ROYAL MUSEUM FOR CENTRAL AFRICA RE/STORE. In deutscher Sprache. pages.

Gebonden 265 x 210 mm, 184 pagina's, NL edition. ISBN 9789085868392. Het Koninklijk Museum voor Midden-Afrika werd opgericht in 1898, maar de officiële opening van het huidige gebouw vond pas in 1910 plaats en werd gekenmerkt door vele symbolen die de koloniale propaganda van die tijd weerspiegelen. De grot0e rotonde, ontworpen als ingang van het museum, herbergt een reeks standbeelden die sprekende voorbeelden zijn van de tijdsgeest en de stereotypen met fundamenteel racistische inslag. Tussen 2013 en 2018 onderging het KMMA een uitgebreide renovatie waarbij de permanente tentoonstelling grondig werd heringericht, met de hulp van leden van de Afrikaanse diaspora in België. Een belangrijke uitdaging bij deze renovatie was het doel een gebouw te dekoloniseren dat als beschermd monument is geklasseerd en bijgevolg wettelijk niet kan worden verbouwd. Aangezien de oorspronkelijke beelden niet mochten worden verwijderd, was het museum gedwongen dit te doen op een originele manier. Het stelde met name voor aan hedendaagse Afrikaanse kunstenaars om installaties te creëren die een dialoog, een contrast en een discussie aangaan met de koloniale symbolen. De Congolese kunstenaar Aimé Mpane werd geselecteerd om vanaf 2018 een dergelijk werk te realiseren in de rotonde. Hij creëerde Nieuwe Adem of Ontluikend Congo, maar het AfricaMuseum begreep als snel dat het, om tegemoet te komen aan zijn publiek, een stap verder moest zetten. Samen met de Belgische kunstenaar Jean Pierre Müller stelde Aime Mpané vervolgens, naast de creatie van een tweede sculptuur, het project RE/STORE voor: de permanente installatie van transparante gazen, gespannen voor elke nis van de rotonde, elk met een hedendaagse boodschap. De thema's, sterk en expliciet, maken indruk op de bezoekers van het museum. Dit rijk geïllustreerde boek bevat teksten van gerenommeerde experten over de geschiedenis van de rotonde en de beelden, en over de semantische en plastische analyse van RE/STORE. Het bevat de volledige catalogus van de installaties, beelden en gazen 950 g. …

No Binding. Condizione: Fine. Announcement. 1) 'Aime Mpane : J'ai oublie de rever', Musee Ianchelevici, La Louviere, 2017. Flyer. Text: FR/NL. Illustrated. Fine. --- 2) 'Afrika Sana : La Peinture Congolaise d'Hier et d'Aujourd'hui', Monaco, 2000. Announcement for group exhibition. Diptych; page size: 15 x 21 cm. Cover ill. 'Mpane 'Regard Lointain, 1998'. Fine. Ephemera.…

Hardcover. Condizione: New. 2022 , 181 pp Onder de leiding van Aimé Mpane en Jean Pierre Muller Re Store Africa Museum Photos in it Hard Cover.

Hardcover. Condizione: Good. 2022 , 181 pp Edited by Aimé Mpané and Jean Pierre Muller Re Store Photos in it Hard Cover.

Hardcover. Condizione: New. 2022 , 181 pp Sous la direction d Aimé Mpané et Jean Pierre Muller Re Store Africa Museum Photos in it Hard Cover.

Condizione: gut. DE GROTE ROTONDE VAN HET KONINKLIJK MUSEUM VOOR MIDDEN-AFRIKA. RE/STORE In deutscher Sprache. pages.